Füge eine Handlung in deiner Sprache hinzuRare-book dealers Joel and Garda Sloane tie murder to the theft of a Shakespeare manuscript.Rare-book dealers Joel and Garda Sloane tie murder to the theft of a Shakespeare manuscript.Rare-book dealers Joel and Garda Sloane tie murder to the theft of a Shakespeare manuscript.
- Regie
- Drehbuch
- Hauptbesetzung
John Hubbard
- Phil Sergeant
- (as Anthony Allan)
Roy Barcroft
- Reilly - Casino Bodyguard
- (Nicht genannt)
Don Brodie
- Detective Jackson
- (Nicht genannt)
Don Castle
- Desk Clerk
- (Nicht genannt)
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Neither ROBERT MONTGOMERY nor ROSALIND RUSSELL can do much to raise this above an average Nick and Nora type of mystery as they try to solve a crime involving a stolen Shakespearean manuscript worth a fortune. Montgomery and Russell are both adept at this sort of comedy and make an excellent pair in the leads, so different than the roles they played in NIGHT MUST FALL.
The wealthy household where the first murder takes place is full of suspects, including RALPH MORGAN, JOHN HOWARD, REGINALD OWEN, ALAN DINEHART and TOM COLLINS. SIDNEY BLACKMER does a nice job as a crooked gambling house owner.
With Montgomery and Russell as the husband and wife team, the accent is more on comedy than mystery when Ralph Morgan is found murdered near the open vault in his library. As Montgomery investigates, there are plenty of red herrings that seem to plant suspicion on every member of the household.
Despite all the A production trappings, there's no way this can be considered anything more than a mildly entertaining programmer.
The wealthy household where the first murder takes place is full of suspects, including RALPH MORGAN, JOHN HOWARD, REGINALD OWEN, ALAN DINEHART and TOM COLLINS. SIDNEY BLACKMER does a nice job as a crooked gambling house owner.
With Montgomery and Russell as the husband and wife team, the accent is more on comedy than mystery when Ralph Morgan is found murdered near the open vault in his library. As Montgomery investigates, there are plenty of red herrings that seem to plant suspicion on every member of the household.
Despite all the A production trappings, there's no way this can be considered anything more than a mildly entertaining programmer.
Robert Montgomery and Rosalind Russell just fit their roles as Joel and Garda Sloane, witty rare book dealers who dabble in detective work on the side. The book business is apparently not that good— Montgomery wishes that somebody would steal a lot of rare books so he could recover them and get the reward. Also, detective work is a lot more fun than book selling.
The plot, which gets rolling quickly, involves a Shakespeare manuscript and a Paradise Lost first edition, as well as a rival book dealer, an absent-minded client, and some family intrigue. As Russell sums up neatly at one point: "What a spot for that girl. Her father murdered and her brother and her sweetheart probably all mixed up in it." It's fairly complicated but the story moves along plenty fast enough that we don't have much time to wonder whether it makes sense.
The banter between Montgomery and Russell is the picture's main attraction, and both stars are appealing and funny. The supporting cast is also good and features such familiar faces as Reginald Owen and Ralph Morgan.
It's no masterpiece but never boring for a minute; it's certainly a solid entry in the husband-and-wife-amateur-detectives genre.
The plot, which gets rolling quickly, involves a Shakespeare manuscript and a Paradise Lost first edition, as well as a rival book dealer, an absent-minded client, and some family intrigue. As Russell sums up neatly at one point: "What a spot for that girl. Her father murdered and her brother and her sweetheart probably all mixed up in it." It's fairly complicated but the story moves along plenty fast enough that we don't have much time to wonder whether it makes sense.
The banter between Montgomery and Russell is the picture's main attraction, and both stars are appealing and funny. The supporting cast is also good and features such familiar faces as Reginald Owen and Ralph Morgan.
It's no masterpiece but never boring for a minute; it's certainly a solid entry in the husband-and-wife-amateur-detectives genre.
'Fast Company' (already reviewed a few months back), 'Fast and Loose' and 'Fast and Furious' have been inevitably been compared to the generally superior Thin Man film series, also featuring husband and wife sleuths and mixing comedy and mystery with some of the biggest stars at that point in film history. Of the three 'Fast...' films, my personal favourite is 'Fast Company', which fared the best at balancing comedy and mystery and has the most eventful and most cohesive story although the two leads' chemistry is better here in 'Fast and Loose'.
The second film 1939's 'Fast and Loose' is a fun and inoffensive enough entry in the series but despite preferring the chemistry here and the female lead is superior here, as said already comedy and mystery were balanced better in comedy and mystery and did prefer the story in 'Fast Company'. Not that those elements were done badly here in 'Fast and Loose', just that they were done better before. This is a very watchable film if not a must watch.
Will begin with what is good. Fred MacMurray is charming and commands the screen very well, with strong comic timing. Rosalind Russell is even better when it comes to the comic delivery, never looks ill at ease, looks great and very easy to like, to me she has more presence here than Florence Rice did in 'Fast Company'. They have a very endearing and witty chemistry together that really helps lift the film, of all the 'Fast...' films this is the film for me that had the most spark between its two leads. It is slickly directed and the supporting cast do well, the standout being Etienne Giradot.
