Todesangst bei jeder Dämmerung

Raft and Cagney, in their only appearance together, doing what they did best. While the plot of this film noir is a little contrived, aren't they all, the pleasure watching true greats perform is a joy and a pleasure.

Prison classic. Even in 1939 this must have been predictable. But James Cagney and George Raft keep this prison yarn on its feet. A top notch newspaper reporter(Cagney)is railroaded into a prison sentence on a trumped up murder charge. Even with help on the inside from a slick convict(Raft)it is just too hard to prove his innocence to the warden(George Bancroft). This busy crime drama also features: Maxie Rosenbloom, Victor Jory, Emma Dunn, Stanley Ridges and John Wray. The melodrama is a little thick and most characters are over acted, but this is still too good of a flick to pass up.

This is a great prison film--with lots of unusual twists, a great story and stellar actors. While many of the usual 1930s prison film clichés are definitely present, the overall package is so enjoyable that many will forgive its excesses. I must point out, though, that many modern audiences might laugh a bit at the dialog, but fans of Warner films of the age have come to expect and love these type films.

The movie begins with crusading reporter, Jimmy Cagney, being set up for a crime to stop him from investigating crooked public officials. On this trumped up charge, he is given a hefty prison sentence and is sent to a tough prison. On the way, he meets habitual criminal, George Raft, and they strike up a very bizarre friendship.

At first, Cagney is sure his conviction will be overturned and he's practically a model prisoner. However, after years in jail and no breaks in sight, he agrees to help Raft with a breakout and Cagney's life behind bars gets significantly worse.

Where it all goes from there you'll just need to see for yourself. However, considering that two exceptional tough guy actors head the cast (Cagney and Raft), you know this will be an exciting film--which it certainly is. Now being a Warner product, you know that the prison lingo and action will be a bit hard to believe and you know that, given a chance, Cagney will chew the scenery (he definitely does overact a bit here and there). But considering how entertaining it all is, I can certainly forgive all this. A great film for fans of old time films.

This was a great film for the Year 1939 with a great cast of veteran film stars. James Cagney, (Frank Ross) plays the role as a newspaper reporter who writes a front page head line involving some politicians running for the governor of a state who have burned all their records of evil doings and this story causes them many problems. The politicians decided to frame Frank and set him up by knocking him out and pouring booze on him and send his car crashing into a town and other people's cars. Frank is sentenced to prison for twenty-years and meets up with a guy named Hood "Stacey" who befriends him and they get along until things happen in the prison. Frank becomes very upset with his prison life and causes all kinds of bad problems for himself and he is sent into solitary confinement for many months. Joyce, (Jane Bryan) is a girl friend and also a reporter for the same newspaper that Frank works with and she tries her best to see what she can do to get him free. There is lots of action for a 1939 film and it deals mostly with the insides of a prison and deals with guards who love to mistreat the prisoners. If you like old film classics and these two great actors from the past, don't miss this one.

Although innocent, reporter Frank Ross (James Cagney) is found guilty of murder and is sent to jail. While his friends at the newspaper try to find out who framed him, Frank gets hardened by prison life and his optimism turns into bitterness. He meets fellow-inmate Stacey (George Raft) and they decide to help each other.

Rather than be the good guy ("G Men") or the bad guy ("Public Enemy"), here we have Cagney as an innocent newspaper reporter framed and then sent to prison, where he becomes a little bit hardened. Maybe not quite a bad guy, but not really the good guy, either. It is a nice transformation, and an interesting commentary on prison life.

I am not very familiar with George Raft (I actually know him more from reading Mafia history than from film), but if he is like he is here in other films, I need to see more George Raft.