The Angels Wash Their Faces

After a stint in reform school, fresh-faced Frankie Thomas (as Gabe Ryan) is ready to go straight. Upon release, he moves to "Beale St.", with pretty big sister Ann Sheridan (as Joy Ryan). The siblings don't know it, but the neighborhood is populated by young hoodlums and organized crime. Young Thomas quickly joins "The Dead End Kids" (as "The Termites") lineup of Billy Halop (as William R. "Billy" Shafter), Bernard Punsly (as Luke "Sleepy" Arkelian), Leo Gorcey (as Leo "Mousy" Finnegan), Huntz Hall (as Huntz Garman), Gabriel Dell (as Luigi Petaren), and Bobby Jordan (as Bernie Smith).

While Thomas scuffles with his "Dead End" pals, sister Sheridan is courted by handsome lawyer Ronald Reagan (as Patrick "Pat" Remson). This irks crime lord Eduardo Ciannelli (as Alfred Martino), whose romantic advances are reproached by Sheridan. While Sheridan organizes efforts to clean up the neighborhood, mobster Ciannelli counters with a horrific plan to frame brother Thomas for an arson incident, which may cause the death of a "Dead End" comrade...

In the sixth series film (depending on how you count them), the law of diminishing returns is clearly catching up with the "Dead End Kids". There are too many characters and situations rotating on screen, although most of them are enjoyable. The first part of the film involves (mostly) Frankie Thomas, a good addition to the group. Then, Billy Halop (mostly) takes center stage, becoming "Boys' Week Honorary Mayor", to help clear Thomas of arson.

Sheridan and Reagan make a great pair, as the likable, and level-headed adults; note, this is one of future President Reagan's most appealing early roles. The many other stand-outs include: James Cagney's young look-alike Frankie Burke welding a knife, wicked schoolteacher Margaret Hamilton, and grief-stricken mother Marjorie Main - each of these characters is "bigger" than the movie, which makes it all seem even more cluttered. But, it is a fun picture.

***** The Angels Wash Their Faces (8/26/39) Ray Enright ~ Frankie Thomas, Billy Halop, Ann Sheridan

Angels Wash Their Faces, is basically a sequel to the 1938 hit Angels with Dirty Faces. The film is rather enjoying during the scenes with the "muggs" the Dead End Kids. They're a rather rambunctious group. What I don't like about the film is the drama that occurs between one of the group members death. It takes away from the comedy and it becomes a bit to serious for a film that was generally aimed at teens of the late 1930's. Ann Sheridan returns from Dirty Faces in a small and pointless role. She plays the role straight faced, and definitely from the looks of her is itchy to dig into a more serious role. Ronald Reagan also stars as another card board character. The films main stars are the "dead end kids", their the ones with the great lines and their the ones who shine throughout the picture. The adult characters of the film are left in the background, with not much to do. Still check it out if your a fan of the "dead end kids". ** out of ****

A sequel to Angels With Dirty Faces in name only, The Angels Wash Their Faces suffers somewhat from the usual shenanigans of the Dead End Kids. As a matter of fact, with the presence of the Dead End Kids and Ann Sheridan this should have been treated as an actual sequel to Angels With Dirty Faces, at least for continuity's sake.

Speaking of Ann Sheridan, she is the one true shining light of this movie. To paraphrase a cliché, Ann Sheridan could read from a phone book for two hours and I would buy the DVD!

Another virtue of this movie is the chemistry between Ann Sheridan and Ronald Reagan. Unfortunately , this aspect of the film is kept too far in the background. For a better example of the Sheridan-Reagan duo I would recommend Juke Girl or Kings Row.

ANGELS WASH THEIR FACES is an obvious attempt to capitalize on the popularity of the previous ANGELS WITH DIRTY FACES, but emerges as a vehicle for the Dead End Kids rather than giving ANN SHERIDAN or RONALD REAGAN a chance to demonstrate their chemistry.

If you happen to be a fan of The Kids, this film is up your alley. They seem more like delinquents than real gangsters (by today's standards), while Sheridan and Reagan try to resolve the problems they create involving a wrongly accused case of arson.

Ray Enright keeps it all moving rather briskly, but the script--with its focus on the kids rather than the stars--is a disappointment for fans of Sheridan and Reagan.

The cast includes the usual Warner stock company of contract players, including Bonita Granville, Henry O'Neill, Eduardo Ciannelli, Frankie Thomas and Margaret Hamilton.

Summing up: Routine crime drama interesting only for a glimpse of Ann Sheridan and Ronald Reagan at an early stage of their careers.

The film begins with a bunch of kids in reform school and focuses on a kid named 'Gabe', who has apparently worked hard to earn his parole. Gabe and his sister move to a new neighborhood to make a fresh start and soon Gabe meets up with the Dead End Kids. The Kids in this film are little punks, but they are much less antisocial than they'd been in other previous films and down deep, they are well-meaning punks. However, in this neighborhood there are also some criminals who are perpetrating insurance fraud through arson and see Gabe as a convenient scapegoat--after all, he'd been to reform school and no one would believe he was innocent once he was framed. So, when Gabe is about ready to be sent back to "The Big House", it's up to the rest of the gang to save him and expose the real crooks.

The "Dead End Kids" appeared in several Warner Brothers films in the late 1930s and the films were generally very good (particularly ANGELS WITH DIRTY FACES). However, after the boys' contracts expired, they went on to Monogram Studios and the films, to put it charitably, were very weak and formulaic--with Huntz Hall and Leo Gorcey being pretty much the whole show and the group being renamed "The Bowery Boys". Because ANGELS WASH THEIR FACES had the excellent writing and production values AND Hall and Gorcey were not constantly mugging for the camera, it's a pretty good film--and almost earns a score of 7 (it's REAL close). In fact, while this isn't a great film aesthetically, it's sure a lot of fun to watch, so I will give it a 7! Sure, it was a tad hokey-particularly towards the end when the kids take the law into their own hands and Reagan ignores the Bill of Rights--but it was also quite entertaining. The Dead End Kids are doing their best performances and Ronald Reagan and Ann Sheridan provided excellent support. Sure, this part of the film was illogical and impossible but somehow it was still funny and rather charming--so if you can suspend disbelief, it works well.