Vom Winde verweht

The year 1939 was a busy year for the Hollywood industry. Large-scale, majestic epics were front and center that year. You should look up the list of films released in 1939. It was a very, busy year, with huge titles from the golden age. Lots and lots of entertainment for a pre-WW2 audience. The Wizard of Oz (1939), Stagecoach (1939), Son of Frankenstein (1939), Drums Along the Mohawk (1939) and this little film, are just some of the titles on that list. Everyone was competing for perfection in the film industry. The first two hurtles, being sound and color film, had been implemented into the technical side of the filmmaking process, to this point in film history. Technicolor had been utilized for, about, five years to this point and it was perfectly utilized in this film too. Technicolor always was a good film stock, rich with colors, that pop on the screen. Head cinematographer, Ernest Haller's camera, captures images, not seen before on film and blazes colors across the screen, in Gone With the Wind (1939).

I'm sure everyone knows the basic premise of the film. It boils down to a story about the life of woman, a daughter of a rich cotton plantation owner in 1860s, Georgia, who's life interweaves with the real life events of the American Civil War and the recovery and reconstruction years. It is a fictitious story utilizing events from the real world. Of course, most of us remember the picture on the movie posters of Scarlett O'Hara (Vivien Leigh) and Rhett Butler (Clark Gable), locked in that emotional, romantic embrace, plus it's on the cover of every DVD and Blu-Ray out there these days, but the film is really about Scarlett and all the other characters come into her circle. And, the film needs to be about Scarlett in order to be successful, because it is her spoiled, selfish, smug demeanor that energizes the whole film. Everyone who comes into her circle feels her wrath, even Rhett. Rhett isn't really a very likeable character either and watching these two unlikeable characters square off, through various parts of this film, is something to see. These are the reasons, that make this film so good. A plot involving two unlikeable characters, who eventually, reach a certain amount of maturity, that they earn some respect from the audience, doesn't deter from the overall quality of the film, because it is such a unique character study, while chaos is happening all around them.

The film does contain many sub-plots, involving politically, socially, culturally and racially charged tones, which would be expected, considering the time this period piece takes place. Which, brings up another interesting point to this film. Even though this film is approaching 85 years old now in the 21st century, it is still considered a period piece. The interesting part is the filmmakers had a more recent memory of the events used in the film, being only 75 years before, as opposed to our view, which is roughly 150 years later. In fact, there probably were a couple of Civil War veterans still alive in 1939. Another amazing thing about this film is, they started shooting this thing in January, 1939 and released it just before Christmas that same year. That is impressive, considering the massive runtime of this film. It is the runtime of this film that really hurts it from being a perfect film.

The images the filmmakers (I would list names, but you should see the Crew List on this film), are able to show us on the screen, is incredible. The color you will have stuck in your head, for a week after viewing this film, will be the color of orange, red fire, that is seen throughout the movie and obviously, mostly comes from the burning of Atlanta. A technical achievement, that hadn't been seen in the movies yet. The special effects, art direction, costuming and lighting is fantastic. You still don't notice, even today, that most of this movie was just filmed, out in the Los Angeles countryside and on sound stages. So much is going on in this film, you don't notice it. The performances by the cast is perfect. This is an epic journey about redemption and maturing. A maturity that helps the characters and a nation begin to grow. This film would roll through the Oscars in 1940, including winning the Best Picture Oscar.

9.3 (A MyGrade) = 9 IMDB.

I've seen the film many times, have always enjoyed it. But I've been reading the book for the first time. It's a very long novel, and you have to stay with it if you want to see the ending. It's a good read, but Margaret Mitchell, former newspaper reporter, is very thorough in her description of both Southern culture and the changes that the Civil War brought to it. It's the size of the book that was the biggest challenge for David O Selznick. Not what parts to film, but which parts to leave out. So many characters that appeared in the book couldn't be introduced in the movie without extending the film's length to well over four hours. So he had Sidney Howard write the screenplay, then cut that down to a filmable length by hiring several more writers to further pare the script, and was still rewriting it himself while it was being filmed. Selznick was close to running out of money, so he asked his angel, millionaire Jock Whitney, to loan him enough to finish the film. The film was finally completed and edited, then was test-marketed at a theatre not far from LA. The viewers were excited about having seen it and said so on their preview cards, which allowed Selznick to rest easy, knowing he had a hit on his hands.

This movie was on my watch list since 1996 or 1997 when I read its review in a local newspaper. I though it must be a dull movie as it is very old and procrastinated to watch until Dec 2019.

And friends, I can't tell you how much I am impressed with this movie - wonderful story, superb acting, mesmerizing cinematography and direction. And they did it in 1939 - which is really hard to digest.

I am stupid enough to miss this glory for so many years.

Gerard O'Hara (Thomas Mitchell), an Irish immigrant, settles in North Georgia and becomes a prosperous plantation owner… By great luck he marries young Ellen Robillard (Barbara O'Neill) of Savannah, the daughter of one of the noblest Georgian families and becomes accepted by his aristocratic neighbors… They are blessed with three daughters, Scarlett (Vivien Leigh), Suellen (Evelyn Keyes), and Carreen (Ann Rutherford).

Scarlett, the eldest, worships her mother… Yet, under her beauty and Southern coquetry, she is charming, but proud, willful and vain… She believes she is in love with Ashley Wilkes (Leslie Howard), a good-hearted young army captain… But Ashley loves his cousin, Melanie Hamilton (Olivia de Havilland), a delicate, selfless woman… He is frightened by Scarlett's energy and animation… And although he admits his feelings for her, he is afraid to marry her and decides to take Melanie for his bride…

When Scarlett loses Ashley she is more certain than ever that she must have him… On their wedding day, she meets Rhett Butler (Clark Gable), a wealthy adventurer from an old Charleston family… Rhett, a gambler—who believes that self-interest is the motive of all human conduct—is attracted by Scarlett's beauty and realizes that they are equally merciless and conscienceless…

Vivien Leigh is magnificent as the spoiled, selfish southern belle... She carries the picture, and controls it... She reproduces the spirited character of Scarlett in all its fluent complexity...

Clark Gable—with a smile and great light in his eyes—is fascinating as the elegant, heroic gentleman ... He is perfect as the ladies man... His dramatic high point is his scene crying in Melanie's presence... His love scenes with Scarlett give the picture a vibrancy that is one of its great attractions... The film begins with their first stormy meeting in the library at Twelve Oaks and intensifies at the Atlanta bazaar, when he shocks the confederacy by bidding $l00 "in gold," to dance with the newly widowed Mrs. Hamilton who cares for nothing but herself…

Hattie McDaniel gives a rich characterization as Mammy, Scarlett's shrewd black servant who was never fooled by Scarlett's airs and tears...

With a memorable music score by Max Steiner, the film was an instant classic, winner of eight Academy Awards...

This film shows the best of the American cinema. Whether we like the film, or not, one has to recognize the greatest achievement, perhaps, of the creative talent of the people working in the movie industry. "Gone with the Wind" represents a monumental leap, as well as a departure, for the movies, as they were done prior to this film.

The vision of David O. Selznick, the power behind bringing Margaret Mitchell's massive account about the South, before and after the Civil War, pays handsomely with the film that Victor Fleming directed. This movie will live forever because it reminds us of how this great nation came into being, despite the different opinions from the two stubborn factions in the war.

"Gone with the Wind" brought together the best people in Hollywood. The end result is the stunning film that for about four hours keep us interested in the story unfolding in the screen. Of course, credit must be due to the director, Victor Fleming, and his vision, as well as the adaptation by Sydney Howard, who gave the right tone to the film. The gorgeous cinematography created by Ernest Haller gives us a vision of the gentle South before the war, and the Phoenix raising from the ashes of a burned Atlanta. The music of Max Steiner puts the right touch behind all that is seen in the movie.

One can't conceive another Scarlett O'Hara played by no one, but Vivien Leigh. Her beauty, her sense of timing, her intelligent approach to this role, makes this a hallmark performance. Ms. Leigh was at the best moment of her distinguished career and it shows. Scarlett goes from riches to rags, back to riches again and in the process finds an inner strength she didn't know she possessed. Her impossible love for Ashley will consume her and will keep her away from returning the love to the man that really loves her, Rhett.

The same thing applies to the Rhett Butler of Clark Gable. No one else comes to mind for playing him with the passion he projects throughout the movie. This is a man's man. Captain Butler was torn between his loyalty to the cause of the South and his sense of decency. His love for Scarlett, the woman he knows is in love with a dream, speaks eloquently for itself.

The other two principals, Olivia de Havilland and Leslie Howard, give performances that are amazing to watch. Ms. de Havilland's Melanie Hamilton is perfect. Melanie is loyal to the woman that does everything to undermine her marriage to Ashley. Mr. Howard's Ashley gives a perfect balance to the man in love with his wife, while Scarlett keeps tempting him.

The rest of the cast is too numerous to make justice to all the actors one sees on the screen, but omitting the contribution of Hattie McDaniel to the film would be sinful. Ms. McDaniel was such a natural actress that she is excellent no matter in what movie she is playing. This huge talent is a joy to watch.

Comments to this forum express their objections to the way the race relations play in the movie, but being realistic, this movie speaks about the not too distant past where all kinds of atrocities, such as the slavery, were the norm of the land. While those things are repugnant to acknowledge, in the film, they are kept at a minimum. After all, this film is based on a book by one of the daughters of that South, Margaret Mitchell, who is presenting the story as she saw it in her mind, no doubt told to her from relatives that lived in that period of a horrible page in the American history.

Enjoy this monumental classic in all its splendor.