Füge eine Handlung in deiner Sprache hinzuThe mirthful adventures of Police Sergeant Samuel Dudfoot and his two constables, Albert Brown and Jeremiah Harbottle, who stage a fabricated crime wave to save their jobs - then find themse... Alles lesenThe mirthful adventures of Police Sergeant Samuel Dudfoot and his two constables, Albert Brown and Jeremiah Harbottle, who stage a fabricated crime wave to save their jobs - then find themselves involved in the real thing.The mirthful adventures of Police Sergeant Samuel Dudfoot and his two constables, Albert Brown and Jeremiah Harbottle, who stage a fabricated crime wave to save their jobs - then find themselves involved in the real thing.
- Motorist
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- Radio Announcer
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- BBC commentator
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- Revenue Officer
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- Headless Coachman
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- Witness
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- Broadcasting Engineer
- (Nicht genannt)
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I only saw this because HMV record shop (in the UK) were selling off tons of Will Hay DVDs at £6.99 each - what better chance than to discover anew the great Will Hay. I didn't even think that Will Hay would be available on DVD, yet there are many.
The three-man team of Hay, Marriott, and Moffatt are brilliant as usual, just a bunch of bumbling clowns pretending to themselves that they know what they're doing. Of course, by pure luck, they manage to catch the villains and do themselves credit.
Interesting shots of Brooklands racing circuit in the pre-War years (this circuit remains but has been chopped up in parts).
Much like Will Hay's Good Morning, Boys (1937) followed a similar formula to that of one of his earlier pictures, Boys Will Be Boys (1935), so it be with Ask A Policeman in that it has close links with critics fave, Oh Mr. Porter! (1937). However, that in no way is a bad thing because Ask A Policeman is utter joy from start to finish. In fact I would go so far as to say that the writing is actually better here. With a writing team consisting of Marriott Edgar, Sidney Gilliat, Val Guest and J.O.C. Orton, it's no wonder that the gags come thick and fast and still hold up over 80 years later.
Marcel Varnel once again directs Hay and his blunderingly magnificent sidekicks, Marriott and Moffatt, and each of them are on terrific form as they within a heartbeat lurch from incredulity to stupidity. They are helped by the story and its delightful supernatural set ups. These coppers have been having it easy for so long they have forgotten just what it takes to be a copper. More content with bending the rules for an easy life (note some nice satire in the writing), these guys are suddenly faced with the supernatural and actual real crime. Something they are delightfully unable to properly cope with. From trying to set up a roadside speeding arrest to an attempt at solving an ancient smugglers rhyme, Ask A Policeman, courtesy of an across the board team on fire, is to my mind one of the greatest British films of all time. So pay attention to the jokes and admire the visual comedy that goes with them, and then hopefully you too will appreciate just what genius Hay and his cohorts brought to British comedy between 1936 to 1940. 10/10
But someone decides this little sinecure has gone on long enough. What to do, but create some crime. But these three muck up traffic arrests.
Their salvation of sorts might be a suspected smuggling ring which has taken advantage of the lax police work and operates with impunity. Not that Turnbottom Round PD does anything really but the bad guys are rounded up in spite of Hay and his staff.
Some really funny sequences including the BBC broadcast where no one can quite get the use of the microphone right, the search for the smugglers, the attempts at enforcing traffic laws and how that works out and the final chase scene where Turnbottom Round's finest commandeer a bus for their pursuit.
This nicely done Will Hay comedy could have been a model for Police Academy movies.
It's a familiar and obvious plot that Hay used to it's best - incompetent authoritative figure gets in a mess with the help of his two stooges, falls out with the boss (Chief Constable), is taken advantage of by the locals (smugglers) but eventually wins the day.
This is a joy from start to finish and very, very nearly matches Oh Mr Porter. There's gags from the very start to the very end.
A piece of classic entertainment with the virtue of being free from sex, violence and swearing. They don't make like this anymore I'm sorry to say.
Wusstest du schon
- WissenswertesThe first section of the film contains an in-joke about Will Hay's real-life career. In 1937 his radio show was faded out to make time for a broadcast by the Prime Minister. Hay was furious and vowed never to broadcast again. A popular outcry led by the Daily Express forced the BBC to apologize before Hay would go back on the air. When Dudfoot's broadcast ends the same way, he says, "The BBC always fade out the best items", and when threatened with dismissal he says, "If only we could get the Daily Express behind us . . . "
- PatzerWhen the garage door opens 'spontaneously' the wire used to pull it open is visible.
- Zitate
Constable Jeremiah 'Jerry' Harbottle: [as Harbottle senior] When the tide runs low in the smugglers' cove, / And the 'eadless 'orseman rides above, / He drives along with his wild hallo, / And that's the time when the smugglers go in their little boats to the schooner and bring back the kegs of brandy and rum and put them all in the Devil's Cove below.
- VerbindungenReferenced in James Bond: Licence to Kill - The Royal Premiere (1989)
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Constables
- Drehorte
- Islington Studios, Islington, London, England, Vereinigtes Königreich(Studio, uncredited)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit
- 1 Std. 23 Min.(83 min)
- Farbe
- Seitenverhältnis
- 1.37 : 1