Suez

Probably one of the least accurate historical dramas done by the old Hollywood Studio System is Suez with Tyrone Power cast as Ferdinand DeLesseps, the builder of the Suez Canal. Any resemblance to the facts involving the canal and its construction are purely coincidental, in fact both English and French history gets badly skewered in Suez.

Ferdinand DeLesseps should only have been as dashing and as handsome as Tyrone Power, he probably wishes he was. He was never involved in any romantic way with the Empress Eugene of France played by Loretta Young. As for the character that Annabella who was Mrs. Tyrone Power at the time plays, we've sure got no basis in fact for what she does to save Power and the canal itself. Take my word it's quite the sacrifice.

The film has DeLesseps taking over the assignment his father had as consul general for France to Egypt. While there DeLesseps conceives the idea of rebuilding the ancient canal over the isthmus of Suez. And as the film's story unfolds he sacrifices everything to get it. Of course it's all fiction.

The name of Benjamin Disraeli is as linked in history to the Suez Canal as DeLesseps. But how he got involved is also complete fiction. It took place after the canal was complete and while quite a coup for the British at the time, it was hardly anything heroic. Miles Mander plays Disraeli without quite the same flair as George Arliss did nor even Ian McShane in the acclaimed BBC series in the Seventies.

But if you like historical romance than Suez is definitely the film for you.

Biopic upon Ferdinand de Lesseps : Tyrone Power who built the famous canal from Port Said to Suez . It is inspired by real events, being freely adapted by screenwriter Philip Dunne taking some actual facts here and there. It deals with Lesseps , his lovers : Loretta Young , Annabella , and his relationship with historical people as Napoleon III : Leon Ames , Benjamin Disraeli : Miles Mander , Gladstone : George Zucco, Egyptian Sultan : J Edward Bromberg, among others . He changed the map of the World!

This is a stirring and interesting saga about one of the world's most astonishing engineering achievements , dealing with a brave Man of two loves and one mighty deed . Well handling the human drama along with historic happenings , though director is partially unable -undeed unwiling- to combine both strands of his story in contrast to filmmakers as William Wyler , Raoul Walsh , King Vidor or Anthony Mann. In fact , Suez is a series of moving events and unfortunate incidents unconnected by dramatic urgency . In the film appears various historical characters , being well played , such as : Napoleon III : Leon Ames , his wife the Spanish Eugenia de Montijo : Loretta Young , Prime Ministers Gladstone : George Zucco and Benjamin Disraeli : Miles Mander. Adding other notorious secondaries and familiar faces : Nigel Bruce , J Edward Bromberg , Joseph Schildkraut , Henry Stephenson , Sidney Blackmer, Rafaela Ottiano and Sig Ruman . The action/disaster sequences are competently assured without ever going over the top. They are some impressive escenarios, as well as spectacular set pieces , including rocks falling, catastrophes , wild thunders causing destruction , wreck havoc and chaos on the monumental construction that are the highlights of the movie , but marred by excessive matte-painting.

The motion picture was well directed by Allan Dwan, it has virtues and some flaws, too. In his films Allan Dawn is compellingly concerned with the modest virtues of fairness and honesty , he was a prolific artisan, shooting all kinds of genres with penchant for western and adventure, such as : Enchanted island, The Restless Breed , Escape to Burma , Pearl of the South Pacific , Tennesse's Partner , Cattle Queen Montana , Passion , Silver Lode , Montana Belle , Northwest Outpost , Around the World, Young People, The Gorilla, The Three Musketeers , Heidi , Manhandled , The Iron Mask, Robin Hood , and many others . Rating 6.5/10 , decent historical/adventure/drama .

The history and the practical solutions for the building of the Suez Canal are brought to light in this lavish production of Suez. Tyrone Power is perfect casting for this role, and his romantic interest is the Canal, itself. The rest of the cast, however, does a very good job supporting Power. The Egyptian Prince who is a real softie, befriends Power and eventually gets him permission to build the Canal in Egypt. The only sticking point are the Ottoman Turks, who oppose the building of the Canal for political reasons. A good biopic for late at night.

In "Suez" a lot of Americans pretend to be a lot of Frenchmen, or maybe just plain old 'foreigners', as they often did on the big screen. This 1938 20th Century Fox picture might qualify as an epic; it's certainly a very handsome, prestige production directed by Allan Dwan with Darryl F. Zanuck producing. As you may or may not guess from the title it's the story of how the Suez Canal came into being with Tyrone Power as Ferdinand de Lesseps, the man who came up with the idea of a passage to link the seas of the East with the Mediterranean.

The large cast also includes Loretta Young as the Empress Eugenie, Leon Ames as Napoleon III and such stalwarts as Joseph Schildkraut, Henry Stephenson, Sig Ruman, Nigel Bruce and George Zucco. For a touch of authenticity the French actress Annabella was cast as the French girl Ty falls for out in Egypt. The Egyptian 'locations' were mostly shot in Arizona and California but an excessive use of sand helps us suspend our disbelief. It's also surprisingly entertaining and Power was as handsome here as he ever was on screen. A swan-necked Loretta Young also manages to live up to her given title as 'the most beautiful woman in Europe'. A huge hit in its day and a great way to pass a dull Saturday afternoon.

Suez (1938)

*** (out of 4)

Entertaining, if fairly flawed, look at Ferdinand de Lesseps (Tyrone Power) and the lose of his love (Loretta Young), which sends him off on a quest to build the Suez Canal. Along his mission he encounters political issues and a natural disaster as he tries to complete the work. There's no question that this movie was made to cash in on the wave of disaster flicks that followed the success of SAN FRANCISCO. Power and Fox had made one the previous year in IN OLD CHICAGO so they tried their luck again and for the most part it worked. I think there are some major problems with the screenplay and a lot of this is around the romance with Young's Countess Eugenie de Montijo. I never really bought her in the role and it's interesting that Young knew her role wasn't all that important so she made the studio agree to let her do her own costumes. This is important because the costumes that were designed for her were so large that many of the sets had to be redone just so she could fit through them. Her costumes certainly outshines her character and I also felt that Young just didn't feel too comfortable with the role, which I believe is the first time I've said that about my favorite actress. The screenplay also doesn't seem to know if it wants to center on the love story, the political stuff or the actual building of the canal. In the end I think the screenplay bites off much more than it can chew but there's still plenty here to enjoy. The best thing going for the film is some tremendous special effects that show up at the very end when a sand storm hits the crew as they're working. The effects are incredibly realistic, for the most part, and there are many times where you'll be asking yourself how they pulled off the trick. There are a couple terrific sequences where large drums of water fall over and take people with them that was very intense. This also leads to an incredibly powerful finale that I won't ruin but how it plays out on the love story was very effective. Power is his typical good self as he manages to be very believable in the role but he's also quite charming and he certainly knows how to woo the ladies. The real star of the movie is Annabella who is simply magnificent in the role of the girl who falls in love with Power but must sit behind the Young character. I thought Annabella did a terrific job with the accent, the charm, the flirtatious nature and she just really made a complete character and nailed every inch of it. Her scenes at the end with Power are extremely effective and really take the film to another level. As with many of the disaster films from this era (and the 70s for that matter) there's way too much story than what was probably needed but the performances and effects make this worth sitting through.