Füge eine Handlung in deiner Sprache hinzuRare-book dealers Joel and Garda Sloane tie murder to the theft of a Shakespeare manuscript.Rare-book dealers Joel and Garda Sloane tie murder to the theft of a Shakespeare manuscript.Rare-book dealers Joel and Garda Sloane tie murder to the theft of a Shakespeare manuscript.
- Regie
- Drehbuch
- Hauptbesetzung
John Hubbard
- Phil Sergeant
- (as Anthony Allan)
Roy Barcroft
- Reilly - Casino Bodyguard
- (Nicht genannt)
Don Brodie
- Detective Jackson
- (Nicht genannt)
Don Castle
- Desk Clerk
- (Nicht genannt)
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Neither ROBERT MONTGOMERY nor ROSALIND RUSSELL can do much to raise this above an average Nick and Nora type of mystery as they try to solve a crime involving a stolen Shakespearean manuscript worth a fortune. Montgomery and Russell are both adept at this sort of comedy and make an excellent pair in the leads, so different than the roles they played in NIGHT MUST FALL.
The wealthy household where the first murder takes place is full of suspects, including RALPH MORGAN, JOHN HOWARD, REGINALD OWEN, ALAN DINEHART and TOM COLLINS. SIDNEY BLACKMER does a nice job as a crooked gambling house owner.
With Montgomery and Russell as the husband and wife team, the accent is more on comedy than mystery when Ralph Morgan is found murdered near the open vault in his library. As Montgomery investigates, there are plenty of red herrings that seem to plant suspicion on every member of the household.
Despite all the A production trappings, there's no way this can be considered anything more than a mildly entertaining programmer.
The wealthy household where the first murder takes place is full of suspects, including RALPH MORGAN, JOHN HOWARD, REGINALD OWEN, ALAN DINEHART and TOM COLLINS. SIDNEY BLACKMER does a nice job as a crooked gambling house owner.
With Montgomery and Russell as the husband and wife team, the accent is more on comedy than mystery when Ralph Morgan is found murdered near the open vault in his library. As Montgomery investigates, there are plenty of red herrings that seem to plant suspicion on every member of the household.
Despite all the A production trappings, there's no way this can be considered anything more than a mildly entertaining programmer.
I love the films with Robert Montgomery. There was no one better at light comedy roles. And Roz was no slouch either. That's why this picture was so disappointing.
This picture is about two murders and 40 minutes too long. Don't try to keep up with who killed whom and why-you'll get a headache! Normally with a 30's whodunit you wouldn't expect to keep up with the plot twists. But here they just bog down the lifeless story more. It's dull and formulaic. Only the charm, wit and affection of the stars make this watchable at all.
But still, I'm not sorry I saw It-because as a film "buff," I wouldn't have believed otherwise that Montgomery and Roz had made such a stinker!
This picture is about two murders and 40 minutes too long. Don't try to keep up with who killed whom and why-you'll get a headache! Normally with a 30's whodunit you wouldn't expect to keep up with the plot twists. But here they just bog down the lifeless story more. It's dull and formulaic. Only the charm, wit and affection of the stars make this watchable at all.
But still, I'm not sorry I saw It-because as a film "buff," I wouldn't have believed otherwise that Montgomery and Roz had made such a stinker!
Serviceable part-time-detective story set in the world of rare-book collecting and presented in the Thin Man style. (The writer, Harry Kurnitz, later contributed to the 4th and 5th Thin Man movies.)
Points for premise and some good one-liners ("I request the pleasure of your absence"); unfortunately, the leads wear their roles with all the comfort of sackcloth. Robert Montgomery's transitions between lighthearted husband and tough-guy sleuth are awkward -- like he was just rehearsing to be Lord Peter Wimsey in "Haunted Honeymoon" a year later -- and the usually superior Rosalind Russell as a "wifey" isn't sharp enough for the Nora Charles league.
Otherwise, it's an OK way to kill some time on a rainy afternoon ... but I wouldn't waste 1.5 hours of videotape to watch it later.
Points for premise and some good one-liners ("I request the pleasure of your absence"); unfortunately, the leads wear their roles with all the comfort of sackcloth. Robert Montgomery's transitions between lighthearted husband and tough-guy sleuth are awkward -- like he was just rehearsing to be Lord Peter Wimsey in "Haunted Honeymoon" a year later -- and the usually superior Rosalind Russell as a "wifey" isn't sharp enough for the Nora Charles league.
Otherwise, it's an OK way to kill some time on a rainy afternoon ... but I wouldn't waste 1.5 hours of videotape to watch it later.
It's a good thing Robert Montgomery and Rosalind Russell were the stars of "Fast and Loose," otherwise, there would be nothing to recommend it.
They are wonderful as a sort of penniless Nick and Nora hot on the trail of a stolen Shakespearian manuscript. I found it a little hard to follow as far as who killed whom and why.
Both actors were excellent at both comedy and drama, and in fact, right before seeing this, I saw them in "Night Must Fall." What a difference! And really, it is a tribute to the talent of both that they could do such different types of films so easily.
I wish they'd had a better script to work with. This film is too long and too confusing. But if you want to see two masters at work, by all means, check it out.
They are wonderful as a sort of penniless Nick and Nora hot on the trail of a stolen Shakespearian manuscript. I found it a little hard to follow as far as who killed whom and why.
Both actors were excellent at both comedy and drama, and in fact, right before seeing this, I saw them in "Night Must Fall." What a difference! And really, it is a tribute to the talent of both that they could do such different types of films so easily.
I wish they'd had a better script to work with. This film is too long and too confusing. But if you want to see two masters at work, by all means, check it out.
Here's the story of the entertainment industry; if something works then copy it. What was working back in the 30's was The Thin Man, the very popular series with William Powell and Myrna Loy. So, every other studio including the poverty row ones cranked out clones featuring husband and wife teams solving mysteries. The best of these, in my opinion were the three films featuring book seller and part-time detective Joel Sloane and his wife Garda. Each of the three films featured a different set of actors playing the Sloanes. The first film, "Fast Company" starred Melvyn Douglas and Florence Rice followed by this film with Robert Montgomery and Rosalind Russell. The last of the films, "Fast and Furious" had Franchot Tone and Ann Sothern. I like all three films, but this one is my favorite probably because I really like Robert Montgomery and Rosalind Russell, but also because the supporting cast was also good displaying the talents of Reginald Owen and Sidney Blackmer. It's also a good story and nice mystery with some great comic relief. The chemistry between Montgomery and Russell seemed genuine to me and unlike one other reviewer I thought Mongomery transitioned well between the comedy and action elements of the story. Any comparison between this film and the disappointing Lord Peter Wimsey story "Haunted Honeymoon" is way off base. Again, I like all three of the films and would recommend them to anyone who enjoys the mystery films from this era. I've watched this one many times and continue to find it funny and entertaining with each viewing. This may not match the best of the Thin Man movies, but it's far better than a couple of the weaker entries.
Wusstest du schon
- WissenswertesThe scenes with an inflatable donut allude to the earlier Mord, wie er im Buche steht (1938), wherein Joel Sloane (this time, Melvyn Douglas) is shot in a place that makes it painful for him to sit down.
- PatzerJoel and Garda sustain black eye injuries from having their auto run off the road by Lucky Nolan's gang. They even put raw meat over the black eyes for relief. The black eyes are shown in the next few scenes. But a few hours later that night, both eyes return to normal.
- VerbindungenFollowed by Fast and Furious (1939)
- SoundtracksWhy'd Ya Make Me Fall In Love?
(uncredited)
Written by Walter Donaldson
Played over the closing credits
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