I Wonder Who's Kissing Her Now

Katie is jealously protective of Joe;for whom the aesthetic charms of Lulu Madison cause the biggest Cat-Fight & Rumble on musical celluloid.

I cannot get over this Picture.It is the most perfect cinematic experience I have ever had! It complements itself with dimension upon dimension of biography,romance,music,love,jealousy,dancing,parody,irony & history. The characterisation are looming & loud.

Joe paternally cares for his adopted sister 'Katie'.She loves him for all the world which he cannot seemingly acknowledge. Lulu Madison is a sassy Top Billing Singer;& soon obtains the charms of Joe.Round 3: - Katie.She joins the act & in the second half of the Film "Gets Her Man " .

Most important/memorable line: "Katie,You Gotta Start Liking Lulu or she'll get me kicked out of the Show" "I'll TRY to like her Joe" "Now say your prayers or you won't go to Heaven !" "But I wanna go with You, Joe" .

This Film is about ROMANTIC PEOPLE living in a ROMANTIC ERA.Maybe I should have been cast in it.

I remember this as being one of my all time favorite movies as a child. Haven't seen it since the late 40's. I would really like to find a source to purchase this wonderful musical, but haven't been successful. The music, dancing, romance, it was from a great time in our country.

Although ostensibly the success story of working stiff/songwriter-turned-vaudeville pianist and later Broadway composer Joseph Howard, this fluff musical from Fox is really a showcase for June Haver playing Howard's adopted sister. Haver's tag-along good girl--who harbors dreams of stardom herself--provides sass and bounce in this extremely lightweight story; unfortunately, her character's fantasy about being in the spotlight, and her somewhat conniving ways, detracts from Howard's misadventures with money and women while never building a credible profile for young Katie. The film is certainly tuneful and pleasant, but low-keyed Mark Stevens as Joe isn't able to make much of an impression (and when he gets angry at kid sis Katie near the end, it seems to come out of nowhere). There are some good supporting performances (particularly by Martha Stewart as a glinty-eyed vaudeville chanteuse), but the final musical number seems to go on forever, and the romantic finish doesn't quite work. ** from ****

This is a story, in conventional sense, not the etymological "Narration/ Recital of True Events". But this happens when one tries to make a "True Story" on some one still living - or some one dead so long back that the life is shrouded in mystery. Any story naturally have to have TRP, and especially in case of living person, people have to be doubly careful, not to hurt the feelings, and suppress/ modify truth to the audience and the person's choice. This seem to be a glaring example of that.

As a truth or biographical sense, based on the information I could access, it ranks somewhere around 1 out of 10, but on entertainment value, it is 7.

The only thing that seem to be true in it, is the name of the male protagonist, Howard, and links to his musical numbers, except the name-sake "I wonder Who Is..." which he had appropriated from other (Harold Orlob) and if there was one, may be...

But except Howard, the other protagonists, thank fully the names (screen) don't ring bell - I Wonder who were they ?

Katie could have been his second wife Ida Emerson - the ages almost match (3-4 years younger), but who was on screen Mabel Barrison, on whose tour he had tasted first success ? Lulu ? Doesn't seem to be based on Mabel's biography - since she did marry Howard in 1906 - and stayed married till her death in 1912 of TB. Second though already successful on Vaudeville, she was much younger than either Joseph or Ida - in fact by age standard she would have been Katie (Joseph-12 to 15) - only that here there was no child-hood romance - she was Canadian. Of course if one goes by the timeline of I wonder.... (1909).... it would be she.

With so many contradiction, I will remove the claimed "True" and "Story" and consider it to be a fiction with no relation to any one (then) living or (now) dead. But once that is removed, probably, it is any other Musical Romance. Enjoyable, thanks to the musical number, but nothing too out of the way as far as the plot is concerned - now HAD it been really true... !

June Haver presents a beautiful life like representation of an idylic world where success occurs while life is the lie and 3rd grade words are not kept from promotion ie white lies go far. I was born in 1952, so this movie is way out of my time frame for appreciation as the year now is 2002 but it does not take much effort to recognize greatness, no matter what year faces the antiquities of its present and its vehicles of success.

The movie, has terrific set design. The technology was the 10 gigahertz computer of the day. The wardrobes have beautiful embroidery with terrific symbolism of a hot night life. Even the difficulties of Russia of that time are gently assuaged with positivisms that only the arts could present as opposed to political intrigues that were overwhelming at that time for almost any successful state of mind.

The movie did much for me feeling very happy about being a private in the front lines of money, being able to speak under orders that had an authority behind them and should of I had a few dollars, maybe could have a chance a kissing one of those girls.