Füge eine Handlung in deiner Sprache hinzuAfter a plane crash in the Pacific the disparate band of survivors must learn to work together on a isolated island, change their self-centered ways, and examine their motives for wanting to... Alles lesenAfter a plane crash in the Pacific the disparate band of survivors must learn to work together on a isolated island, change their self-centered ways, and examine their motives for wanting to escape from their pasts.After a plane crash in the Pacific the disparate band of survivors must learn to work together on a isolated island, change their self-centered ways, and examine their motives for wanting to escape from their pasts.
Don 'Red' Barry
- Jessup
- (as Donald Barry)
Larry J. Blake
- Thomas Sydney in Photographs
- (Nicht genannt)
Lynton Brent
- Reporter
- (Nicht genannt)
Kernan Cripps
- Airline Ticket Clerk
- (Nicht genannt)
James Eagles
- Radio Announcer
- (Nicht genannt)
Alan Edwards
- Alex Wesson
- (Nicht genannt)
Dwight Frye
- Marshall
- (Nicht genannt)
Jack Gardner
- Reporter
- (Nicht genannt)
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An airplane sets out for China but doesn't make it: struck down in a storm, it crashes at sea and the passengers wash ashore on an apparently uninhabited island, where they are seemingly without hope of rescue or escape
until they discover John Boles, a mysterious American living on the island in relative luxury. He has a boat—but for reasons of his own, refuses to let the castaways use it to escape.
Boles is solid as the island's primary inhabitant; he has run away from a murder charge, accompanied by a servant (Willie Fung) whose loyalty is complete. His uninvited visitors are a diverse group of characters on this journey for a variety of reasons—some pursuing shady business deals, others running away from personal issues. On the island, events develop and allegiances form; we learn, in bits and pieces, the stories behind some of the main characters.
Boles strikes up a relationship with Madge Evans, an unhappy wife heading to China to escape via a nursing career. Gene Lockhart is a blustery senator and Charlotte Wynters is an heiress—these two stuck up characters are quickly elected by the others to perform the most menial chores.
Marion Martin gives the best performance as a tough young woman on the run from life. "This is pretty funny," she comments on reaching shore and looking around, "I was trying to run away from a nervous breakdown." She pairs up with Bruce Cabot, who has a stack of stolen money (useless on an island) and a pistol (that may come in handy).
The plane crash scene that opens the action is very well done—a great example of a director creating chaos and excitement despite obviously limited resources. Otherwise, the production is solid but nothing out of the ordinary...if there is such a thing as a run of the mill tropical island, this would be it.
Overall, it's entertaining if not great. The characters are interesting but never develop much; the performances are solid; the plot moves fast but rarely surprises.
Boles is solid as the island's primary inhabitant; he has run away from a murder charge, accompanied by a servant (Willie Fung) whose loyalty is complete. His uninvited visitors are a diverse group of characters on this journey for a variety of reasons—some pursuing shady business deals, others running away from personal issues. On the island, events develop and allegiances form; we learn, in bits and pieces, the stories behind some of the main characters.
Boles strikes up a relationship with Madge Evans, an unhappy wife heading to China to escape via a nursing career. Gene Lockhart is a blustery senator and Charlotte Wynters is an heiress—these two stuck up characters are quickly elected by the others to perform the most menial chores.
Marion Martin gives the best performance as a tough young woman on the run from life. "This is pretty funny," she comments on reaching shore and looking around, "I was trying to run away from a nervous breakdown." She pairs up with Bruce Cabot, who has a stack of stolen money (useless on an island) and a pistol (that may come in handy).
The plane crash scene that opens the action is very well done—a great example of a director creating chaos and excitement despite obviously limited resources. Otherwise, the production is solid but nothing out of the ordinary...if there is such a thing as a run of the mill tropical island, this would be it.
Overall, it's entertaining if not great. The characters are interesting but never develop much; the performances are solid; the plot moves fast but rarely surprises.
For a film from the late 1930s it's not a bad film. The technological limitations for special effects and cost of shooting on stage verse on location are apparent, but the story is fairly compelling enough.
A band of assorted individuals with various pasts and agendas take flight aboard a "flying boat", and find themselves challenged in a new environment.
The film by today's standards may seem somewhat racist in regards to one Asian character, but is more or less a product of its time, and the character in question is noble to a fault, and in fact key to helping the rest of the characters.
