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Tabu der Gerechten

Originaltitel: Gentleman's Agreement
  • 1947
  • 12
  • 1 Std. 58 Min.
IMDb-BEWERTUNG
7,2/10
18.712
IHRE BEWERTUNG
Gregory Peck, John Garfield, and Dorothy McGuire in Tabu der Gerechten (1947)
Trailer ansehen
trailer wiedergeben2:12
1 Video
35 Fotos
DramaRomanze

Ein Reporter gibt vor, Jude zu sein, um einen Artikel über Antisemitismus zu schreiben, und erfährt dann am eigenen Leib die wahren Abgründe von Bigotterie und Hass.Ein Reporter gibt vor, Jude zu sein, um einen Artikel über Antisemitismus zu schreiben, und erfährt dann am eigenen Leib die wahren Abgründe von Bigotterie und Hass.Ein Reporter gibt vor, Jude zu sein, um einen Artikel über Antisemitismus zu schreiben, und erfährt dann am eigenen Leib die wahren Abgründe von Bigotterie und Hass.

  • Regie
    • Elia Kazan
  • Drehbuch
    • Laura Z. Hobson
    • Moss Hart
    • Elia Kazan
  • Hauptbesetzung
    • Gregory Peck
    • Dorothy McGuire
    • John Garfield
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,2/10
    18.712
    IHRE BEWERTUNG
    • Regie
      • Elia Kazan
    • Drehbuch
      • Laura Z. Hobson
      • Moss Hart
      • Elia Kazan
    • Hauptbesetzung
      • Gregory Peck
      • Dorothy McGuire
      • John Garfield
    • 177Benutzerrezensionen
    • 78Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
    • 3 Oscars gewonnen
      • 17 Gewinne & 9 Nominierungen insgesamt

    Videos1

    Trailer
    Trailer 2:12
    Trailer

    Fotos35

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    Topbesetzung82

    Ändern
    Gregory Peck
    Gregory Peck
    • Philip Schuyler Green
    Dorothy McGuire
    Dorothy McGuire
    • Kathy Lacy
    John Garfield
    John Garfield
    • Dave Goldman
    Celeste Holm
    Celeste Holm
    • Anne Dettrey
    Anne Revere
    Anne Revere
    • Mrs. Green
    June Havoc
    June Havoc
    • Elaine Wales
    Albert Dekker
    Albert Dekker
    • John Minify
    Jane Wyatt
    Jane Wyatt
    • Jane
    Dean Stockwell
    Dean Stockwell
    • Tommy Green
    Nicholas Joy
    Nicholas Joy
    • Dr. Craigie
    Sam Jaffe
    Sam Jaffe
    • Prof. Fred Lieberman
    Harold Vermilyea
    Harold Vermilyea
    • Lou Jordan
    Ransom Sherman
    • Bill Payson
    • (as Ransom M. Sherman)
    Ed Agresti
    • Waiter
    • (Nicht genannt)
    Monya Andre
      Edward Biby
      Edward Biby
      • Nightclub Patron
      • (Nicht genannt)
      Louise Buckley
      • Mother
      • (Nicht genannt)
      Patricia Cameron
        • Regie
          • Elia Kazan
        • Drehbuch
          • Laura Z. Hobson
          • Moss Hart
          • Elia Kazan
        • Komplette Besetzung und alle Crew-Mitglieder
        • Produktion, Einspielergebnisse & mehr bei IMDbPro

        Benutzerrezensionen177

        7,218.7K
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        Empfohlene Bewertungen

        7Incalculacable

        Groundbreaking

        I hate to say it, but before I saw this movie, I did not realize that there was racism against Jews in the post war period. I couldn't understand it: why would Americans promote the very thing they fought against in the war? Then I was informed that they weren't fighting against racism or discrimination, but against the Nazi regime and genocide. There is a large difference between one person's opinion and a government policy. I'm a teenager, and the fact that Jews were still discriminated against was never mentioned to me. Maybe it should be better known. I am doing Modern History next year and we will be studying the Second World War, and I'm very glad I saw this film (despite its inaccuracies).

        Anyway – now to the plot. Phillip Green (Gregory Peck) is a writer who pretends to be Jewish to find out about anti-Semitism. Through this, he learns how much people discriminate against Jews and it affects him deeply and changes his life.

