Woman Against Woman

A real MGM shortie, at only 61 minutes. The story revolves around Stephen Holland (Herb Marshall), the ex wife Cynthia (played by Mary Astor), and the new wife (Virginia Bruce). Playing referee is Mrs. Kingsley, who is friend to both the old and the new wives, as well as the all-knowing socialite matriarch of the town. Also poking her nose in here and there is Holland's mother, played by Janet Beecher. Acc to IMDb, this was Robert Sinclair's very first directing project, and he did quite well. Since they were a couple years into the movie code by 1938, everyone is quite civil, and we know things can't get TOO out of control. Written by Margaret Culkin Banning, who had been married twice herself, making us wonder if this is based on her own life, at least partially... it's also interesting that M. Astor had been married three times herself when this was made. Herb Marshall would be married FIVE times, and Virginia Bruce FOUR... wow, they sure had the right cast making this one about divorce and marriage.

"Woman Against Woman" is an excellent film for folks who are dealing with divorce or marrying a divorced person. It shows the manipulation and games that some of these folks have to deal with. And, it shows that clear boundaries must be established or these subsequent marriages will be doomed.

When the film begins, Cynthia (Mary Astor) is being a horrible wife. She is domineering, controlling and seems to care nothing for her husband, Stephen (Herbert Marshall). What she doesn't realize is that she's pushed him to the breaking point and Stephen announces he's divorcing her. Considering Cynthia, this is probably for the best.

Some time passes and Stephen meets Maris (Virginia Bruce). She's a lovely lady but doesn't realize she's in for hell. This is because Stephen is an idiot and takes her back to live in his home town...the same town where Cynthia lives and is the toast of society. Not surprisingly, Cynthia makes Maris' arrival miserable and it's made worse because Cynthia is brilliant and manages to turn everyone against Maris through her manipulations. Even Stephen's mother seems to side with Cynthia! What's next?!

This is a very good film with some nice acting. My reason for giving it a 7, however, is that the end is just too simple and seemed anti-climatic. This film is a good example of one that could have used 15 more minutes--to show a more gradual change in Cynthia. Good but the ending just seemed unrealistic and quick.

Herbert Marshall, Mary Astor, and Virginia Bruce star in "Woman Against Woman," a 1938 short film. Marshall and Astor play a Stephen and Cynthia, a married couple; she is manipulative and wears the pants in the family, and he just goes along with whatever she wants. When his daughter's nurse leaves, she warns him, after some prodding, that is wife isn't a very nice woman. That makes him more aware of her behavior, and they end up divorcing.

Eventually he remarries the lovely Maris (Bruce), and Maris runs into problems being shut out of social situations or experiencing awkwardness due to Cynthia's machinations. For instance, she and Stephen will enter a party where Cynthia is in attendance; Cynthia will suddenly announce she's leaving, even though she knew darn well they'd be there. She also uses her daughter with Stephen as a weapon.

Very good cast in a very ordinary movie. Well-directed by Robert Sinclair in his first film; he had a long career in both films and television.

Woman Against Woman from MGM's B picture unit seems almost a dress rehearsal for MGM's classic The Women as both Mary Astor and Virginia Bruce scratch and claw over Herbert Marshall.

Astor and Marshall have been married and have a daughter Juanita Quigley, but Marshall's walking out. Soon enough he meets Virginia Bruce and they get married.

But Marshall wants to have his cake and eat it too. They move into the same suburban town where he lived before with Astor. The town gossips nearly do in Bruce. In the end though a modus operandi is achieved for the sake of the little girl.

Woman Against Woman is a great example of The Code at work. Divorce is a fact of life even the Catholic Breen office couldn't ignore. We could never have Marshall carrying on with Bruce while he was still married. Everyone had to be showed in the best possible light. The three in the triangle act so civilized and polite I thought it was going to end in a menage a trois.

Woman Against Woman is just a dress rehearsal. Wait till the following year when Norma Shearer, Joan Crawford and company really drag the claws out.

This is a very efficiently directed movie: so efficient, indeed, that there is not enough character friction or time for witty lines of dialogue to make things interesting. Mary Astor is the manipulative ex-wife, using Herbert Marshall's love of their daughter to control his life. Virginia Bruce is the supportive new wife who knows precisely what is going on and bides her time, making happy noises until Mary Astor can be unmasked. And Herbert Marshall is the brilliant lawyer who doesn't have a clue. The rest of the cast acts like it's a road show troupe of THE WOMEN. Indeed, several of the cast would be prominently featured in that movie when MGM made it the following year.

This is a talented lead trio. Too bad they're not used to advantage here. Mary Astor is now best known for her role as Bridget O'Shaugnessy in John Huston's MALTESE FALCON, but she was a great screen actress in a variety of roles. Virginia Bruce was a capable actress who just never seems to have made a great movie before her career began to slip. Herbert Marshall was a fine screen actor who survived into the 1960s. Adept at comedy (TROUBLE IN PARADISE, BREAKFAST FOR TWO), he was just moving into the supporting-the-female-star phase of his career. Here he seems to be splitting the support, caught between two good dramatic leads. Go look at TROUBLE IN PARADISE to see it done right. Seen it? See it again.