Marion Martin shows that her acting chops weren't quite there yet (and she had yet to engage in an exercise regime), Bruce Cabot of King Kong fame shows his range, and a number of other well known actors of the time do well to bring to life the characters in this film.
Again, the shortcomings are the technical aspects, Martin's lack of theatrical training, and money. Otherwise it's a solid B-performer that'll help whittle away a lazy Sunday afternoon.
If you need a classic film on your TV or computer, you could do worse, but you could also do better. Either way, give it a shot and see what you think.
Not a great film, but nor a bad film.
Give it a shot.
A band of assorted individuals with various pasts and agendas take flight aboard a "flying boat", and find themselves challenged in a new environment.
The film by today's standards may seem somewhat racist in regards to one Asian character, but is more or less a product of its time, and the character in question is noble to a fault, and in fact key to helping the rest of the characters.
Marion Martin shows that her acting chops weren't quite there yet (and she had yet to engage in an exercise regime), Bruce Cabot of King Kong fame shows his range, and a number of other well known actors of the time do well to bring to life the characters in this film.
Again, the shortcomings are the technical aspects, Martin's lack of theatrical training, and money. Otherwise it's a solid B-performer that'll help whittle away a lazy Sunday afternoon.
If you need a classic film on your TV or computer, you could do worse, but you could also do better. Either way, give it a shot and see what you think.
Not a great film, but nor a bad film.
Give it a shot.
This film Sinners In Paradise was an interesting find. It's a combination of The Lost Horrizon, Stagecoach, The Admirable Crichton with a bit of Gilligan's Island thrown in.
An interesting mix of people are passengers on a sea plane bound for China which crashes in the Pacific and the surviving passengers plus a steward from the crew are tossed into the sea. They make it to a tropical island where John Boles and his servant Willie Fung have set up house. He's not a very hospitable host and forces these people to work for their keep. Some of them like Senator Gene Lockhart and heiress Charlotte Wynters are not used to manual labor. In this new society that is forming on the island they're at the bottom of the pecking order and resent it.
The rest of the survivors include steward Don Barry from the crew, recent divorcée Madge Evans bound for China to serve as a missionary, mob hit man Bruce Cabot, working class girl brassy Marion Martin, widow Nana Bryant looking to join her son in Shanghai, and a pair of munitions manufacturers Milburn Stone and Morgan Conway looking to make some money off the various wars going in China. It's quite an interesting group of castaways here on Boles' Island.
The iconoclastic Boles is a man of mystery. Their host has good and sufficient reason for not wanting to return to civilization. In point of fact those who want to get back the most are the ones that civilization could do without.
Lockhart is the most interesting character of the bunch. He can't figure out why a natural born 'leader' and man of the people isn't just handed responsibility to lead the castaways. He's not a great advertisement for our political leadership.
James Whale directed this film and it was a reunion of sorts with Boles who was in the cast of his most acclaimed work, the original Frankenstein. Although by now Whale was directing B films and Sinners In Paradise is definitely in that category, it's still an interesting piece of work and worthy of more than one look.
An interesting mix of people are passengers on a sea plane bound for China which crashes in the Pacific and the surviving passengers plus a steward from the crew are tossed into the sea. They make it to a tropical island where John Boles and his servant Willie Fung have set up house. He's not a very hospitable host and forces these people to work for their keep. Some of them like Senator Gene Lockhart and heiress Charlotte Wynters are not used to manual labor. In this new society that is forming on the island they're at the bottom of the pecking order and resent it.
The rest of the survivors include steward Don Barry from the crew, recent divorcée Madge Evans bound for China to serve as a missionary, mob hit man Bruce Cabot, working class girl brassy Marion Martin, widow Nana Bryant looking to join her son in Shanghai, and a pair of munitions manufacturers Milburn Stone and Morgan Conway looking to make some money off the various wars going in China. It's quite an interesting group of castaways here on Boles' Island.
The iconoclastic Boles is a man of mystery. Their host has good and sufficient reason for not wanting to return to civilization. In point of fact those who want to get back the most are the ones that civilization could do without.
Lockhart is the most interesting character of the bunch. He can't figure out why a natural born 'leader' and man of the people isn't just handed responsibility to lead the castaways. He's not a great advertisement for our political leadership.
