Vier Mann - Ein Schwur

It will take FOUR MEN AND A PRAYER to save an old colonel's reputation from disgrace.

Although its complicated plot is faintly ludicrous, this John Ford film offers plenty of action and some good acting to keep its viewers entertained. The production value is of a high order and there's a generous amount of heroics, which almost makes one forget that there's no really despicable villain to hiss.

Barrister George Sanders, diplomat Richard Greene, military pilot David Niven, and Oxford student William Henry are the English brothers who unite to find their father's murderer and clear his good name. All do a fine job with what the script gives them, constantly dashing about and acting terribly energetic, with young Henry more than keeping up with his three better known costars. Greene actually has top billing, but Niven gets the best lines, getting to leaven a good deal of humor into his performance.

Lovely Loretta Young does not fare so well. She's given the ridiculous role of a silly rich girl in love with Greene who follows him first from America to England, then on to Argentina and Egypt. Even witnessing a hideous massacre doesn't entirely sober her, as she begins to behave like a junior league Mata Hari to uncover information for the preternaturally patient Greene. One usually expects more than this from John Ford's heroines.

The rest of the large cast offers able support, however. Wonderful old Sir C. Aubrey Smith graces his brief role as the men's tragic father. Stalwart Reginald Denny plays a captain with too much information for his own good. Affable Alan Hale has fun with his role as a millionaire arms dealer. J. Edward Bromberg is a squalid little South American general and, in a tiny role, John Carradine plays his suave & dangerous enemy. Blustery Berton Churchill plays the powerful tycoon father of Miss Young's character, while bantam Barry Fitzgerald steals his few moments of screen time as a boisterous little Irishman ready for a good fight.

Interesting film for the actors playing three of the brothers and the father and Loretta Young in a more whimsical part than usual for her. We've seen this type character portrayed before - a charmed harum scarum type - but not particularly by her. It features Richard Greene, an actor whose star rose quickly but had a short run. Don't try to follow the action, and see it more than once if you intend to attempt to follow the path leading toward the perpetrator. The arms seller father is a rewarding figure as he turns out a good guy who helps to simplify things, much needed in a complicated and twisted trail. Alan Hale is also in an atypical role as the evil genius. I can see why this one would be diverting at the time of release, but not one with a lasting shelf life, except for completists of a particular actor or stalwart fan.

A lot of players whom you do not associate with John Ford participated in Four Men And A Prayer. The four men are brothers named Leigh who are in all kinds of occupations, but come together to clear the name of dear old dad C. Aubrey Smith. The brothers are George Sanders, David Niven, Richard Greene, and William Henry. Only Henry has any other Ford films listed in his career credits.

Smith has been cashiered out of the army after a lifetime of service in British India and the sons want to clear his name. Smith has been gathering evidence to that affect, but he's been shot and killed and that only makes the sons more determined.

It's to the four corners of the earth that the brothers go. Niven and Greene are in Argentina where there's a revolution fomenting and both get in heat over Loretta Young. Greene and Young knew each other before and both are players. And both get quite a reality jolt during this attempted revolution.

The villains here are arms manufacturers, very popular villains up to the point that Mr. Hitler decided to rearm and then people decided that this crowd did have its uses. The plot is not terribly coherent other than arms dealers will sell to all no matter the political point of view. That they actually encourage both sides in a given situation to start shooting is a point not well made in Four Men And A Prayer or in the Halls of Congress where there were hearings on this subject around the time Four Men And A Prayer came out.

This film is one of John Ford's lesser efforts, but fans of the director will approve.

I don't usually like Loretta Young, so when I say she's the best part of this movie, that should give you a clue of what I really think about it. In Four Men and a Prayer, Loretta is clad in some beautiful clothes, and she seems to be the only one among the cast who put any energy behind her performance. I actually fell asleep twice while trying to watch it.

A respected soldier is court martialed and disgraced, but when his four sons find him dead by a gunshot wound to the head, they don't believe he committed suicide. It's murder! And they already know the suspects, so the four brothers-as well as Loretta Young who has a hopeless crush on one of them-set off to find the truth. George Sanders, William Henry, David Niven, and Richard Greene are the brothers, but they all seem pretty tired. It's easy to imagine every scene was filmed thirty times and that the audience was been treated to the last take. Unless you love Loretta Young, you probably won't want to sit through this pseudo suspense film. And if you do like her, try renting Three Blind Mice or And Now Tomorrow instead.

A sort of independent spy thriller, John Ford's Four Men and a Prayer tells the story of four sons of a British colonel who investigate the circumstances around his dishonorable discharge and murder. It's got a great cast, globetrotting, and gun smugglers, but in the end I found the exercise a bit deflating overall. Some of the pieces were there, but so much was either missing or confused that the actual spy adventure parts of the film never really felt all that convincing or interesting.

The movie begins with the court martial of Colonel Loring Leigh (C. Aubrey Smith) in India. He's presented evidence against him for...something that led to some disaster, evidence brought by one of his junior officers. Dishonorably discharged and sent back to England, he sends telegrams to his four sons across the world to meet him at home. These are Geoffrey (Richard Greene), a British intelligence officer in Washington, Wyatt (George Sanders), an advocate in the British legal system, Christopher (David Nivens), a brash pilot with a few women vying for his attention, and Rodney (William Henry), a student at Oxford. The bulk of the beginning of the film is getting to know these four sons in their natural environments before they return home, feeling very much like brothers with long running inside jokes and little playful rivalries. This felt like a great start to a film that could go in really interesting directions.

However, things quickly just kind of begin sputtering. The Colonel, retiring to his room before dinner, is mysteriously shot. The captain from India they were bringing to help them begin to build a case dies in the car to the house, and the brothers have nothing but straws to reach for. Two go to South America and two go to India, both groups following trails that ultimately lead them back to Alexandria, Egypt. The weird thing about this is that both sides of the investigation end up finding pretty much the same clues leading up a chain of command in an arms dealing operation, most particularly the same model gun with the serial number chiseled off.

I think one of my big problems with this film is that the investigation never feels all that related to Colonel Leigh's original dishonorable discharge. His name gets brought up, but the brothers' investigation is about who's running this arms dealer organization, not really about clearing their father's name. There is one scene where the brothers in South America get the junior officer who testified against Colonel Leigh to admit he forged the document that got Colonel Leigh into hot water, but he's quickly assassinated by agents of the organization.

In reality, the whole film ends up feeling like a series of spy movie-like events, including the arms dealers giving unworking arms to a group of South American rebels right before the authorities show up and kill everyone, but nothing seems to connect to anything else. When they finally figure out who's on top of the whole shebang, it turns out the guy doesn't even know it. It's so weird.

What saves the movie from being a complete slog is the cast, in particular David Nevin and Loretta Young as Lynn Cherrington, Geoffrey's belle who follows him to South America and gets herself involved in the spy game. Niven is just a charming fellow even when getting wantonly embarrassed by the two women he's seeing at the same time at the beginning of the film, and he's always a joy to watch. Young is a bit of a spitfire, injecting herself where she has no business, and she's fun while she does it.

The movie ends on a heartwarming note, but the adventure up to that point has been so confused, repetitive, and weirdly built that it doesn't really register. The loose structure allows for some nice moments here and there, but it's far from enough to make the overall film worthwhile.