Unser Leben mit Vater

I have always liked this movie.

Clarence Day was the son of Clarence Day Sr. and Vinnie Day. His childhood (with three brothers) was a privileged one, as his father was a successful broker in New York City during the Gilded Age. Day became a humorist and autobiographer, writing three books that remain very entertaining: GOD AND MY FATHER, LIFE WITH FATHER, and LIFE WITH MOTHER. Day died in the 1930s, but a play by Howard Lindsay and Russell Crouse was produced from the books entitled LIFE WITH FATHER. It played for nearly a dozen years or so, and for many years had the record of Broadway performances before the coming of the super musical hits from OKLAHOMA onward.

LIFE WITH FATHER is set in 1885 (the historical reference that sets this date is the rant by Mr. Day at the newspaper, where he refers to the then Mayor of New York, "Honest Hugh Grant" and Tammany Boss Richard Croker). The story line is actually quite straightforward - the senior Day (William Powell) faces the daily problems of his household, thinking he is running things but constantly being out-witted by his dearly loved wife Vinnie (Irene Dunne) who insists on having an ugly ceramic pug dog for awhile. Accidentally Mr. Day reveals that his free-thinking parents have never had him baptized, and this horrifies his wife and their local minister (Edmund Gwenn). Being a man in his late forties now, Powell thinks it is absolutely foolish to make him get baptized now. In the meantime his oldest son Clarence (Jimmy Lyden) has met with the first love interest of his life (his mother's cousin, young Elizabeth Taylor). Clarence's brother John, who is interested in science (he has wired up the parlor to cause a bell to go off, that confuses Mr. Day no end), has gotten involved selling a patent medicine. This will have ill-effects on Mrs. Day and Mr. Day, culminating in an oath that Mr. Day will end up regretting. Finally there are some marvelous examples of home economics from Mrs. Day that baffle and confuse Mr. Day no end - watch how she takes back the pug dog (which was charged) and gets a "free suit" for Clarence ("THEY DON"T GIVE AWAY FREE SUITS!", Mr. Day insists.]

I doubt, unfortunately, that a book, play, or movie like LIFE WITH FATHER would last today. And I think we are the poorer for that. It is of a long dead world, with a fierce devotion to order and stratified social life in our homes and in our cities and nation. But it was not without it's charms. Catch the sweetest moment in this wonderful movie, when Mr. Day and Vinnie are singing "Sweet Marie" together in their parlor, on a summer afternoon.

... that I could watch once a month every month, year in and year out, and of which I would never tire.

The Day family is headed by the authoritarian and often eccentric father, Clarence Day Sr., played brilliantly by William Powell. Powell brings his signature charm and wit to the character, making Clarence Sr. A lovable figure despite his quirks. Irene Dunne portrays his equally strong-willed but supportive wife, Vinnie, with grace and impeccable comedic timing. The chemistry between Powell and Dunne is the film's backbone, with them often being at odds, at least on the surface.

Set in late 19th-century New York City, it captures the charm and idiosyncrasies of this conservative Victorian family in a lighthearted and amusing manner. Clarence Day demands that the family finances be run on a business basis, but his family thwarts him at every turn. However, the main conflict in the film occurs when Vinnie discovers, by Clarence Sr.'s own admission, that he has never been baptized. Being dogmatic about the Protestant religion, she openly fears for his soul, believing that he will not be admitted into heaven without this event occurring, and even wondering if they are really married in the eyes of God. Day finds the whole business ridiculous and refuses to be baptized, since he would feel himself to be a spectacle to be baptized in middle age. Religion is something he tolerates as long as it does not become a bother.

Along the way a haunted suit, a ceramic pug dog, patent medicines prior to the FDA, a revolving door of maids, and the oldest son of the family, Clarence Jr., wondering if Episcopalians and Methodists can peacefully coexist (he wants to court a Methodist girl and he is Episcopalian) create charming situations that make this movie special. Expertly directed by Michael Curtiz who manages to make this play adapted into a movie not appear episodic.

The casting of this film actually turned into a mini "Scarlet O'Hara War" in regards to who would play Mrs. Day. Myrna Loy, Rosalind Russell, Rosemary DeCamp, Jean Arthur, Bette Davis, and Mary Pickford all campaigned for the job but in the end lost out to Irene Dunne. Pickford took the loss especially hard, hoping that this would be her comeback role.

