Füge eine Handlung in deiner Sprache hinzuLeo Gogarty marries Margaud Morgan after a whirlwind romance just before shipping out to war. Upon his return, he is surprised to discover that his bride is not what she led him to believe, ... Alles lesenLeo Gogarty marries Margaud Morgan after a whirlwind romance just before shipping out to war. Upon his return, he is surprised to discover that his bride is not what she led him to believe, but also that she expects a quick divorce. Both Mr. and Mrs. Gogarty must find their place... Alles lesenLeo Gogarty marries Margaud Morgan after a whirlwind romance just before shipping out to war. Upon his return, he is surprised to discover that his bride is not what she led him to believe, but also that she expects a quick divorce. Both Mr. and Mrs. Gogarty must find their place with or without each other in a society still adjusting to peace.
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Some of the directorial touches could have been stronger. The biggest issue with box office failure 75 years ago, I suspect, is that viewers probably expected Anchors Aweigh or The Pirate.
Living in a Big Way is not that. It offers a ,mix of post-WW II reality, romance (not especially well handled), humor, dance numbers, and family fare.
Gene Kelly's dancing and choreography (done by the star and Stanley Donnen) are first-class. The children are excellent. I'd never seen Jean Adair before: Her turn as the female star's grandmother is first-rate. An early-30s Barbara Billingsley (Leave It To Beaver) looks like Lucille Ball's separated-at-birth twin.
I don't often, after 10,000 movies, find a new, fresh offering. This one qualifies. High quality? No . . . Sometimes, escapist fun is plenty.
The story begins during WWII. Leo (Gene Kelly) and Margo (Marie McDonald) falling in love. But since it is the war and Leo is soon shipping out, they impulsively get married despite barely knowing each other....and he's sent overseas before they can even consummate the marriage.
The story now skips to just after the war has ended. Leo is looking forward to a life of wedded bliss with Margo. But when he seeks her out, he finds she's NOT the poor girl he thought she was...she's a rich model used to a life of ease.
Now at this point, the story was quite good. But Margo's reaction to her husband's return is bizarre and shows her to be an awful person. She apparently already has a NEW fiance picked out and informs Leo he's unwanted and he should get a divorce. Now, I CAN understand a woman thinking they made a bad and impulsive choice...that's understandable. But not even wanting to talk with him makes her seem like a real jerk. Soon, you learn she ALSO had a very cute mutt...and got bored with it and gave it away. So, you've got a leading character who is selfish and self-absorbed.... NOT what you'd want in a leading lady in a romance. Can the film be saved?
The story gets better later....so I still gave it a 5. But Margo was just unlikable....very unlikable. Also, while there were some dance numbers here and there, they weren't integrated into the story well at all and just seemed slapped there in order to give Kelly a chance to show off his talents. Overall, not the worst sort of romance but not a very good one either.
It is really hard not to like Gene Kelly. There was a real fault in the screen play in the lack of character development. Phyllis Thaxter's role was underdeveloped as was Marie MacDonald's. Thaxter was as perfect as she could be granted her limited screen time; I would have thought that a lot of her material was left on the cutting room floor. MacDonald had beautiful hair and figure, but the script gave her no consistent motivation.
Ideas of divorce and marriage in this film were problematic (or fortyish) but they did not interfere with the dog, the kids, or the dancing.
There was a lot of room for further development of the with Morgan family. There seemed to be gaps, which led me to wonder what the exact nature of family tension was.
All in all, there were a lot of missed opportunities.
Wusstest du schon
- WissenswertesThis box-office failure was the last directorial credit (he did some uncredited work on Venus macht Seitensprünge (1948)) for director, screenwriter and occasional producer Gregory La Cava, who had begun working in the film industry as an animator in 1916.
- PatzerAt about the 1 hour 27 minute mark while dancing, Gene Kelly shoves a handkerchief into his back pocket (with part of it showing), but in the next immediate shot the handkerchief is gone.
- Zitate
Margaud Morgan: Is that the only reason you like me Leo? Because I don't step on your toes?
- VerbindungenEdited into American Masters: Gene Kelly: Anatomy of a Dancer (2002)
- SoundtracksFido and Me
(uncredited)
Music by Louis Alter
Lyrics by Edward Heyman
Sung and Danced by Gene Kelly and a dog
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Living in a Big Way
- Drehorte
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 2.839.000 $ (geschätzt)
- Laufzeit1 Stunde 44 Minuten
- Farbe
- Seitenverhältnis
- 1.37 : 1