Füge eine Handlung in deiner Sprache hinzuPopeye invites Olive's grandmother along for a New Year's Eve party.Popeye invites Olive's grandmother along for a New Year's Eve party.Popeye invites Olive's grandmother along for a New Year's Eve party.
- Regie
- Drehbuch
- Hauptbesetzung
Everett Clark
- Grandma
- (Synchronisation)
- (Nicht genannt)
Jack Mercer
- Popeye
- (Synchronisation)
- (Nicht genannt)
Mae Questel
- Olive Oyl
- (Synchronisation)
- (Nicht genannt)
- …
Empfohlene Bewertungen
This is a rare Popeye cartoon in that he doesn't fight Bluto and they don't compete for needy, damsel in distress, Olive Oyl.
Popeye and Bluto visit Olive Oyl on a horse-drawn sleigh. Olive says they are going for a dance on New Year's Eve. Popeye sees Olive's hard of hearing grandma sat all alone looking miserable and offers to take her dancing. It's bizarre to see Popeye acting charming by helping her with her coat and giving compliments.
The couples go to a dance off. There's a funny scene were Popeye tickles Grandma's chin with a whistle and Bluto looks on with gritted teeth. Grandma can barely move when Popeye tries dancing with her. Luckily a waiter has a can of spinach on a serving tray. Popeye asks her to open wide and drops the spinach into her mouth. You can probably guess what happens next.
It's a very charming, but not one of the best Popeye shorts. It certainly doesn't compare to the colourful glory of "Popeye The Sailor Meets Ali Baba's Forty Thieves" or "Sinbad the Sailor". The dance scenes also take up about half the film and lack the visual flair and Brechtian creativity of Tex Avery cartoons from around this time. It still comes recommended for animation fans.
Popeye and Bluto visit Olive Oyl on a horse-drawn sleigh. Olive says they are going for a dance on New Year's Eve. Popeye sees Olive's hard of hearing grandma sat all alone looking miserable and offers to take her dancing. It's bizarre to see Popeye acting charming by helping her with her coat and giving compliments.
The couples go to a dance off. There's a funny scene were Popeye tickles Grandma's chin with a whistle and Bluto looks on with gritted teeth. Grandma can barely move when Popeye tries dancing with her. Luckily a waiter has a can of spinach on a serving tray. Popeye asks her to open wide and drops the spinach into her mouth. You can probably guess what happens next.
It's a very charming, but not one of the best Popeye shorts. It certainly doesn't compare to the colourful glory of "Popeye The Sailor Meets Ali Baba's Forty Thieves" or "Sinbad the Sailor". The dance scenes also take up about half the film and lack the visual flair and Brechtian creativity of Tex Avery cartoons from around this time. It still comes recommended for animation fans.
It's New Year's Eve. Popeye and Bluto show up amiably, ready to take Olive Oyl out to celebrate. But Popeye won't leave Miss Oyl's arthritic old grandmother alone on the evening, so they take her along to a night club.
Wimpy and even Gus show up here, so it's a general celebration for Thimble Theater fans. More than that, it's nice to see Bluto and the Popster competing amiably, along with a happier use for spinach than beating up people.
There's some nice, understating use of the Fleischer's rotating layout, the usual plethora of gags that director Dave Fleischer insisted on, and a sincere tone of peace on earth in this cartoon.
Wimpy and even Gus show up here, so it's a general celebration for Thimble Theater fans. More than that, it's nice to see Bluto and the Popster competing amiably, along with a happier use for spinach than beating up people.
There's some nice, understating use of the Fleischer's rotating layout, the usual plethora of gags that director Dave Fleischer insisted on, and a sincere tone of peace on earth in this cartoon.
Dave Fleischer and Fleischer Studios did a lot of cartoons that are good to great, the best of them gems. Over-cuteness did creep in at times, but there was always a lot of amusement and charm and they were always incredibly well made (some of the techniques used being innovative) and scored with nice easy to like characters if one doesn't mind the lack of depth.
Their Popeye cartoons are/were pretty much all good to brilliant, haven't seen a bad one. Do like most of the Famous Studios Popeye cartoons too and the best of their Popeye cartoons were among the better cartoons in their overall output, but Fleischer's are funnier, have more imagination and are better made, never once having the issue of hasty time constraints and lower budgets that the later Famous Studios cartoons did. Fleischer's Popeye cartoons were always well animated, even better scored and had a lot of entertainment value and wit as well as great chemistry and characterisation of the characters.
Enough of all that, lets talk about 'Let's Celebrake'. 'Let's Celebrake' is one of my favourites from this particular period of the Fleischer output. Everything that is so good about the Popeye series at its best is here and there is next to nothing to criticise, other than Olive having little to do and the story occasionally could have done with more surprises.
Popeye however is very likeable and amusing, while Bluto is even funnier. Their chemistry, as ever, drives the cartoon so it was essential for it to work, and it sparkles. Wimpy makes a fun short appearance while Grandma nearly steals the show once she is fed the spinach. The voice acting is adept as always, with Jack Mercer relishing Popeye's asides in particular.