Life With Father, the story of an eccentric, excitable 1880s gentleman and his continually exasperating family is the perfect showcase for the under-appreciated talents of William Powell. Powell, best know for his work with Myrna Loy in the "Thin Man" series of films. Powell uses every second of this plum role to display his charming style and verbal acuity.

The story is simple: Powell and his wife, played by Irene Dunne, face a series of calamities, some serious and some ridiculous, mostly brought on by their four rambunctious, red-headed sons. After a visiting cousin brings along fifteen-year-old Elizabeth Taylor, events are put into motion which threaten to turn Powell's neatly-ordered world upside down.

The performances are uniformly fine, and Powell and Dunne are absolutely sterling. A supporting cast that includes Zasu Pitts, Edmund Gwenn and early appearances from Martin Milner and Elizabeth Taylor round out the picture quite well. If there is anything to detract from the complete enjoyment of the film, it is Taylor's performance, which can get grating, but hey, she's just a kid, and when you look at her, you can already see the amazing beauty still to come. The exceptional visual style of the film makes you long for the day when people rode in horse-carts to Delmonico's for dinner.

Watch for some classic dialogue between Powell and Dunne over the cost of a new coffee pot, between Powell and his son about "the facts of life where women are concerned," and the nonsensical wordplay over the return of a Porcelain Pug-Dog.

In his third and final Oscar nomination, William Powell was nominated for playing the bellowing and lovable 19th century domestic tyrant Clarence Day, Sr. in Life With Father. If he had to lose I'm sure Powell was glad it was to his very good friend in real life Ronald Colman for A Double Life. Still with that strange flaming red hair on top of his familiar features, Powell imprints his own personality on the leading role of the longest running play on Broadway up to that time.

Based on the recollections of Clarence Day, Jr. as played by Jimmy Lydon here, Life With Father ran for eight years on Broadway for 3447 performances. It was brought to the stage by Howard Lindsay and his two partners, writing partner Russell Crouse who adapted Day's work to the stage and life partner Dorothy Stickney who with her husband got their career roles on Broadway. The play ran from 1939 through 1947 taking America right through World War II. The time that it was written and presented to the public may account for its popularity as the public might just have wanted reassurance of American values at that critical point.

As Lindsay and Stickney had no kind of movie box office, Warner Brothers decided to acquire William Powell for the lead and cast Irene Dunne as the wise mother who has learned just the right way to handle her husband and inevitably get what she wants. Powell is a man who thinks when all else has failed, he can bellow his way through any situation. My favorite line in the play is when he tries to hire a maid and that title quote is when he's asked for references.

Warner paid a lot in loan outs for this film. Irene Dunne was not a contract employee of his studio and Elizabeth Taylor was also borrowed from MGM for the small, decorative part of a cousin that gets Jimmy Lydon and Martin Milner's hormones in an uproar. The part that Taylor plays was originated on Broadway by another future film star, Teresa Wright.

Incidentally Martin Milner reminisced many years later about the film and said of all the boys and of course Powell, he was the only natural redhead among the lot.

Edmund Gwenn fresh from an Oscar himself for Miracle on 34th Street plays the Episcopalian minister who is trying to get a large contribution from Powell for a new church. Their discussion is also a highlight of the play and the fact that Powell had never been baptized is also a subject of a lot of humor.

Father still had life well into the Fifties with a television series adapted from the play that starred Leon Ames as dear old dad.

The play, the film still have a lot of character in it.

I have been a tremendous fan of this movie for many years. I discovered the movie version after I had seen a local stage production and it was an excellent transfer of the play to the screen. Until recently I had only seen it on TV first in black and white years ago and then in color on TCM. I like it so well I bought two of the DVD versions (I won't mention which) and as other reviewers have said they were horrible with washed out color, grainy images and sound that was not synchronized and barely understandable. I guess this is all you can reasonably expect for a movie that has some how slipped into the public domain and for which there is not much demand. However, while searching on Amazon I discovered a review for a new digitally remastered DVD that supposedly fixed all those problems. I ordered a copy and the review was correct. There is now an excellent DVD available from DigiComTV BarCode # 885444062681.