Füge eine Handlung in deiner Sprache hinzuThe life of Irish tenor Chauncey Olcott is chronicled from his childhood to his days as the toast of New York. In between, his rise to the top is complicated by romances with two women: his ... Alles lesenThe life of Irish tenor Chauncey Olcott is chronicled from his childhood to his days as the toast of New York. In between, his rise to the top is complicated by romances with two women: his true love Rose Donovan and stage star Lillian Russell, who wants to make him a star.The life of Irish tenor Chauncey Olcott is chronicled from his childhood to his days as the toast of New York. In between, his rise to the top is complicated by romances with two women: his true love Rose Donovan and stage star Lillian Russell, who wants to make him a star.
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But Olcott as performer and credited songwriter endures, no St. Patrick's Day would be complete without some of Olcott identified songs like When Irish Eyes Are Smiling, Mother Machree, and A Little Bit Of Heaven and of course the title song. These are a staple for St. Patrick's celebration in America. Remember these classics are of American origin, they were written for the musical plays Olcott starred in, but have endured so that they've become pure Irish out of love.
Note in the film that Olcott is identified as a performer and that is more correct than to say he wrote these numbers. Back in the day before the founding the American Society for Composers, Authors, and Publishers it was common for songwriters to give copyright credit to a performer to cut him in on royalties for the sale of sheet music which was the venue by which popularity was measured. Al Jolson was the performer who most frequently used that practice.
The film messes somewhat with the facts, but does get the basic story of Olcott's life down with him marrying Arlene Dahl a hometown girl from Buffalo. Olcott did in fact get his first theatrical break as the leading man for Lillian Russell played here by Andrea King. And he did succeed William J. Scanlon as the most popular singer of Irish ballads and Scanlon is played by William Frawley. I'm reasonably sure no one is around who saw Scanlon perform.
Morgan was never in better voice than for this film. The musical numbers are staged well if not in the opulent style of Busby Berkeley. All in all My Wild Irish Rose is an enduring classic, no St. Patrick's Day would be complete without it.
One of the jewels produced by Jack L. Warner during his heyday as studio boss in Burbank in the 1940s.
Shame on Warner Brothers for not having this fine picture available on home video and DVD!
No complaints with the cast, although with affable, uncharismatic Dennis Morgan as the lead it had the feel of a 'B' musical. Arlene Dahl is a nice ball of fluff but a barely passable actress, but the real surprise was William Frawley in what must be one of his best roles. Lots of other recognizable supporters were on hand - Sara Allgood, George Cleveland, George Tobias among others.
It was nicely mounted and the DVD I had was of good quality. I was just disappointed with the amount of dialogue as opposed to time spent on the music.
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- WissenswertesFilm debut of Penny Edwards.
- PatzerDuring the fight in the apartment, a wide shot shows a bad guy getting punched, sent across the room, and crashing into a small table, demolishing it. The very next shot shows the table once more intact and untouched until the same bad guy crashes into it again.
- SoundtracksHush-a-Bye, Wee Rose of Killarney
(1947)
Music by M.K. Jerome
Lyrics by Ted Koehler
Sung by Dennis Morgan (uncredited)
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Min irländska ros
- Drehorte
- Produktionsfirma
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- Laufzeit1 Stunde 41 Minuten
- Seitenverhältnis
- 1.37 : 1