In 'Let's Celebrake', the non-stop gags are beautifully timed and never less than very funny and a riot at its best. The dance setting, particularly the sight of Popeye and Grandma spinning around the floor, is used to full advantage and imaginatively so. The story is slight and occasionally formulaic, but so full of energy and filled to the brim with heart and warmth that it doesn't matter.
As to be expected, the animation is excellent, beautifully drawn, lively, smooth and meticulously detailed, never too elaborate or cluttered neither too static or simplistic. Every bit as good, and even better perhaps, is the music, with its lush orchestrated, merry energy and character, it adds to every expression, gesture and action and at its best it enhances the impact. Fleischer's direction is as accomplished as ever.
Overall, truly great and as said one of my favourite Popeye cartoons from this relatively late Fleischer studios period. 9/10 Bethany Cox
Their Popeye cartoons are/were pretty much all good to brilliant, haven't seen a bad one. Do like most of the Famous Studios Popeye cartoons too and the best of their Popeye cartoons were among the better cartoons in their overall output, but Fleischer's are funnier, have more imagination and are better made, never once having the issue of hasty time constraints and lower budgets that the later Famous Studios cartoons did. Fleischer's Popeye cartoons were always well animated, even better scored and had a lot of entertainment value and wit as well as great chemistry and characterisation of the characters.
Enough of all that, lets talk about 'Let's Celebrake'. 'Let's Celebrake' is one of my favourites from this particular period of the Fleischer output. Everything that is so good about the Popeye series at its best is here and there is next to nothing to criticise, other than Olive having little to do and the story occasionally could have done with more surprises.
Popeye however is very likeable and amusing, while Bluto is even funnier. Their chemistry, as ever, drives the cartoon so it was essential for it to work, and it sparkles. Wimpy makes a fun short appearance while Grandma nearly steals the show once she is fed the spinach. The voice acting is adept as always, with Jack Mercer relishing Popeye's asides in particular.
In 'Let's Celebrake', the non-stop gags are beautifully timed and never less than very funny and a riot at its best. The dance setting, particularly the sight of Popeye and Grandma spinning around the floor, is used to full advantage and imaginatively so. The story is slight and occasionally formulaic, but so full of energy and filled to the brim with heart and warmth that it doesn't matter.
As to be expected, the animation is excellent, beautifully drawn, lively, smooth and meticulously detailed, never too elaborate or cluttered neither too static or simplistic. Every bit as good, and even better perhaps, is the music, with its lush orchestrated, merry energy and character, it adds to every expression, gesture and action and at its best it enhances the impact. Fleischer's direction is as accomplished as ever.
Overall, truly great and as said one of my favourite Popeye cartoons from this relatively late Fleischer studios period. 9/10 Bethany Cox
10llltdesq
This Popeye, set on New Year's Eve, doesn't feature a brawl over Olive, or over anything else, for that matter. Popeye. a good-natured sort, decides it's not right that Olive's grandma be left at home while they go out, so he invites her along. Bluto escorts Olive and they both find it amusing that Popeye asked out grandma. Popeye is the soul of courtesy to grandma. A perfect example of the type of small kindnesses the world can never have enough of, then or now.
Wimpy puts in a cameo (with a different voice) and the ending is quite funny. Listen for some of Jack Mercer's asides. This is a wonderful cartoon altogether different in mood and tone from the standard Popeye shorts, appropriately so, for the New Year's Eve setting. I wish all who read this a happy and healthy year. This short is well worth seeking out. Most recommended.
Wimpy puts in a cameo (with a different voice) and the ending is quite funny. Listen for some of Jack Mercer's asides. This is a wonderful cartoon altogether different in mood and tone from the standard Popeye shorts, appropriately so, for the New Year's Eve setting. I wish all who read this a happy and healthy year. This short is well worth seeking out. Most recommended.
Popeye is kind enough to invite Olive's grandma to a New Year's Eve party. But when the dance contest starts, she can barely move. Until Popeye uses his favorite drug, Spinach, to solve the problem. This is a very good Popeye cartoon, avoiding a series of fistfights with Bluto.
Wusstest du schon
- WissenswertesAt the beginning, Popeye and Bluto sing "Christmas Comes But Once a Year". This references the Color Classic cartoon, released some thirteen months earlier.
- PatzerAs Popeye and Grandma dance (and then Bluto and Olive), the heads of the inner crowd of dancers (who all are moving counterclockwise, while the main characters either stand in place or dance clockwise) can be seen. It's obvious the crowd is comprised of only a handful of individuals (about 6 characters) that are continually repeated. (Especially noticeable is a dark-haired guy with a pointy hat whose arm and elbow fly up in the air.)
- Alternative VersionenAlso available in a computer colorized version.
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
Details
- Laufzeit
- 7 Min.
- Farbe
- Seitenverhältnis
- 1.37 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen