Die goldene Peitsche

Terrific film dealing with the horse racing scene in Kentucky.

We are taken from the beginning of the civil war, when generations of feuding between families begin when a Goodwin is killed by a Dillon during the taking of horses for the union army.

The film then jumps to 1938 and the generations that followed these families. Naturally, Loretta Young and Richard Greene will become lovers and are from the different families with Greene hiding his Dillon name.

Walter Brennan is absolutely magnificent here as the older Peter Dillon, who cried hysterically at the time of his father's murder in 1861. He plays a crusty, cantankerous individual with a rare knowledge of horse breeding and with it all, a wonderful human heart. His Academy Award as best supporting actor was extremely well deserved here.

The blue grass of Kentucky was never more enjoyable in this sprawling film of great memories of a bygone era.

Tarnation, that Loretta Young is a mighty purty filly, and she darn near always wears a fetchin' ribbon, or sprig o' ivy, in her hair t' show off this here newfangled Technicolor process, y'all. But warn't thar a War Between the States? No'm. Tha's why ya still got yer two kinds o' nigra. First, thar's yer field nigra -- when he's not happy 'n' singin' like a chil', he's lazy 'n' stealin'. Then thar's yer house nigras -- a right reg'lar passel o' Uncle Toms 'n' Aunt Jemimas.

Surely this is not intended to represent the reality of Kentucky in 1938? Which century is this supposed to be? Blacks in the '30's had good reason to be concerned about how they were portrayed in Hollywood films. Then there's the whole silliness of the film's basic premise -- feudin', mansion-dwelling, horse-breeding aristocrats. And I certainly don't want to hear "My Old Kentucky Home" again any time soon.

In spite of everything, this corn pone still managed to make for an entertaining horseracing yarn however. Yes'm, it did.

Moroni Olsen plays his usual stalwart patriarch, and Walter Brennan is convincingly cussed 'n' ornery.

There is an unusual documentary sequence in mid-film showing and extolling the great racehorses of Kentucky, Man-O'-War included. And all in glorious early Technicolor.

Kentucky (1938)

*** (out of 4)

Fun film involves two horse racing families from Kentucky who have been doing battle since the start of the Civil War and it continues to the current times. Eventually opposite family members Loretta Young and Richard Greene fall in love just as the Kentucky Derby comes around where Greene tries to prove himself as a horse trainer. I was surprised to see how enjoyable thing film was and one of the big benefits is the Technicolor used in the film. These early Technicolor films are often hit and miss on how well they look but this film here is quite beautiful to look at. It's certainly one of the best looking early Technicolor films that I've seen from this period. Another nice thing are the performances, which are all a lot of fun. Neither Young nor Greene speak with a southern accent, although the screenplay gives a reason for Greene not doing so. Even with the accents being wrong, both work incredibly well together and this here helps the love story (and the fighting moments). Walter Brennan won the Best Supporting Actor Oscar and he gives a fun, if over the top, performance. His redneck antics are pretty over the top but it's still fun and keeps the film moving with some nice laughs. Being from Kentucky it was great seeing how Churchill Downs looked back then as well. The stereotypes of the black servants in the film might offend some as they all come off rather dumb but so do the Southern characters.

The Look Of Eagles is what every great race horse has according to Walter Brennan in Kentucky. It's that gleam in the eye that you see in any athlete, human or equine, that tells you he's got heart. In the case of horses, heart enough to go the distance of a mile and a quarter, the set distance of the Kentucky Derby.

The third Oscar for Best Supporting Actor went to Walter Brennan for Kentucky as the 34 year old Brennan made up with white hair plays unreconstructed rebel Peter Goodwin, grand uncle to Loretta Young. This film set a standard for Brennan who played very little, but old codgers after that.

The leads in Kentucky are Loretta Young and Richard Greene who was no doubt brought to 20th Century Fox as a backup for Tyrone Power. In fact I wouldn't be surprised if the film was developed as something for Power originally who co-starred with Young on a few occasions.

The two are three generations removed from the Civil War which split the families apart. In a prologue to the modern story, the head of the Dillon family sides with the Union and the head of the Goodwin clan goes with the Confederacy. Later on Douglass Dumbrill head of the Dillon family now an officer in the Union Army raids the Goodwin farm and the head of the Goodwin family is shot and killed and the thoroughbred horses they were raising are taken as war contraband. Young Bobs Watson sees all this and he grows up to be Walter Brennan.

When Greene speeds by in a car and catches sight of Loretta Young on a horse, it's love at first sight, but a forbidden love because of the family feud. Greene and Young have a rocky road ahead, not helped by the fact that he gives up the banking business and goes to work for the Goodwins under an alias because she won't give him the right time of a day if she knows he's one of the hated enemy.

The 1938 Kentucky Derby is worked into the plot where Calumnet Farms Lawrin ridden by Eddie Arcaro wins and Arcaro also gets a line in the film. Lawrin stands in for the three year old colt owned by one of the feuding families. But the win is also clouded by tragedy.

A lot of black players get into Kentucky, but sad to say in some truly stereotypical roles. It's probably why Kentucky is rarely seen these days. I hadn't seen it myself in about 35 years.

Still for Brennan's dominating performance and Loretta Young at her prettiest you can't go wrong with Kentucky.

Frankly, I paid less attention to the plot than to the horses in the early part of the film. My God, where did they get those magnificent animals? Golden Chimes, Grenadier, Torch Bearer were worth the whole film to a horse lover! And the films of the great horses of the period, especially Man o' War, are a special treat. However, having to sit through Bobs Watson, probably the worst child actor in history, is really an effort. Little Bobs didn't cry, he BLUBBERED, with his cheeks swollen like balloons, and that whiney, squally voice--! Oh, well, I guess you can't have everything. Enjoy the horses and forget the rest!