Generally the script is snappy and sophisticated enough and the story does intrigues. The production values are slick and have some elegance and William Axt's score has some moodiness and light-hearted edge.
At times though, the film could have gone at a tighter pace and could have been shorter as there isn't enough plot structurally to sustain the film. There are also a few too many twists and characters which made it not always easy to follow, parts are downright confusing. The ending seemed rushed and could have been a little more suspenseful.
Not all the characters seemed necessary to the story and seemed there to pad things out.
Decent film overall but not great. It does well in the comedy and falls a little short when it came to the mystery. 6/10
The second film 1939's 'Fast and Loose' is a fun and inoffensive enough entry in the series but despite preferring the chemistry here and the female lead is superior here, as said already comedy and mystery were balanced better in comedy and mystery and did prefer the story in 'Fast Company'. Not that those elements were done badly here in 'Fast and Loose', just that they were done better before. This is a very watchable film if not a must watch.
Will begin with what is good. Fred MacMurray is charming and commands the screen very well, with strong comic timing. Rosalind Russell is even better when it comes to the comic delivery, never looks ill at ease, looks great and very easy to like, to me she has more presence here than Florence Rice did in 'Fast Company'. They have a very endearing and witty chemistry together that really helps lift the film, of all the 'Fast...' films this is the film for me that had the most spark between its two leads. It is slickly directed and the supporting cast do well, the standout being Etienne Giradot.
Generally the script is snappy and sophisticated enough and the story does intrigues. The production values are slick and have some elegance and William Axt's score has some moodiness and light-hearted edge.
At times though, the film could have gone at a tighter pace and could have been shorter as there isn't enough plot structurally to sustain the film. There are also a few too many twists and characters which made it not always easy to follow, parts are downright confusing. The ending seemed rushed and could have been a little more suspenseful.
Not all the characters seemed necessary to the story and seemed there to pad things out.
Decent film overall but not great. It does well in the comedy and falls a little short when it came to the mystery. 6/10
Here's the story of the entertainment industry; if something works then copy it. What was working back in the 30's was The Thin Man, the very popular series with William Powell and Myrna Loy. So, every other studio including the poverty row ones cranked out clones featuring husband and wife teams solving mysteries. The best of these, in my opinion were the three films featuring book seller and part-time detective Joel Sloane and his wife Garda. Each of the three films featured a different set of actors playing the Sloanes. The first film, "Fast Company" starred Melvyn Douglas and Florence Rice followed by this film with Robert Montgomery and Rosalind Russell. The last of the films, "Fast and Furious" had Franchot Tone and Ann Sothern. I like all three films, but this one is my favorite probably because I really like Robert Montgomery and Rosalind Russell, but also because the supporting cast was also good displaying the talents of Reginald Owen and Sidney Blackmer. It's also a good story and nice mystery with some great comic relief. The chemistry between Montgomery and Russell seemed genuine to me and unlike one other reviewer I thought Mongomery transitioned well between the comedy and action elements of the story. Any comparison between this film and the disappointing Lord Peter Wimsey story "Haunted Honeymoon" is way off base. Again, I like all three of the films and would recommend them to anyone who enjoys the mystery films from this era. I've watched this one many times and continue to find it funny and entertaining with each viewing. This may not match the best of the Thin Man movies, but it's far better than a couple of the weaker entries.
I love the films with Robert Montgomery. There was no one better at light comedy roles. And Roz was no slouch either. That's why this picture was so disappointing.
This picture is about two murders and 40 minutes too long. Don't try to keep up with who killed whom and why-you'll get a headache! Normally with a 30's whodunit you wouldn't expect to keep up with the plot twists. But here they just bog down the lifeless story more. It's dull and formulaic. Only the charm, wit and affection of the stars make this watchable at all.
But still, I'm not sorry I saw It-because as a film "buff," I wouldn't have believed otherwise that Montgomery and Roz had made such a stinker!
This picture is about two murders and 40 minutes too long. Don't try to keep up with who killed whom and why-you'll get a headache! Normally with a 30's whodunit you wouldn't expect to keep up with the plot twists. But here they just bog down the lifeless story more. It's dull and formulaic. Only the charm, wit and affection of the stars make this watchable at all.
But still, I'm not sorry I saw It-because as a film "buff," I wouldn't have believed otherwise that Montgomery and Roz had made such a stinker!
Wusstest du schon
- WissenswertesThe scenes with an inflatable donut allude to the earlier Mord, wie er im Buche steht (1938), wherein Joel Sloane (this time, Melvyn Douglas) is shot in a place that makes it painful for him to sit down.
- PatzerJoel and Garda sustain black eye injuries from having their auto run off the road by Lucky Nolan's gang. They even put raw meat over the black eyes for relief. The black eyes are shown in the next few scenes. But a few hours later that night, both eyes return to normal.
- VerbindungenFollowed by Fast and Furious (1939)
- SoundtracksWhy'd Ya Make Me Fall In Love?
(uncredited)
Written by Walter Donaldson
Played over the closing credits
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- 1 Std. 20 Min.(80 min)
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