Der gelbe Kreis

As a kid in the early TV era of the 1950s, I had the opportunity to view several serials from the late '30s and the 1940s. Apparently these were syndicated to TV stations to use as "fillers" since the network feeds weren't available (or the station didn't want to pay) during certain hours, including the after-school--i.e. late afternoon--time frame. In retrospect, it seems that our local station (WSBT in South Bend, Indiana) had a very astute--or very lucky--program director who chose the best serials out there. "Zorro's Fighting Legion," "The Mysterious Dr. Satan," "Fighting Devildogs," "The Black Widow"...they were all there. But the best of the best, in my opinion, was "Daredevils of the Red Circle." Drama, suspense, action, and a morality play (the best revenge is not to destroy one's opponent, as 39013 attempted to do, but to outdo him legally and ethically, as 39013 possibly could have done were his superior mind not warped and twisted)...these were the most memorable features of this 6-day, 15 minutes per episode odyssey that trumped sandlot baseball and other boyhood pursuits typical of the early baby boom generation. Some 45 years later, the opportunity to purchase this touchstone of my youth on VHS presented itself. Viewed with the more critical, possibly even jaded, eye of a middle-aged adult, the production does not disappoint. The plot, acting, special effects, and musical score may seem primitive by today's high-tech standards, but in the context of the times in which this serial was created, it "raised the bar," as we like to say today, for all that followed. So check it out. Imagine yourself in the late Art Deco era of engineering feats (the tunnel), sexy vehicles (the "Heritage Softtail" precursor motorcycle and '37 Buick Century straight 8 convertible, among others), and beautiful people (the impeccably coiffed and dressed "Blanche;" the trio of heroes in their flawlessly ironed suits, shirts, and ties; the elegant Granville; and even the villain 39013 as played so convincingly by Charles Middleton in first-class clothing that we seldom see today outside of a corporate boardroom), and enjoy. Maybe the subtitle of this serial should be: "the Lost World, Never to Return"...

39013, an escaped convict, carries out his revenge on the man who put him in prison, by imprisoning Granville and impersonating him, with the aid of Granville's traitorous aides. When destroying all of Granville's holdings in order to ruin him, he burns down the Granville Amusement Center, which claims the life of the younger brother of one of three circus daredevils. The three daredevils then swear vengeance against 39013, and are hired by Granville to hunt him down, even though the impersonation is in effect. Brilliant plot, with the best chapter endings caught on film, especially one and eight, and one is probably the greatest of all, with Gene trying to outrace on motorcycle a torrent of water quickly filling up a tunnel. 12 chapters. In terms of serials, 10 out of 10.

This serial made at the peak of Republic's serial making may be the finest serial ever made. It has the best music score of any serial and a great serial cast including Charles Middleton, Herman Brix, C. Montague Shaw, David Sharpe and Charles Quigley. Also pretty Carole Landis and Miles Mander and you have one of the most energetic serials you will ever see. If you have never seen a serial and want to see one this may be the one to watch. It has been voted in the top 10 of an expert panel of serial fans appearing on all 25 panelist's lists.

I remember seeing this as an eight year old kid back at the Amo Theater in Detroit. I see it now every six months and it still thrills me to see the best of Republic at work. The principle actors are all most enjoyable. Charles Middleton is supurb once again as the nasty villan. The one episode that has really stuck with me all my 71 years is the outstanding tunnel scenes. Everytime I'm in San Francisco and take the BART under the Bay waters I think of that episode and get a little relived when I reach the other side. Al Guzman Las Vegas, NV

In looking over previous comments of Daredevils of the Red Circle, many of you comment on the ending of Chapter One where Charles Quigley is trying to outrace a torrent of water riding on a motorcyle. I had the privilege of knowing Barry Shipman, the scriptwriter for "Daredevils." He would pen many of the famous Republic serials, including the Lone Ranger, before going over to Columbia to write the Durango Kid features. Bill Witney relays the story of how the chapter came to be written in his autobiography. First, they found a real tunnel in downtown Los Angeles. At that time, the L.A. traffic had not grown to the proportion it is today and Republic got permission from the city to block traffic while they shot footage inside the tunnel. A miniature replica of the tunnel was designed and a process screen was used to show the water seemingly coming from behind Quigley. It was Barry's suggestion that the hero narrowly escapes downing by getting to the end of the tunnel where he turns the wheel to close the watertight doors. This conclusion was known as the take-out or the solution to the cliffhanger.