Nach dem Zweiten Weltkrieg kehrt ein amerikanischer Kapitän nach Singapur zurück, um seinen versteckten Perlenvorrat zu bergen, und findet seine verlorene Verlobte, die nun an Amnesie leidet... Alles lesenNach dem Zweiten Weltkrieg kehrt ein amerikanischer Kapitän nach Singapur zurück, um seinen versteckten Perlenvorrat zu bergen, und findet seine verlorene Verlobte, die nun an Amnesie leidet.Nach dem Zweiten Weltkrieg kehrt ein amerikanischer Kapitän nach Singapur zurück, um seinen versteckten Perlenvorrat zu bergen, und findet seine verlorene Verlobte, die nun an Amnesie leidet.
Richard Abbott
- Maitre d'
- (Nicht genannt)
Patrick Aherne
- British Officer
- (Nicht genannt)
Philip Ahn
- Jimmy - Bartender
- (Nicht genannt)
Norman Ainsley
- Immigration Official
- (Nicht genannt)
Empfohlene Bewertungen
This is a fairly decent yarn about a fortune hunting American in the days when Americans weren't considered ugly.
It has the elements of film noir and mystery, though not really a lot of mystery. It is the story of a man returning to Singapore from America to find illegal valuables he hid.
Many of the characters are a bit cliché, but it is an entertaining film, so it rates fairly high. The main nitpick that brings it down to a 6 is the ending, which is dragged out for a Hollywood cliché. The movie should have ended about nine minutes before it did. The way it ended was not only unrealistic and Hollywood, but just completely anticlimactic.
It has the elements of film noir and mystery, though not really a lot of mystery. It is the story of a man returning to Singapore from America to find illegal valuables he hid.
Many of the characters are a bit cliché, but it is an entertaining film, so it rates fairly high. The main nitpick that brings it down to a 6 is the ending, which is dragged out for a Hollywood cliché. The movie should have ended about nine minutes before it did. The way it ended was not only unrealistic and Hollywood, but just completely anticlimactic.
Director John Brahm manages to hold this poor-man's "Casablanca" together. The picture moves at a good clip and Brahm makes the studio-set Singapore visually interesting. There's help too from stars Fred MacMurray and Ava Gardner as lovers whose lives are complicated by World War II and Gardner's amnesia when MacMurray, who thought her dead, finds her again in postwar Singapore, married to a wealthy planter. MacMurray and Gardner are really a goofy romantic team, but MacMurray has his appealing casual charm, and Gardner's vague, unfocused acting works well in some of her amnesiac scenes (plus she was at her most beautiful in the late 1940's). Supporting turns by pros like Richard Haydn and Spring Byington are also a plus. Overall, contrived and derivative, but it looks like a classic compared to the depressing Errol Flynn 1957 remake, "Istanbul."
Ava Gardner is such a pleasure to look at, even a B movie in which she plays makes my time worthwhile .Actually,Fred McMurray has got pearls and a gem .The screenplay is far-fetched -with an improbable outcome- and includes smuggling,war (no battles or camp of prisoners though),and even amnesia -but the viewer is not taken in by it a single minute ;there is of course the usual flashback ,which can be found in almost all the films noirs of the era.Compared to "the killers" ,Gardner's precedent movie ,it's obvious Brahm is no match for Siodmak.A couple of tourists -the kind of people we often see in the hotels- provides the comic relief.If you do not ask too much ,it's pretty entertaining and well acted.
SINGAPORE (1947) Fred MacMurray, Ava Gardner. ** Bland mix of film noir, and imitation CASABLANCA. Imagine all the CASABLANCA characters portrayed by competent but unmemorable actors. Place them, again, in an exotic setting, in a story about passionate lovers separated by war and later reunited. Once more, the love of the hero's life is married to another man, but this time the plot includes amnesia and pearl smuggling. Gardner is radiant and sexy, but her acting inexperience shows. MacMurray is wooden. First rate cinematography, however.
Singapore is a mix of crime and romance, Matt Gordon has just returned to Singapore from the war, where he reminisces about his lost love who he thought had died during a Japanese bombing.
As a pearl smuggler, he has a second reason to return, hidden pearls that he has stashed in a hotel room and that he hopes to get his hands on again.
When he discovers that his lost love who is believed to be dead, is still alive but has amnesia,and is now married to someone else and no longer knows anything about her past with him, things become a lot more complicated for him.
Fred Macmurray once again in a serious role, and he does it properly, Ava Gardner is again a sight to see, their romance is not very well developed, but who cares.
Great mix between a touch of crime and romance.
As a pearl smuggler, he has a second reason to return, hidden pearls that he has stashed in a hotel room and that he hopes to get his hands on again.
When he discovers that his lost love who is believed to be dead, is still alive but has amnesia,and is now married to someone else and no longer knows anything about her past with him, things become a lot more complicated for him.
Fred Macmurray once again in a serious role, and he does it properly, Ava Gardner is again a sight to see, their romance is not very well developed, but who cares.
Great mix between a touch of crime and romance.
Wusstest du schon
- Wissenswertes"Lux Radio Theater" broadcast a 60 minute radio adaptation of the movie on November 3, 1947 with Fred MacMurray and Ava Gardner reprising their film roles
- Zitate
Linda: So let me ruin you fast.
Matt Gordon: How many have you ruined?
Linda: You're my last victim, darling.
- VerbindungenReferenced in Columbo: Mord per Telefon (1978)
- SoundtracksTemptation
(1933)
Music by Nacio Herb Brown (uncredited)
Used throughout the movie as a leitmotif for Linda Grahame
Top-Auswahl
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Details
- Laufzeit
- 1 Std. 19 Min.(79 min)
- Farbe
- Seitenverhältnis
- 1.37 : 1
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