Next Time I Marry

Rich girl Lucille Ball pulls up in her huge car alongside a WPA ditch-digging project. She offers handsome laborer James Ellison $1000 to marry her, after which she immediately ditches him and goes off to a ritzy party. Lucy is actually kind of obnoxious….will she learn her lesson before the end of the picture?

Not a lot of surprises in this mild comedy, but Lucy is fun to watch, Ellison is fine as the dogged and resourceful leading man, and Lee Bowman is hilarious as Lucy's goofy-accented South American fiancé.

We learn early on that Lucy's father's will requires her to marry a "plain American"—thus her rush to marry and get her money. When Ellison figures out that she's married him only to quickly divorce him, he vows to divorce her first, and from there on it's a race to Reno.

Besides its human cast, the picture stars a dog named Mike in a funny role, and also a little streamlined camper-trailer that Ellison pulls behind his car. The camper is at the center of much of the film's action, including a scene where Lucy sets it on fire in a harebrained attempt to escape.

No classic, I guess, but it's fast-paced and and has some solid laughs. --Oh, and a clever ending featuring a preacher and family piling into the car....

heiress lucille ball has to marry a 'plain American' to get her inheritance. already engaged to fortune hunter boyfriend lee bowman(is he really a count, who knows)she engages road worker james ellison, who is prepared to marry her for a certain summe of money...

not an unusual plot for a 30's screwball comedy..

one of few early films with lucille ball that i saw, i didn't expect a laughing riot (never liked her later TV persona much)but i was pleasantly surprised by this one.

the plot is funny and has a good tempo, lucille gives a good performance as an hysterical heiress, james ellison is a delight(never noticed him in any other movies though)and overall this movie amused me enough to catch it a second time..(which isn't that easy since its not commercially available) recommended

This short (65 minutes) comedy is one of the better "B" movie variations of "It Happened One Night" from the 1930's. Lucille Ball stars as a heiress whose father's will requires her to marry an American. Trouble is she is in love with a penniless count who is basically just interested in her money. Lucy concocts a plan to marry and divorce ditch-digger James Ellison, offering him a thousand to marry her. Ellison needs $793.00 to pay off a bill so he goes along with it - but then is angry when he feels she played him for a sap when she informs him she's going to Reno to divorce him immediately. Ellison is determined to beat her there and file for divorce himself and the duo fight across the country on the way to Reno. If you wonder how it ends you haven't seen many romantic comedies.

Lucy is very beautiful in this, her first starring film and proves she already was a wonderful comedienne in this comedy made some 13 years before the debut of I LOVE LUCY. She also proved she was unafraid to get into unglamorous and physical comic situations even at this young age (27) quite unlike most attractive actresses. (Like the much later THE FULLER BRUSH GIRL, this movie shows Lucy is drop dead gorgeous soaking wet, maybe they should have dunked her in all her pictures.) Leading man James Ellison is quite good too as the down-to-earth Joe dubbed "Cinderella man" by the press for his marriage to the wealthy heiress (Ellison also looks pretty good soaked). I don't think I've ever seen Ellison before - his career was basically divided into three parts, first bit player, then "B" movie leads like here, and finally starring in low-budget "B" westerns. Ellison is good-looking in a low key way, quite tall, and has an athletic build and is very good here but perhaps his career didn't take off in part because either because of his strong resemblance to Joel McCrea or the fact that very few handsome men became major stars back then. The movie is so short not much attention is given to character actors, quite unusual for comedies of the period, Lucy, James, his over-sized dog, and the count are pretty much the whole show. Fans of Lucy's later movie hit THE LONG LONG TRAILER will enjoy seeing Lucy in similar situations on the road with a travel trailer here. This is a good little movie, a must for Lucy lovers and those who enjoy the comedy romances of the era.

Next time I Marry stars Lucille Ball and any ensemble cast – it's just like an episode of her TV show – it even has a silver air stream trailer in which she would make the "The Long Long Trailer" almost twenty years later with Ricky. In the usual RKO mixed up love story caper, the rich girl must marry a common everyday guy (the dashing James Ellison) before she gets her family money, but she has many secrets and tricks up her sleeve, most of which don't work out as planned. Ellison's best-known role was Buffalo Bill in "The Plainsman" 1936, along with parts in many westerns. Lee Bowman plays a foreign count whose accent comes and goes in an un-convincing supporting role. As with most Lucy roles, as long as you buy into the story, you'll have a fun time. Look for Richard Elliott, the short jolly mayor from Andy Griffith, as the Justice of the Peace. Story is credited to Thames Williamson, but movie buffs will recognize a similar plot from four years before this. Also appears to be the second movie that Garson Kanin directed. Fun but a little silly!

Heiress Nancy Crocker Fleming (Lucille Ball) grabs a random guy on the WPA ditch digging line and pays him $793 to get marry. Anthony J. Anthony has only his dog and his car trailer. Nancy's dead father had left his fortune to her only if she marries a "plain American". She intends to divorce Tony as soon as the money comes in and end the secret fake marriage. Foreigner Count Georgi is eager to marry her. When she accidentally drives away with Tony's dog, he come looking for her. The cops are called in and he's arrested for kidnapping.

The humor is definitely of its time. At least, Lucille Ball is allowed to do some physical comedy. Lighting the trailer on fire is something akin to I Love Lucy. The movie stays in that pocket of weird quirkiness. The subject matter is weird. Nancy and Tony could do a funnier meet-cute. The start is rushing too quickly. The first meeting would work better if Nancy's dilemma is explained at the top. Comedy is in the eye of the beholder. Time and culture has a way of making jokes not funny. I try to keep this in mind. This is a comedy of its time.