James Whale directed this film and it was a reunion of sorts with Boles who was in the cast of his most acclaimed work, the original Frankenstein. Although by now Whale was directing B films and Sinners In Paradise is definitely in that category, it's still an interesting piece of work and worthy of more than one look.
James Whale directs this unremarkable story of survival (sort of). After a sea plane with several passengers crashes into the ocean near an uncharted island, a man living there must decide whether or not to ferry the survivors back to civilization since he's wanted for murder in China. This is a B movie version of what would be an all star movie of the week on TV. Its not bad, its just been done to death thanks to Gilligan's Island and uncreative TV executives. Once the plane crashes and we get to the island the film is reasonably enjoyable since the story is in motion and all of the clichés are allowed to play out. Well acted by a cast of veterans you'll know whats going to happen as well as the cast knows how to play their well worn parts. Its worth a look if you run across it on TV just don't expect high art even from James Whale
I don't know what director Whale told actor Lockhart, but the actor's buffoonery just about kills the movie. After a plane crashes in the Pacific, the survivors manage (we're never shown how) to get to an island where a mysterious man (Boles) lives with his Chinese servant. It's a motley crew of survivors, including a rich woman, a gangster, a state senator, two fast-talking operators, a floozie, and several others. Meanwhile, forming new relationships and making needed adjustments carry the narrative.
Perhaps the biggest influence on the film is leftist screenwriter Lester Cole, later one of the blacklisted Hollywood Ten. The movie's subtext shows how social distinctions lose their meaning on the island. Even money. At the same time, the working people's skills take on vital value in new surroundings, while the privileged can contribute little. Then too, I expect Lockhart's generally useless character amounts to Cole's shot at politicians of the time. Good lessons here, and ones not restricted to that Depression era.
Anyway, helping the film are good special effects, especially the frenzied plane crash. Even the studio blended beach shots are well done, a surprise for cheapjack Universal studios. Too bad the acting's uneven, but then the hour-long format doesn't provide for much character development among the large cast. Perhaps the biggest surprise for me was Ping (Fung), the manservant. I expected he would be nothing more than the usual foolish stereotype. But, not so.
Anyway, there's a good movie stymied somewhere inside the brief runtime and Lockhart's over-acting. Check out the thematically similar Five Came Back (1939) to see a much better version.
Perhaps the biggest influence on the film is leftist screenwriter Lester Cole, later one of the blacklisted Hollywood Ten. The movie's subtext shows how social distinctions lose their meaning on the island. Even money. At the same time, the working people's skills take on vital value in new surroundings, while the privileged can contribute little. Then too, I expect Lockhart's generally useless character amounts to Cole's shot at politicians of the time. Good lessons here, and ones not restricted to that Depression era.
Anyway, helping the film are good special effects, especially the frenzied plane crash. Even the studio blended beach shots are well done, a surprise for cheapjack Universal studios. Too bad the acting's uneven, but then the hour-long format doesn't provide for much character development among the large cast. Perhaps the biggest surprise for me was Ping (Fung), the manservant. I expected he would be nothing more than the usual foolish stereotype. But, not so.
Anyway, there's a good movie stymied somewhere inside the brief runtime and Lockhart's over-acting. Check out the thematically similar Five Came Back (1939) to see a much better version.
Wusstest du schon
- WissenswertesIn Madge Evans' interview with Leonard Maltin in "Film Fan Magazine" (December 1972), she gave the following testimony about making this film: "Well, this was not his James Whale kind of film. He was much too intelligent, much too good a director for this kind of nonsense, which was all about people cast adrift on an island, a dreadful picture, and he was much, much too good for it. He hated it, and also being a rather uptight Englishman, he showed that he hated it. You could just see that every time he came to a scene, he was saying, 'Oh, my God,' and that doesn't make anybody feel either confident or happy."
- PatzerAlthough washed away on a deserted island, John Boles continually looks like he just stepped out of a Beverly Hills barber shop, and Marion Martin's bleached blonde hair remains styled and curled, with no dark roots, and she never abandons her false eyelashes and mascara makeup.
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- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Secrets of a Sinner
- Drehorte
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- Laufzeit
- 1 Std. 5 Min.(65 min)
- Farbe
- Seitenverhältnis
- 1.37 : 1
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