They Drive by Night

As the Sydney nights draw in and winter approaches there are times I just want a good, solid movie to keep me entertained for 90 minutes. A story which ticks over, a touch of drama, actors who know their roles and the odd laugh is appreciated but not mandatory.

There aren't many laughs in this movie but it ticks all the other boxes. Shorty is just out of prison and barely finishes his first cup of tea before he is up for murder. If he can remain at large maybe the real murderer will surface. Unfortunately his record marks him down as guilty until proved innocent. The only people who believe him are dancing girl Molly and the foppish Mr. Hoover who steals the last 20 minutes.

You can glimpse into an older period where life was more simple, movies relied on plot over action and murderers hung from the gallows.

Emlyn Williams as Shorty plays a good bad guy. The age of this movie makes him look as if he has been on the run for a few days. The limited use of Ernest Thesiger as Mr Hoover is well timed as the character would lose its impact if he was introduced earlier.

Well worth a watch.

Taut British noir. set mostly after dark and indoors, about an innocent man on the run for a crime he did not commit (Emlyn Williams), the girl who helps him (Anna Konstam with a blonde perm), not quite a tart but with a heart of gold, and a creepy serial killer (Ernest Thesiger).

Interesting for its inversion of the usual values of 1930s British films, in which the lower classes tend to be either comic or villainous or both. Here the murderer has the accent, the education, the aesthetic taste and the comfortable house while virtually all the other characters share the camaraderie of the working class, which includes a disinclination to say too much to the police.

A number of similarities with Hitchcock films of the period, in particular "Young And Innocent", which also has a falsely accused man and a girl who believes in him trying to find the real murderer in a transport café and a dance hall.

Nice crime thriller that almost seems like a lost Hitchcock film. Moody lighting contributes to the noirish atmoshpere. Ernest Thesiger turns in one of his creepiest performances.

This 1938 film was released in the US by Warner Brothers and I assume it was made by their British division originally (due to British laws, several of the big US studios had British divisions making films as well). Regardless, it has nothing much to do with the more famous 1940 film by Warner.

The film finds Shorty Matthews (Emlyn Williams) getting out of prison at the same time an inmate is being executed. This is significant because Short is rather ambivalent towards the man's plight--and soon he'll be in a similar position. This occurs when Shorty goes to visit an old girlfriend and he finds her dead. Instead of handling it like a guy with a brain, he runs--and ends up making everyone think he's the killer. Instead of going to the police, this guy spends the rest of the movie avoiding the police dragnet and trying to figure out who is the real killer.

The film has a few minor flaws. I guess I could accept that Shorty was stupid but perhaps not too unusual for avoiding the police. However, the ending, while really cool to watch, really didn't make a lot of sense. But, the film has a lot of tension and some nice performances. Overall, the good far outweighs the bad and the film is worth your time.

Anyone who likes film noir, murder mysteries, Hitchcock type adventures about a wrongly accused man on the run from the law or just superbly made 1930s films should watch this.

This isn't set in the care-free, art-deco festooned sunny London seen in most 1930s pictures. This is reality, a dirty smelly reality with real people - at times it almost looks like a documentary but it's not one of those miserable dark and dingy films when nothing happens - a lot happens in this: murders, rapes, kidnapping - plus a bit of comedy to make it palatable. In this it just feels like it's happening to real people making it seem real to you.

For starters, the cinematography is amazing. As film noirs go, this has to be one of the most visually impressive. Expressionism is expressing the feelings of the protagonist through what we see on the screen. Every scene with Emlyn Williams' Shorty is in murky disturbing shadows and as his situation gets worse, that darkness increases and contrasts with the bright lights of Molly's optimism. It's a clever and beautifully made film.

It's a magnificently evocative picture. It immerses you into late 1930s working class life and into London, a proper working class city. A city not of top hats and walking canes but of pubs, petty criminals and prostitutes. We learn there were two groups of prostitutes: dance hall girls (taking their work home) and lorry girls who entertain lonely lorry drivers - those who drive by night.

It's not all darkness however, Ernest Thesiger whose character is the opposite of a nice chap is both horrendously creepy but also hilariously funny. His very dark humour makes this film even better.