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The Web is one of dozens of forties thrillers featuring private detectives and the rich men who hire them, the beautiful women who love them, and the police, who invariably hamper their efforts to unravel the clues to intricate mysteries, the details of which are explained with astonishing clarity in the end, despite the fact that most viewers can scarcely be expected to keep track of all the evidence. This one is more elegant than most, with plush settings and striking photography. There's a touch of Laura here, thanks to the casting of Vincent Price and the character he plays, as well as a bit of the Chandler private eye cycle in the character of Edmond O'Brien's detective. Ella Raines makes a beautiful heroine, and Bill Bendix is on hand as the no-nonsense cop. Michael Gordon directs smoothly, and everything comes together in the end. There's nothing remarkable in The Web, which is just a cut above the generic, but it works like a Swiss watch.

My wife and I visited our vintage DVD store at Camden Lock, north London the other day, for my Easter 2014 treat which was to buy some more dvds for my collection of mainly 1940s & 50s film dramas.I am thinking now of promoting the lovely Ella Raines to one of my favourite screen goddesses after seeing "The Web"(1947).By the way, I especially collect Margaret Lockwood, Vivien Leigh, Jean Simmons,Gene Tierney,Jennifer Jones, Ava Gardner & Hedy Lamarr films.So far I have "Impact" (1949), "La Dama Desconocida","Tall in the Saddle","The Suspect" all from (1944) and now I have "The Web" (1947).

Ella always brilliantly and naturally plays the true American heroine in her movies and she has the most engaging smile which melts my heart whenever I see her act on screen.I will definitely look out for more vintage movies of Ella.As to the film I award it 7/10 as it is well written with a fine cast which includes arch horror actor Vincent Price as a youngish actor.I do not see Edmund O'Brian as a particularly romantic lead however.There are a few "red herrings" in the script but the viewer soon ascertains who is the true villain.I believe the complete film is now available on www.youtube.com

I saw this on AMC one night and loved it. One of the best things Vincent Price ever did. Nice twists and turns, great performances. A real underrated gem. Edmund O'Brien and William Bendix give wonderful performances. This movie is hard to track down. Try and seek it out.

Ella Raines was one of the best and most under-utilized actresses of the 40's. She was great in Phantom Lady and Tall In The Saddle, and is even better in the Web. And Bendix, O'Brien, and Price all equal her in excellence. But, the writing is the single most above-average thing about this all-but-forgotten little gem. It is exceedingly well[plotted, suspenseful, and surprising without ever seeming the least bit contrived. Mystery fans should track AMC carefully to be sure to catch this one next time around.

The Web is directed by Michael Gordon and collectively written by William Bowers, Bertram Millhauser and Harry Kurnitz. It stars Edmond O'Brien, Ella Raines, William Bendix and Vincent Price. Music is by Hans J. Salter and cinematography by Irving Glassberg.

A good and solid film noir from one of the golden years of the film making style. Plot pitches O'Brien as a small time lawyer, who after impressing crafty businessman Vincent Price with his commitment to his work, gets hired as a minder since Price is worried about an old associate who has apparently issued a death threat. Sure enough all is not as it seems and before long O'Brien finds himself under scrutiny for the death of the associate.

The writing isn't great as per the twists and turns, they are all signposted and lit up in bold letters, yet this is a small complaint because the fun is in the characterisations and the scripted dialogue. O'Brien has the quips and bravado, Raines the sexy smoulder and Price the weasel machinations. Bendix as a good cop is a little too out in the periphery of things to truly impact on the narrative in the way his fans would like, but his scenes with O'Brien are a joy and sparkle with prickly sarcasm, while Gordon and Glassberg bring the film noir style via the requisite amount of shadow play and camera tilts (love those slats and balustrades).

Nifty noir tech credits cosy up with a likable hero, a sassy femme, a slimy villain and big bad Billy Bendix = Score! 7/10