I Wonder Who's Kissing Her Now

I saw "I Wonder Who is Kissing Her Now" last night. It is my third June Haver musical and I was slightly underwhelmed by it.

An extravagant biography of the ups and downs of the vaudeville songwriter Joe Howard (Mark Stevens) and his romantic adventures with a songstress Lulu Madison (Martha Stewart) while being true to his jealous sister Katie (Haver), "I Wonder..." turns out to be an opulent Gay 90s musical in the vein of "Hello Frisco Hello"(1943) and "My Gal Sal"(1942). The Technicolor, lavish sets, and turn-of-the- century costumes are sometimes thrilling, but the plot is very frustrating and soapy. It doesn't go anywhere.

However, the stars and the music make it worthwhile. The best numbers are the title song and "Goodbye My Baby Love".

My favorite musical next to the Jolson Story. The songs send tingles to the spine- a yearning for the carefree life at the turn of the century. Mark Stevens and June Haver are outstanding as the leads. Reg Gardiner and Martha Stewart are also great in their supporting roles. The songs- I Wonder Who's Kissing Her Now, Hello My Baby, Honeymoon, etc. are true classics.

This is a story, in conventional sense, not the etymological "Narration/ Recital of True Events". But this happens when one tries to make a "True Story" on some one still living - or some one dead so long back that the life is shrouded in mystery. Any story naturally have to have TRP, and especially in case of living person, people have to be doubly careful, not to hurt the feelings, and suppress/ modify truth to the audience and the person's choice. This seem to be a glaring example of that.

As a truth or biographical sense, based on the information I could access, it ranks somewhere around 1 out of 10, but on entertainment value, it is 7.

The only thing that seem to be true in it, is the name of the male protagonist, Howard, and links to his musical numbers, except the name-sake "I wonder Who Is..." which he had appropriated from other (Harold Orlob) and if there was one, may be...

But except Howard, the other protagonists, thank fully the names (screen) don't ring bell - I Wonder who were they ?

Katie could have been his second wife Ida Emerson - the ages almost match (3-4 years younger), but who was on screen Mabel Barrison, on whose tour he had tasted first success ? Lulu ? Doesn't seem to be based on Mabel's biography - since she did marry Howard in 1906 - and stayed married till her death in 1912 of TB. Second though already successful on Vaudeville, she was much younger than either Joseph or Ida - in fact by age standard she would have been Katie (Joseph-12 to 15) - only that here there was no child-hood romance - she was Canadian. Of course if one goes by the timeline of I wonder.... (1909).... it would be she.

With so many contradiction, I will remove the claimed "True" and "Story" and consider it to be a fiction with no relation to any one (then) living or (now) dead. But once that is removed, probably, it is any other Musical Romance. Enjoyable, thanks to the musical number, but nothing too out of the way as far as the plot is concerned - now HAD it been really true... !

I remember this as being one of my all time favorite movies as a child. Haven't seen it since the late 40's. I would really like to find a source to purchase this wonderful musical, but haven't been successful. The music, dancing, romance, it was from a great time in our country.

Although ostensibly the success story of working stiff/songwriter-turned-vaudeville pianist and later Broadway composer Joseph Howard, this fluff musical from Fox is really a showcase for June Haver playing Howard's adopted sister. Haver's tag-along good girl--who harbors dreams of stardom herself--provides sass and bounce in this extremely lightweight story; unfortunately, her character's fantasy about being in the spotlight, and her somewhat conniving ways, detracts from Howard's misadventures with money and women while never building a credible profile for young Katie. The film is certainly tuneful and pleasant, but low-keyed Mark Stevens as Joe isn't able to make much of an impression (and when he gets angry at kid sis Katie near the end, it seems to come out of nowhere). There are some good supporting performances (particularly by Martha Stewart as a glinty-eyed vaudeville chanteuse), but the final musical number seems to go on forever, and the romantic finish doesn't quite work. ** from ****