The Green Hornet

"It's gone... like a spook! I've never seen a car move so fast." The two police officers who are constantly chasing the Green Hornet's car say that in almost every episode. Britt Reid (the Green Hornet) is a rich guy who like Bruce Wayne (Batman) and Lamont Cranston (The Shadow) has a secret identity that he uses to fight crime.

This serial is a lot of fun and like most serials ends each episode with an exciting cliff hanger. It suffers from the defects typical of serials of this era but also has the charm that is also typical of them.

Those of us who remember the Abbott and Costello Show will enjoy seeing Gordon Jones as Britt Reid/The Green Hornet. He was Officer Mike. Although Keye Luke (Kato) is no Bruce Lee he plays the part well. Those who enjoyed David Carradine as Caine in Kung Fu will enjoy seeing how Master Po (the blind monk who called Caine "grasshopper") looked as a young man.

Don't expect a sophisticated plot or deep character development. The dialog is corny but there is plenty of action and lots of fun.

In 1936, 'The Green Hornet' was created for the radio. Only four years later, Universal Studios made the first movie serial version of the crime fighter and I saw it mostly in order to see pre-stardom Alan Ladd before his break out films of 1942 (such as "The Glass Key" and "This Gun for Hire")....but ended up enjoying the serial in its own right.

Now I should stop for a moment to talk about serials. These installment films were very popular in the 1930s-50s and normally had to do with crime fighting, such as the Batman, Spy Smasher, Captain Marvel and other serials. A few were westerns or sci-fi. If you see them today, you'll notice a few things about all of them....death-defying escapes that are often utterly ridiculous and a lot of repetition. Audiences of the day didn't mind seeing the heroes appear to die at the end of one chapter...only to see that they actually survived miraculously (sometimes with film footage that completely contradicts what you saw the previous week). And, seeing the inconsistencies wasn't easy in the day because folks were never intended to see them all in one sitting! And, as far as repetition goes, this is because each episode needed to summarize each week in case a viewer missed a chapter or to jog their memories. They were never intended as high art and they were usually made by second and third-tier studios, such as Monogram, Republic or Universal.

When the story begins, police officials meet with Britt Reid (Gordon Jones), the publisher of 'The Daily Sentinel'...the town's newspaper. They are concerned about organized crime and Britt seems to care little about their concerns. Of course, he is the hero of the tale...so you know that he's only pretending to be a lazy jerk. In reality, his way of dealing with it is to don the guise of the Green Hornet, accompanied by his man-servant Kato* (Keye Luke)...and his hot rod car.

Soon you learn that one of the activities of this organized crime ring is graft in public works projects. The mobsters use substandard equipment in building dams and other dangerous projects...and when one of the workers threatens to go to the police, he dies in an 'accident'! So, Britt is out to get the goods on these gang activities as well as figure out who's behind this evil. And, it turns out that there's one big baddie...and his 12 evil disciples...and they are up to all sorts of crimes in addition to the dam project.

Because this is a serial, you really cannot compare it to a normal film. Sure, it's cheesy at times...but all serials are...so I cannot deduct points for this. And, compared to other serials, it's a pretty good and exciting one. Decent action and worth seeing.

*In the serial, Kato is a Korean by birth. However, on the radio he was originally Japanese. Why the change? Well, although the USA and Japan were not yet at war against each other, tensions between the two nations over the Japanese invasion of China made having Kato being Japanese a public relations problem...so they changed him to Korean.

I recently watched the 1940 serial edition of "The Green Hornet". As someone who has not watched very many serial movies, I found this film series to be fun and extremely well made for its day. The movie is about four and a half hours long, but is divided into thirteen chapters, each twenty minutes in length. I myself watched a chapter every few days over the course of a month or so.

"The Green Hornet" tells the story of the eponymous radio suspense character from the 1930's who is essentially a mild mannered newspaper editor who takes it upon himself to fight crime in disguise. The character is not exactly a vigilante, at least not in the violent sense, as the Hornet is constantly portrayed as a hero rather than an antihero. Still, his standing outside the law causes him to have run ins with both crooks and the police.

There is definitely a vibe to this film that fits into a "noir" genre, as the plot centers on an elaborate scandal. However, the film maintains a lighthearted vibe overall, as this is ultimately a superhero series, so to speak, rather than the kind of existentialist commentary one might expect from film noir.

The best thing this serial has going for it is its elaborate settings and fight scenes. Railroad scenes, flight scenes, train wrecks, auto wrecks, plane wrecks, flooded mines--this one has it all. And of course, each chapter ends with a cliffhanger made to keep you on the edge of your seat.

All that said, I've given this movie 7/10 stars. It's certainly well made and a delight for its day and age, and for its genre. However, it is quite a long series and by the end you're kind of ready for it to be over with. Still, the final chapter is perhaps the best of the series, and makes it all worth the watch.

The character of The Green Hornet first appeared on WXYZ radio, Detroit, Michigan on January 31, 1936, and was created by station program manager/co-owner George W. Trendle (who also created The Lone Ranger) and, was like that station's Lone Ranger, primarily written by Fran Striker, at least in the early years of both programs. And Trendle's creation from the word go, but Striker was the one who came up with the gas gun and "Black Beauty."

