Cowboy from Brooklyn

During his early Warner career, DICK POWELL found himself playing the leading juvenile role over and over, sometimes with pleasant results. HARD TO GET ('38) with Olivia de Havilland at least showcased him in a daffy, colorful comedy role that he handled adeptly and had only a couple of songs to sing. It was really one of the best among his brash Warner roles.

But COWBOY FROM BROOKLYN is pretty thin stuff, even for Dick Powell fans and pretty hard to swallow, even with a cast that includes PAT O'BRIEN, PRISCILLA LANE, RONALD REAGAN and ANN SHERIDAN, none of them seen advantageously, particularly Reagan and Sheridan in minor roles.

It's a musical about a singer (DICK POWELL) who must pretend to be an authentic cowhand for the sake of landing a job on a dude ranch run by PRISCILLA LANE. PAT O'BRIEN is a manager who discovers Powell and thinks he's an authentic cowboy he can use in his rodeo. The zany plot takes it from there with the mistaken identity theme in full gear.

A book on Warner films gives a brief rundown of the film as described by N.Y. Times critic, Bosley Crowther: "A piteously frail satirical idea." Nuff said.

Fans of any of the above stars are likely to agree with Crowther. I know I did. Some of the musical moments are pleasant enough, but not enough to compensate for the silly plot, culminating in a hypnotized Powell able to overcome his fear of animals long enough to get a film producer to sign him to a contract.

Trivia note: That's JEFFREY LYNN in a bit role as a reporter with one line to speak--and JAMES STEPHENSON as the hypnotist.

While fairly average as far as musicals go, this movie is noteworthy for me because it is the only film that features my two favorite actresses, Priscilla Lane and Ann Sheridan.

While they don't have any scenes together, unfortunately, there is a scene where Priscilla looks at a picture of Ann. It's not much, but I'll take what I can get!

It's too bad The Cowboy from Brooklyn does not do a good enough job in showcasing Priscilla Lane in the female lead. And Ann Sheridan is barely featured at all.

I can only imagine what could have been...

Dick Powell was one of the greats; certainly here he is winding down his WB juvenile singing roles. Nevertheless, he could do comedy, his most memorable dramatic roles were a few years hence. WB had two excellent singers in this picture, Priscilla Lane, who has a duet, and Ann Sheridan, who did not get to sing a note. These gals were special. Pat O'Brien was just plain fun machine-gunning his lines, and the character roster in support is WB at its best. Dick Foran singing off key is trouper at work for a Broadway headliner. WB stalwarts Granville Bates, Emma Dunn, Hobart Cavanaugh, Elizabeth Risdon add to the absurdity. James Stephenson was playing this one for laughs; The Letter was two years away. Have yourself a happy hour.

Elly Jordan (Dick Powell) is a down-on-his-luck singer who finds himself on a dude ranch in Wyoming. He is soon spotted by a NYC talent agent (Pat O'Brien), who doesn't realize Elly is actually from Brooklyn.

Cowboy from Brooklyn is an enjoyable piece of fluff. It's only 77 minutes, so it doesn't overstay it's welcome. The songs are forgettable, but Dick Powell is his usual charming self. There's some quite funny scenes throughout the film.

Priscilla Laine is excellent as Powell's love interest, and Pat O'Brien is good as the fast-talking talent agent. Ann Sheridan is wasted in a thankless role, and Ronald Reagan has a bit part as a publicity man. Overall, this isn't one of Dick Powell's better films, but it's worth a look.

Dick Powell is a down on his luck musician/singer from Brooklyn who's looking for some kind of work at Priscilla Lane's dude ranch. She signs him on as a new singing cowboy although Powell has a deathly fear of anything on four legs. Visiting talent agents Pat O'Brien and Ronald Reagan hear Powell and immediately want to manage him. All of this ain't sitting too well with Dick Foran, Lane's sweetheart. Powell is moving in on him in the talent and love departments.

Cowboy from Brooklyn is so typical of the wonderful entertaining nonsense that movies used to be about. But Dick Powell by this time was desperately trying to broaden his image. It was being continually cast in these kind of films that made Powell leave Warner Brothers two years later after his contract was up.

Pat O'Brien made six features with Powell, more than anyone else except James Cagney. By this time he was playing fast talking press agents, managers, etc. in his sleep. He too would leave Warner Brothers in two years for greener pastures.

Ronald Reagan before he left for even greener pastures said that the two best friends he made at Warner Brothers were Pat O'Brien and Dick Powell. He described both as being inordinately patient and kind with a new player just getting started. He never forgot the encouragement both gave him in his career.

Dick Foran in Boy Meets Girl showed he had some hidden comedy talents in burlesquing his singing cowboy image. He does it again here, deliberately singing offkey and flat to contrast with Powell's tenor. Not too many performers would let themselves be deliberately upstaged like that. At the time he was the singing cowboy star at Warner Brothers and he too would be leaving them shortly.

The gimmick here is how Powell turns into what O'Brien built him up as. It's pretty funny I have to say and here's a hint. Think Road to Rio.