Der englische Seemann Gulliver landet als Schiffbrüchiger an den Ufern Liliputs, dessen Bewohner nicht größer sind als sein kleiner Finger. Die kleinen Wesen, die ihn anfangs fürchten, mache... Alles lesenDer englische Seemann Gulliver landet als Schiffbrüchiger an den Ufern Liliputs, dessen Bewohner nicht größer sind als sein kleiner Finger. Die kleinen Wesen, die ihn anfangs fürchten, machen ihn schnell zu ihrem Ehrengast.Der englische Seemann Gulliver landet als Schiffbrüchiger an den Ufern Liliputs, dessen Bewohner nicht größer sind als sein kleiner Finger. Die kleinen Wesen, die ihn anfangs fürchten, machen ihn schnell zu ihrem Ehrengast.
- Für 2 Oscars nominiert
- 2 Gewinne & 2 Nominierungen insgesamt
- Princess Glory
- (Gesang)
- Prince David
- (Gesang)
- Gabby
- (Synchronisation)
- (Nicht genannt)
- Prince David
- (Synchronisation)
- (Nicht genannt)
- King Little
- (Synchronisation)
- (Nicht genannt)
- Italian Barber
- (Nicht genannt)
- Gulliver
- (Synchronisation)
- (Nicht genannt)
- King Bombo
- (Synchronisation)
- (Nicht genannt)
- Princess Glory
- (Synchronisation)
- (Nicht genannt)
Empfohlene Bewertungen
NOT !!
They were, in many instances ( such as this one), far more inventive than Disney, and their work did not lose touch with common emotions,and had broad-based appeal to all ages, despite technical complexity.
Mickey Mouse will never go off the air. But neither will Betty Boop or Popeye.
In its own special way, "Gulliver's Travels" rivals the Disney features with its complexity, and its lack of laziness. If you really look at it, and keep in mind that this is animation done by hand...the old fashioned way, you will have a keener appreciation for the hard work that went into it. In those days, Disney and the Fleischers had to run the studios like a factory. It took teams of men in units and working shifts to concentrate on just the movements of the characters to make them appear lifelike (not like the computer animation of to-day, or even the TV animation of UPA or Hanna-Barbera in the 1950s).
"Roto-scoping", a process invented by the Fleischers, made the task that much more daunting. But the Fleischers had to be "perfectionists/masochists". The love of their craft shows in the movements, the backgrounds, the stories, and the music...not to mention the characters.
I am truly taken with the score. It is warm and dreamy and romantic....tearful to some. Some folks can't get with it, but it's a shame we don't don't hear much real music like that anymore in the mainstream.
Win Sharples and Victor Young did a very fine job...one of the best of All cartoon scores. Work on this film appears to have gotten Win Sharples the scoring job for the Fleischers, one he held down after the Fleischers were given the gate by Paramount, and which he continued to hold until Famous Studios was padlocked.
I can't recommend this feature highly enough. It's good clean fun, an accurate character study, terrific music, animation...the "whole nine".
Gulliver's Travels is beautiful! It is just as beautiful now as it was 60-plus years ago when it premiered, perhaps even moreso with the wonderful restoration we have now on DVD. This film doesn't have to compete with anything by Disney, and I don't see how this story has anything to do with Snow White. It stands on its own two feet as a captivating and charming classic story that children can enjoy over and over again, made when animation was really animation, and all the cells were handpainted by artists, instead of slopped together on boring, cookie-cutter computer models.
The storyline is perfect and has an anti-war undertone that was a bit daring for its time, made on the eve of World War Two. Even Disney's Snow White didn't have the guts to do that! So kudos to the Fleischer Brothers!
The songs are all wonderful and the soundtrack sounds marvellously enhanced on the new DVD version. "We're All Together Now", "All's Well", "It's A Hap Hap Happy Day", "Bluebirds In The Moonlight", and especially the haunting "Come Home Again, Sailor Man" are all perfect and flow into the action of the film, instead of being placed there with no relevance just to try and get a hit song. These sheet music pieces always sell well on Ebay, highlighting the fact quite clearly that this is one of the most beloved animation movies of all time.
The idea here was to do Disney's "Snow White" one better, and they came very, very close. The restored edition on DVD shows the depth and beauty of the artwork to perfection. Fleischer was even perfecting a "stereo-optic" process to add 3-dimensional depth to their images which was used in this film to good effect. The music is typical of the period, rather sugary for today's tastes, and the "Gabby" character introduced in this movie isn't nearly as funny as they seemed to think at the time. (Two "Gabby" shorts are also included on the DVD; draw your own conclusions.)
I can only guess at the reactions of movie-goers who first saw this film in 1939, but I suspect that they were blown away by the sheer scope of the artwork. Gulliver is a "man-mountain" to the Lilliputians, and the scale and perspective between him and the "tiny people" is perfect throughout the film. The sequence where the tiny townspeople use a variety of skills to truss up the sleeping "giant" and cart him (literally!) to their king's palace is, by itself, worth the price of the entire movie.
The pacing is a bit slow during the first part of the film, but the filmmakers do a nice job of setting up the conflict between the two tiny kingdoms, which (true to the spirit of Swift's story) is caused by the pride of the rival kings. I would've preferred less "Gabby" in this sequence, but I understand they were trying to establish a new character to compete with the Mouse.
If you like good animation, you will enjoy this DVD.
Why? This is as good as "Snow White". After all, it was made by the Fleischer brothers, contemporaries of animation and in my opinion, geniuses. They made the 17 classic Superman shorts that still spellbind people today, including myself. They made those classic 20 minute plus Popeye shorts. Betty Boop, Grampy, Screen Songs, Little Lulu, Gabby (spawned from this feature) the list goes on. Famous Studios was one of the most prolific animation studios of its' time.
While purists may complain that it doesn't stay faithful to the book, I think the changes are appropriate. What kid would understand Swift's social satire? What adult would really want to see a wholly faithful cartoon of the book. Besides, we have the 1996 epic film with Ted Danson to go to with accuracy.
The songs are surprisingly great considering how some can be overkill in a film like this. The characters are endearing and the story is solid and involving. What more could you ask for?
**** out of 4 stars
Wusstest du schon
- WissenswertesThis was the first animated film in which any actor's voice is credited. Disney did not give screen credit to any of the actors who voiced the characters in their animated films.
- PatzerWhen Gulliver is at the sea side after he tucks King Little and the others in at the table, a lighthouse can be seen to his left. He sits up and puts the lighthouse on his right. All the time Gulliver is seen from the front the lighthouse is there, but when it's moved to a shot from behind him at the end of the scene, the lighthouse disappears completely.
- Zitate
[first title card]
Scroll: I, Lemuel Gulliver, give thee a most faithful history of my most interesting adventure in the south sea. On the 5th day of November, 1699, having reached latitude 30 degrees - two minutes south - a storm of great fury suddenly,
[the rest cannot be seen]
- Alternative VersionenMany early UK video prints do not include the scene where Gabby and the townsfolk are standing on a sleeping Gulliver's chest, unaware of their situation and puzzled as to where he has gone. There are also some badly edited UK video prints which run at about 60 minutes.
- VerbindungenEdited into The History of the Hands (2016)
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Gulliver's Travels
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 700.000 $ (geschätzt)
- Laufzeit
- 1 Std. 16 Min.(76 min)
- Seitenverhältnis
- 1.37 : 1