        I was never bored in this film. I am forever fascinated by Peck, who I've always remembered as Atticus Finch in To Kill a Mockingbird (1962). This is only the second film I've seen with Peck in his younger days (it's quite a pleasure watching him). Celeste Holm also is amazing and I love how she can laugh so easily – very realistic. The only thing I wasn't satisfied with is the romantic choices by Peck's character. I wish he would have chosen the happy blonde Anne instead of the sappy, boring Kathy. Oh, how I was hoping he would choose Anne! Perhaps Dorothy McGuire was miscast; maybe someone else could have brought more energy to her character. John Garfield is fantastic as Green's Jewish friend.

        This was ground breaking at the time and I really respect the people who participated in this film for taking a risk. Despite being made almost 60 years ago, I have not only learned from it but enjoyed it. Yes, there are some inaccuracies and plot holes, but I don't particularly care and it doesn't distract me. It's a great film, go see it.
        8WilliamFallsJr

        Short and to the Point

        I'll make this review short and to the point. I'm 55 and I've watched this movie for the first time. All I can say is it really opened my eyes. I'm not Jewish, but this quote from the movie really makes a lot of sense and can be used today for any race, religion, or sexual orientation. Professor Fred Lieberman: "Millions of people nowadays are religious only in the vaguest sense. I've often wondered why the Jews among them still go on calling themselves Jews...Because the world still makes it an advantage not to be one. Thus it becomes a matter of pride to go on calling ourselves Jews." I would highly recommend this movie.
        7ma-cortes

        An intelligent and thoughtful film concerning thorny issues competently directed by Elia Kazan

        A thought-provoking and brooding film with good performances , dealing with brooding and thoughtful events . It deals with a magazine writer Phil Green (Gregory Peck) looks for a new angle on his writings when he agrees to research by writing a series of articles on anti semitism for a powerful publisher (Alfred Dekker) . Along the way he personally discovers the true depths of bigotry and hatred . And his new identity pervades his life affecting his relationship to new girlfriend (Dorothy McGuire) and son (Dean Stockwell) resulting in unexpected consequences and troublesome ways .

        An interesting and rabid attractive drama in which a reporter pretends to be a Jewish in order to cover a story on anti-Semitism , only to find the masquerade entailing a backlash of grief and pressure for himself and his own family . Archetypical Hollywood social comment and the 20th Century Fox studio's fondness for realism looks remarkable dated in places . However , relying heavily for complicated loving relationships , tension and on a handful of attractive dramatic pieces and offering an important analysis of the problem . This sentimental and muddled film was Hollywood's first major attack on anti-Semitism. A successful movie that received 8 Oscar nominations and three wins, including Kazan's first for Best Director. Gregory Peck gives a terrific acting in an upright role similar to Atticus Finch , he is a journalist who has to deal with both overt and covert prejudice . John Garfield has a small but essential role as Phil's Jewish friend Dave . Starring Gregory Peck and Dorothy McGuire are accompanied by a very good support cast , such as : Celeste Holm , Anne Revere , June Havoc , Albert Dekker , Jane Wyatt , Dean Stockwell and Sam Jaffe.

        The film was compellingly made by Elia Kazan who did not get along with actor Gregory Peck ; as usual Kazan dealing with thoughful and provoking issues . In fact , his films were concerned with personal or social issues of special concern to him. Kazan writes, "I don't move unless I have some empathy with the basic theme." And this first such "issue" film was Gentleman's agreement (1947). It was followed by Pinky (1949), one of the first films in mainstream Hollywood to address racial prejudice against black people. A streetcar named Desire (1951), an adaptation of the stage play which he had also directed, received 12 Oscar nominations, winning four, and was Marlon Brando's breakthrough role. In 1954, he directed On the waterfront (1954), a film about union corruption on the New York harbor waterfront. In 1955, he directed John Steinbeck's East of Eden (1955), which introduced James Dean to movie audiences. Rating : 6.5/10 .Notable . Controversial in its day , yet still timely .
        10chevyblue-86998

        Powerful? 75 years later and it still changes people.

        I often hear movies described as powerful. Most of the time the word is misused. Not this time.

        It's 2021 as I write. I watched this movie last night for the simple reason that there was nothing else on tv worth watching at 1 AM other than reruns of The Monkees. Seeing as how I love The Monkees, it's weird that I chose to watch this movie instead. I think I know why though.

        The description doesn't do this movie justice. I almost changed channels after reading it, but one of the early scenes caught my attention and every scene after kept it. The more I watched, the further from shore I walked until it was impossible to swim back.

        I am 62 years old and more set in my way of thinking than any other white male Georgia boy there is. Or so I thought. Thank God I was wrong. Born and raised a small town Confederate Conservative. Nuff said? No. That's one of the truths of this movie. Watch it and quit putting people in the groups that even today's society say are morally correct. Lesson learned.