Trendle created Britt Reid/The Green Hornet as the son of Dan Reid, the boy who called The Lone Ranger uncle. (Actually, Dan Reid was a Junior as his father was Dan Reid the first, a Texas Ranger Captain who was killed in the ambush at Bryant's Gap, by the Butch Cavendish gang, along with the rest of his Texas Ranger troop, with the sole exception of his younger brother John Reid, who became The Lone Ranger. Dang right, The Lone Ranger had a name.)

The Green Hornet, like his predecessor kinsman, fought crime wearing a mask; he carried a gas gun while Uncle Lone had a six-shooter and silver bullets; he drove the fastest car on radio, "Black Beauty", while his great-uncle rode Silver, the fastest (and whitest) horse on radio. The latter had Tonto, a native-American (and Indian on the radio) who had saved his life when his band of Texas Rangers were ambushed...while the Hornet's sidekick was Kato, a Filipino who doubled as his valet, and was a college graduate who knew all the secrets of Oriental in-fighting, a master chemist and he could drive "Black Beauty" anywhere, anytime at any speed. (One of the great non-true urban myths has it that Kato was introduced on the program as being Japanese, and had to change his country-of-origin in 1941 when the Japanese attacked Pearl Harbor. Not so. Kato was Filipino from day one in 1936 on the radio program. But it has been told so much---it started as an WWII joke with comedians---that only those who were there in 1936 or take the time to research the radio program and its scripts know it isn't true. Surprised somebody hasn't posted that myth on the IMDb site, somewhere.)

And, while The Lone Ranger had the "William Tell Overture" as the opening-and-closing theme music, the Green Hornet opened (and roared through his crime-fighting duties)with "Flight of the Bumble Bee" as the main piece of music. And over the Lone Ranger theme music, a voice intoned: "A fiery horse with the speed of light, a cloud of dust and a hearty Hi-Yo Silver! The Lone Ranger rides again!" And over "The Flight of the Bumble Bee" a voice said: "With his faithful valet Kato, Britt Reid, daring young publisher, matches wits with the underworld, risking his life that criminals and racketeers within the law may feel its weight by the sting of The Green Hornet." Granted, a bit wordy but it served the purpose. And, the follow-up intro to The Lone Ranger was more than a bit wordy as Fred Foy would add: "With his faithful Indian companion Tonto, the daring and resourceful masked rider of the plains.......37 more words....followed by.. From out of the past come the thundering hoofbeats of the great horse Silver! The Lone Ranger rides again.!

For their 1940-41 serial schedule, Universal Pictures Corporation announced to their exhibitors that their four serials would include..."The Lone Ranger -The greatest serial property in show business history!" (They sure did---in trade ads and on the inside front cover of the press book of "The Phantom Creeps" You can look it up. We don't have to...it's on our desk) Well, the description blurb was true---Republic had already cleaned up on The Lone Ranger in 1938 and 1939---but WXYZ, Trendle and Universal couldn't agree on the terms. meaning Trendle wanted more money than Universal wanted to pay. Pity. A Universal Lone Ranger serial would have made an interesting companion to Republic's two offerings. And don't knock Universal for promising something they couldn't deliver; in the same 1940-41 schedule Republic announced a Superman serial. That fell through, also, but Republic made up for that, in spades, with "The Adventures of Captain Marvel" in 1941. (Republic used the intended Superman script, anyway...as "The Mysterious Dr. Satan" with "The Copperhead" character filling in for old Supe.)

But Universal did acquire the rights to make two serials based on Trendle's "Green Hornet" character and, relative to serials---which should only be judged by other serials and not every genre and budget that comes down the pike---both are easily in our top-third.

This one was Universal's 45th sound-era serial and they slipped it in between "The Phantom Creeps" and "Flash Gordon Conquers the Universe."

Edit: Despite what the cowardly "reviewer", who will not respond to e-mails, says in his snarly, mad-dog attack review, in which he put my name in the subject line I stand by every comment I made. But his attack is typical of the snit-fits he tosses out on the Contributor's Help Board. Edit: It appears the attacker has just corrected his incorrect assertion, with a slithering and cheap "for what it's worth" squirm. Now, take my name out of your slanderous subject line.

Mr. Watson is correct. Green Hornet radio programs aired up to at least 1938 and earlier which still exist describe Britt Reid's chauffeur as his "Japanese valet." When international tensions subsequently increased, in 1939 or 40, the announcer's line was changed so the phrase became "trusted valet," which Kato remained throughout the majority of the the war years. In wartime programs his nationality was simply not mentioned in the show's opening or anywhere else during the program. After the war, in 1945, the opening was changed again, and announcers begin to refer to Kato as Britt Reid's "Filipino valet," and that is how openings were recorded till the end of the series. So the change didn't happen overnight, but in fact took at least five years, and the "Pearl Harbor" comment is an oversimplification, but the general idea is correct. The idea that this is all an urban legend arises mainly from the posting on urban legend website snopes.com, which is wrong about a lot of other things too and apparently more interested in perpetuating legends than publishing facts. Also, later syndications of Green Hornet radio programs consisted primarily of later broadcasts which would have for the most part included the description of Kato as Filipino. It is also correct that in the movie serials Kato, played by Keye Luke, is identified as Korean, and in the first serial Britt Reid and Kato discuss how they first met -- Britt saved Kato's life in Shanghai. In comic books published by NOW in the 1980s and authorized by the Green Hornet Inc., the situation is rectified and Kato's Japanese heritage fully acknowledged. Perhaps the truth of it all is that Mr. Reid told people his friend was something other than Japanese during the war to protect him from being taken to an interment camp.