Drunter und drüber

What makes this film a surprise is not that it's good. After all, a romantic screwball caper starring Claudette Colbert & Jimmy Stewart, directed by W.S. Van Dyke from a script by Ben Hecht -- how could it *not* be good? No, what surprised me about this film is that as good as it is, it's not currently available on VHS or DVD.

Like Van Dyke's The Thin Man and Hecht's His Girl Friday, It's a Wonderful World combines elements of crime films with the romantic screwball comedy, and the result is both gripping & laugh-out-loud funny.

In their only on-screen pairing, Colbert & Stewart play off each other beautifully; she's the comedic foil to his tough-talking detective, and their romance is handled realistically and with patience. The supporting cast in uniformly excellent, with standout performances from Nat Pendleton & Edgar Kennedy as the bumbling cops on Stewart's trail, and Guy Kibbee as Stewart's partner & friend.

Watching this film, it's hard to believe that it's one of *four* that Van Dyke made in 1939 (especially since one of the others is the even-better Stand Up and Fight). Van Dyke was famous for shooting films quickly, but his direction never seems hurried. A director-for-hire, he was gifted at serving both art and commerce, satisfying both audiences and his bosses at MGM.

Thanks to Turner Classic Movies for giving me the opportunity to see this film, which as I mentioned is otherwise unavailable. Here's hoping that Warner Bros., which owns the rights, releases it soon on home video.

Score: EIGHT out of TEN

"It's a Wonderful World" is an entertaining comedic delight starring the immortal James Stewart and the incredibly talented Claudette Colbert. James Stewart as usual plays a down to earth, no nonsense, practical man who also happens to be a private investigator. In the process of trying to clear a client of his who is accused of murder he is captured by the police, escapes from the police, kidnaps a poetess (Colbert's character), and performs in a play while on the lam. I found the chemistry between Stewart and Colbert to be on a par with Myrna Loy and William Powell in the "Thin Man" series. Claudette Colbert is extremely entertaining and likable in a clumsy sort of way similar to Katharine Hepburn's character in "Bringing Up Baby". Overall, this is a wonderful film and should bring only enjoyment to its viewers.

Drunken tycoon Willie Heywood gets married for the fourth time. Private detective Guy Johnson (James Stewart) is his hired body man. One night, Willie stumbles upon the murder of his mistress Dolores Gonzalez. It's a setup by his new wife Vivian and her lover Al Mallon. Guy quickly grabs Willie and hides him from the police. Willie promises to pay Guy $100k to solve the murder. They are quickly arrested but Guy manages to escape. He kidnaps poet Edwina Corday (Claudette Colbert) as he makes a getaway.

The pairing is great. The screwball comedy plot is a little too screwy. The initial kidnapping is a little rough and they left behind the little dog. The glasses are hilarious. The wacky rambling adventure has its ups and its downs. Mostly, one has to love the comic chemistry of Stewart and Colbert.

Extremely funny madcap comedy starring two of the greatest stars of the classic period of American film: tongue-in-cheek Claudette Colbert and good fella Jimmy Stewart.

Stewart plays a detective on the run, who's being chased by the police, because of his involvement as an accessory in a murder case, in which the principal accused is his client. Colbert is a poetess who `accidentally' gets involved in Stewart's escapade from the cops, reluctantly at first, eventually becoming a runaway herself and falling in love with Stewart, and causing him a lot of trouble in the process. Her character is joy to behold and is hilariously played with top expertise by this gifted comedienne, in one of the last original screwballs from the '30s.

This movie is a wonderful example of classic Hollywood comedy at its best, with top performances all around, by seasoned pros (Guy Kibbee, Nat Pendleton, et al). It's non-stop fun from start to finish, and by the way, Stewart plays a much rougher guy than his usual more likeable persona in this period -he even gets the chance of knocking around Colbert. It's a pity that it's not available on VHS or DVD. You may have the luck of watching it on TCM.

Guy Johnson (James Stewart) is a NYC private detective working for 100 dollars a week keeping his boss, multimillionaire Willy Heyward, out of trouble, and that usually means out of trouble with women. But Willy has recently married, and a Latin American dancer is filling the headlines with her breach of promise claims concerning him. Willy gets drunk and goes up to settle things with the dancer, but he walks into a frame up. Somebody shoots the dancer and kills her, and Willy picks up the gun. Johnson walks into the scene not really knowing if Heyward is guilty or not, and so Johnson helps him hide out while he tries to find out who really did it. The police find the hide out though, and Willy gets convicted and sentenced to death. Johnson gets a one-year prison sentence for harboring him.

On the way to prison, Johnson sees a note in the personal column that he thinks is a clue as to who the real murderer was. So he escapes and is going to try and get evidence that Willy did not commit the murder. By the way, Willy had promised him in writing that he would give Guy Johnson 100K if he proved he didn't commit the murder. And then SHE shows up -poetess Edwina Corday (Claudette Colbert) - just in time to see Johnson escape. At first he has to drag her along as she screams the entire way and even sets fire to her own car, thinking he is an escaped murderer. But when she realizes Guy is not a "real" criminal, she won't stop bothering him. She persists in tagging along and nothing Guy does or says can shake her. Many complications ensue along the way to where Guy hopes to catch the real murderer.

I've never seen Claudette Colbert be annoying before, and she certainly is here as she gives a very shrill performance. It's odd seeing James Stewart throwing around language like he's straight out of a 30s Warner Brothers gangster film, but he, at least, makes his performance work.

Standouts include Guy Kibbee as Johnson's partner and Nat Pendleton always entertains as a rather dim and flaky flatfoot.