        Just by being who I am and where I'm from, I know what it's like to be stigmatized.

        I'm a racist. That's the box the world says I belong in. That's the label in big bold letters that I wear every where I go. I always took pride in knowing the label was wrong. From that day long ago when I made friends with the first black kid to be placed in my elementary school after segregation, I have lived my life riding a different wave. The road I took led me on different paths. Racist was the opposite of who I am. 62 years of living this life proved it. This movie made its way deep inside and for the first time I realized I have spent my life seeing my reflection in a fun house mirror. The image of my reflection was distorted. That's a hard truth to swallow. I knew everyone else was wrong, (yes you are), the reflection you see is warped, but mine? Yes. Even mine.

        Watch this movie alone. Don't let anything disturb you. And hopefully you will see your true self for the first time. I did. Maybe it will change you. Hopefully, it did me. Time will tell.

        If this movie is in book form, it should be required reading for every high school student. If not, it should be recommended that every college grad watch it before receiving their diploma. The world would be so much closer to God's intent if we did.
        7lawrence_elliott

        A Good portrayal of indiscriminate prejudice that leaves lifetime damage

        Gregory Peck is slick as a writer for a publisher who is trying to find something to inspire him after his wife dies. He must take care of his young son and has his mother in New York to help him out. Anti-Semitism hits a chord as WWII has just ended with news of the Holocaust just barely starting to sink into the national consciousness. The timing for release of this movie is obvious, but it is carefully thought out as the director tries to convey the sinister and insidious way in which prejudice worms its way into the mainstream of everyday life. A well done film that works! A clever and intelligent portrayal that deserved the attention it received. Not an entertaining movie in the strictest sense, but one where the audience must do the work of thinking their way through it. It is a film worth navigating, however, because the ugly mirror of prejudice is held up to us all who are watching. It makes you feel uncomfortable because most of us are guilty of witnessing prejudice but we end up doing nothing about it.

        I recommend this film, but it won't be for everyone and many of us would rather just pass this one by. But we shouldn't even though it holds up this mirror making us feel guilty and uncomfortable. I should point out that the ending relating to the love interest in the story just doesn't work, but then that is not the purpose of the film. Prejudice, anti-Semitism and discrimination are, and these elements are worked out well. A disturbing but intelligent portrayal which is worth taking in for what it is worth.

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        Handlung

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        • Wissenswertes
          In 1984 Gregory Peck claimed to have been misquoted in a 1967 interview in which he said Elia Kazan was the wrong director for the film. The actor said, "That's a misunderstanding. I don't think there could have been a better director for the film. What I meant was that he and I didn't have a rapport; emotionally, we were not on the same wave length. I don't think that I did my best work for him. If I worked with him now--as a mature man--I think I would give him everything he would want."
        • Patzer
          Early on, when Phil reminisces about his Jewish friend, Dave, he looks into the mirror and assesses his own features as being consistent with those of the Jews. This reveals his own experiences of having been influenced by the false stereotype of there being a "Jewish look". This is antithetical to his attacking anti-Semitic thoughts and actions in others, throughout the film. This, however, should not be considered a "GOOF" as many people are guilty of hypocrisy.
        • Zitate

          Kathy Lacey: You think I'm an anti-Semite.

          Phil Green: No, I don't. But I've come to see lots of nice people who hate it and deplore it and protest their own innocence, then help it along and wonder why it grows. People who would never beat up a Jew. People who think anti-Semitism is far away in some dark place with low-class morons. That's the biggest discovery I've made. The good people. The nice people.

        • Crazy Credits
          The main title theme begins with the Fox logo, replacing the usual Alfred Newman fanfare.
        • Verbindungen
          Featured in Precious Images (1986)
        • Soundtracks
          Street Scene
          Composed by Alfred Newman

          Played during opening scene

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        Details

        Ändern
        • Erscheinungsdatum
          • 29. Oktober 1963 (Westdeutschland)
        • Herkunftsland
          • Vereinigte Staaten
        • Sprache
          • Englisch
        • Auch bekannt als
          • La luz es para todos
        • Drehorte
          • Darien, Connecticut, USA
        • Produktionsfirma
          • Twentieth Century Fox
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        Box Office

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        • Budget
          • 1.985.000 $ (geschätzt)
        Weitere Informationen zur Box Office finden Sie auf IMDbPro.

        Technische Daten

        Ändern
        • Laufzeit
          • 1 Std. 58 Min.(118 min)
        • Farbe
          • Black and White
        • Seitenverhältnis
          • 1.37 : 1

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