Scared to Death

Bela Lugosi had a notable career during the 1930s--but success of his landmark performance in the 1931 Dracula combined and his exotic appearance and accent left him typecast, and during the 1940s he found work increasingly difficult to obtain. By the mid-1940s he was so greatly pressed that he began to accept work in low-budget independent movies. Among the first of these was the 1947 SCARED TO DEATH, a film often described as the only color movie in which Lugosi appeared. This is not strictly true: although he was not the star, Lugosi also appeared the color 1930 VIENNESE NIGHTS--but given that both films are so little known it's hardly worth arguing about.

The story begins with a clever idea: a woman's body lies on a slab in a morgue and through flashback she relates the way in which she was murdered. Sad to say, though, this clever idea is not only badly executed, it also happens to be the only clever idea in the entire show. The plot, such as it is, concerns a doctor with a questionable background whose son has married a woman with a questionable background (our soon-to-be corpse.) The family is suddenly descended upon by the doctor's brother, a hypnotist (Lugosi, of course) with, yes, a questionable past. Throw in a surly maid, a mean dwarf, a newspaper reporter, a dumb blonde, and a green mask that keeps floating in front of the window and you have SCARED TO DEATH.

The only saving grace in this nonsense is the cast. Although he receives star billing, Lugosi's role might be better described as the second lead; whatever the case, and in spite of a truly ridiculous script, he gives the role more sparkle than you would expect. The film also includes a number of character actors who like Lugosi shone most brightly in the 1930s--George Zucco, Nat Pendleton, and Joyce Compton--and they too deliver more than the silly script actually allows.

Even so, the charms of the cast cannot raise SCARED TO DEATH above the level of slightly-less-than-mediocre, and for the most part watching the movie is an uphill battle. Lugosi would go on to make one or two more films for major studios, most notably the 1948 ABBOT AND COSTELLO MEET FRANKENSTEIN, and he would make a few television appearances as well, but for the most part SCARED TO DEATH would mark the beginning of his career's rapid slide into the likes of BELA LUGOSI MEETS A BROOKLYN GORILLA and his wildly dire association with the notorious Ed Wood in such appalling (and accidentally hilarious) films as GLEN OR GLENDA and PLAN 9 FROM OUTER SPACE.

For the sake of Lugosi, Zucco, Pendleton, and Compton I'm giving SCARED TO DEATH three stars, but truth be told it really doesn't deserve more than two, and that's throwing roses at it. Although it does have a few moments--and I do mean a very few--this is one Lugosi film that is best left to die-hard fans.

GFT, Amazon Reviewer

Scared to death is a fun movie. I really liked the character of Bill Raymond (played by Nat Pendleton), who was a detective sitting around a house waiting for someone to be murdered so that he could impress his superiors on the police force.

There were a great deal of fun turns in the movie. The bad guy was really a good guy and the person who was "murdered" really deserved it. As I mentioned before, the cop was there for no reason but to wait for a murder and the reporter was also there waiting for something to report. There was also a dwarf who seemed to just be hanging around to make the movie strange, a man who wanted a divorce and couldn't figure out how to get one, a doctor who never saw a single patient and a maid who sometimes seemed like she might be a nurse.

The plot was so silly and contrived that you couldn't take it seriously- so you have to just sit back and have some fun with it. It's not an expensive movie, I bought it on a DVD that also has 2 other Bela Lugosi movies on it- White Zombie and The Corpse Vanishes. It's not the best plot in the world, but it is a nice distraction for an hour of your time.

a little bit confusing but a watchable and fairly entertaining flick that is well directed and has an interesting story the acting is decent Bela Lugosi gives one of his very very rare weak performances still he was okay overall but he has done much better and his presence was always felt as well. George Zuccio is good here as the doctor he is likable and played it straight Nat Pendleton is really funny and amusing here as the dummy he had me laughing several times i loved him! Molly Lamont does well in her role as she plays a grumpy mean hearted person and she does it well! Joyce Compton i couldn't stand i wanted to slap her silly!! i know she is supposed to but she totally over did it! Gladys Blake is very amusing in her role as the maid and was one of the most likable as well she has some funny lines too.Roland Varno does his job well not much of a part though Douglas Fowley plays the nosy reporter well but at times was irritating.Overall a fairly entertaining flick one of Bela Lugosi's rare weak performances (still not bad though) that is worth the watch **1/2 out of 5

Norm thinks more of this turkey than I do. I found it inept in plotting, dialog, direction---well, everything. Lugosi tries, but the deck's stacked against him. Watch as Zucco takes the dead girl's pulse, lets go of her hand, and it hangs there for a second before dropping to the floor. Lines get flubbed but they go on anyway. Hear the corpse stick her two cents in periodically, while the same spooky chord plays every time. Okay, I've seen it, but the next time I watch it I'll have some liquored up friends over for some solid laughs.

The classic trope of several people in a house with a killer. Right away, we're assaulted by a garish color palette, but OK whatever. We're introduced to the cast one-by-one and we are trying to figure out whodunit and why. Pretty standard so far. Then about 65 minutes in, the killer is abruptly revealed and the movie ends. Wait, what? The movie starts out not being too bad, and seems like it could have gone somewhere, but ultimately it's like they just gave up (ran out of time? Money?) and ended it. The unsatisfying ending turns a mediocre movie into a somewhat bad one.