Piraten in Alaska

Some surprisingly violent action scenes are the highlights of this Alaska-set adventure tale of boats and salmon fishermen, which plays like a disguised Western. Unfortunately, they're lost in a sea of footage (almost two hours), and the savvy viewer can see the ending coming from halfway to Skag

None of the other reviews have mentioned that SPAWN OF THE NORTH is in fact a remake of THE VIRGINIAN, with a change in locale from Wyoming to Alaska. There is also one other notable change. While Akim Tamiroff is Trampas and Henry Fonda steps into Gary Cooper's boots as The Virginian, the emphasis has been shifted to the likable but shady Steve character (Richard Arlen in the '29 talkie, George Raft here). SPAWN OF THE NORTH would itself be remade in 1954 as ALASKA SEAS, with a nice cast including Robert Ryan, Brian Keith, and Gene Barry in the roles played by Raft, Fonda, and Tamiroff respectively. On its own terms SPAWN OF THE NORTH is very effective entertainment, thanks to the guiding hand of director Henry Hathaway as well as its cast, not only the aforementioned stars but also experienced scene-stealers John Barrymore and Lynne Overman in support.

This has been called a western at sea and deservedly, considering the shootouts and roughhousing and a plot line of conflicted loyalties. There is great wildlife and glacier footage and tasty atmosphere. George Raft and Henry Fonda are an odd-couple match, but the chemistry works for the worldly-innocent contrast. In the "egg" incident, notice how both of them seem genuinely tickled. Fonda, of course, is the do-gooder and has little to do here until emotions build toward the climax. Raft has the more interesting role, and a salmon fisherman is a part definitely out of the norm for him. He gets an opportunity to lightly display a variety of talents (singing, swimming, stuntwork). But best of all, this is an example of the kind of performance that thoughtful direction like Hathaway's could bring from him. A vital sequence is emotionally honest without being hysterical or histrionic, and it's perfectly toned to the point of being wrenching. Also having good turns out of the usual are Dorothy Lamour and Akim Tamiroff, though John Barrymore seems a bit wasted - no pun intended.

... from Paramount Pictures and director Henry Hathaway. Alaskan fish-cannery owner Jim (Henry Fonda) reconnects with old pal Tyler Dawson (George Raft), a seal hunter. They both have to deal with the illegal shenanigans of boat captain Red Skain (Akim Tamiroff) and his crew who keep looting the community's salmon traps. Jim also finds himself in a love triangle, as he pines for recently-returned gal Diane (Louise Platt), while hotel owner Nicky Duval (Dorothy Lamour) yearns for Jim from afar. Also featuring Lynne Overman, Fuzzy Knight, Vladimir Sokoloff, Duncan Renaldo, John Wray, Henry Brandon, and John Barrymore.

The subject matter isn't something that's frequently covered in cinema, and the cast is unexpected, as well. Raft isn't bad, while Fonda is very good, easing into the earnest, noble hero mold that served him well in his career leading up to the war. One of the most notable things about the movie is the presence of John Barrymore as the hopelessly drunk father of Platt's character. Barrymore's standing had sunk so low by this point that he's listed fifth in the credits. The movie was awarded an honorary Oscar for the sound effects and visual effects (there's a lot of rear projection on display).

I've always looked on this film as a perfect blend of obvious location shooting for background very well integrated with the plot of the story which was done on the Paramount back-lot. The best part of the film is the footage of Alaska, of the Inuit, and even of the salmon going upstream to their demise.

Looking at Henry Fonda and George Raft however is quite a contrast between a great actor and a personality. Raft's gangster persona is not quite right for this tale of best friends ending up on opposite sides of the law. Still he gives it his best shot and the results are more than adequate.

However the best acted performance in this film without a doubt goes to Akim Tamiroff as the Russian fish pirate Red Skane. Skane is a swaggering thug and Tamiroff is perfect.

Many years ago I saw Henry Fonda and he said he divided his films in two categories, those he did for art's sake and those he did for the money. Spawn of the North was one for the money, but still he was proud of it as entertainment. His Jim Kimmerlee does not belong in the category of his great parts like Mister Roberts or Oxbow Incident, but it still is a good piece of work. Fonda does the best he can with a part that doesn't call for him to do much, but be noble.

Back in the 1930s location shooting was an expensive proposition and here Paramount did a superb job at masking the studio origins of the film. Looking at those shots with the fisherman against the backdrop of the glaciers and icebergs you really do think you're in Alaska. Great special effects here, especially in the climax which involves boats being crushed by icebergs.

Nice entertainment and Dorothy Lamour does NOT wear a sarong.