Die Farmerstochter

When a senator dies in office, Congressman Morley and his fellow party leaders have to come up with a candidate to run in the election to replace him. Everyone is agreement, accept for Morley's second maid. A Swedish-American farm girl who came to the city to become a nurse, she had to take temporary jobs when she was conned out of her tuition money. Not nearly as naive or helpless as she appeared, she was quickly given a permanent position at the Morley household. She isn't one to hold back on expressing her own political views, and by the end of the movie she's running against the Morley political machine even as she is finding romance with Congressman Morley.

The movie is a bit dated, but because of the excellent script and acting it still manages to be a fresh and amusing comedy. The political satire is much more restrained then what modern audiences are used to, but the topics haven't aged at all. You've got two parties with no obvious ideological differences engaged in partisan bickering and mudslinging while a small group of wealthy and powerful men decide who is going to run for office. Integrity takes a back seat to party politics and favors. Even an unnamed white supremacy group rears its ugly head. When asked what type of politician she would be, the farmer's daughter tells us exactly what she would not be - a typical politician who only represents the wealthy people who financed their campaign and the powerful elite who backed them. Has anything actually changed in the last 50 years?

Loretta Young's Oscar-winning performance in "The Farmer's Daughter" was a major upset in 1947. All the so called experts had predicted that Rosalind Russell would win for "Mourning Becomes Electra." Ms. Young had some hefty competition besides Russell. We had Susan Hayward for "Smash-up: The Story of A Woman," and Dorothy McGuire, for the Oscar winning film, "Gentleman's Agreement"

Nonetheless, Loretta is to be congratulated for her authentic Swedish accent as a maid who works for a Congressman and by the end is elected to that high office herself.

We see corruption in politics;unfortunately, not something unusual even for these times. What makes it somewhat scary is the bigotry that is introduced along with the corruption.

With fine support by Ethel Barrymore, Joseph Cotten and Charles Bickford, "The Farmer's Daughter" is a wonderful movie.

The Farmer's Daughter is a disarmingly charming comedy from the late forties featuring an Oscar-winning performance by Loretta Young in the title role, as a farm-girl turned housemaid in a congressman's family who steals her boss's heart. The rest of the cast give nicely tuned performance, with no real hamming from anyone, which in the case of Ethel Barrymore as the family matriarch, is somewhat surprising, as she tended to overdo it with her eyes and that patrician voice,--but not here. Joseph Cotten's natural good natured goofiness works well in the film, and like Miss Barrymore, he reins himself in more than usual here. Charles Bickford as the butler is fine also. The best performance in the movie for my money, though, is that of Rhys Williams, as an amorous and amoral house-painter who is also the villain of the piece. Director Hank Potter paces the film well, and the sets are excellently designed and beautiful to behold, especially that of the main house. There's a lot of surface intelligence in the movie, if not much real braininess despite, near the end, its attempt to wring some Capraesque meaning from its slight story. A very good but not great film, this one's worth seeing for what passed for upper echelon if not quite top of the line entertainment a half century or more ago.

Loretta Young with blonde hairdo and Swedish accent is a congressman's housekeeper with lots of common sense ideas herself of how things ought to be. Soon she herself is running for office--but not before romantic developments occur between Young and Joseph Cotten (as Congressman Morley). This is the sort of fresh comedy with warm appeal that made the most of Young's abilities--as did her roles in other such warmhearted comedies as "The Bishop's Wife" and "Come to the Stable". She surprised everyone (including herself) by winning an Oscar against stiff competition--Rosalind Russell, Susan Hayward, Joan Crawford among the nominees. It was quite a year for Loretta. Her other film, "The Bishop's Wife", was nominated in the Best Picture category.

Ethel Barrymore and Charles Bickford lend solid support (Bickford won a Supporting Actor nomination) and a young actor by the name of Lex Barker had a small role as one of Loretta's hunky brothers. Still a fresh and charming comedy.

This one's a winner all the way, not a silly comedy but a wry comment on American politics then, before, and since with some humor sprinkled in every now and then. Too bad there aren't more like Katrin Holstrom and Glenn Morley on Capitol Hill. Strange this movie based on a play and directed by a man noted more for stage direction than for film direction should play like a movie should play and not be just another stage play on celluloid. Also the romantic attraction between Katrin and Glenn seems natural with no saccharine added.

Talk about a cynical approach to mass political rallies to introduce new candidates for popular vote: Joseph Clancy (Charles Bickford) seeing that Katrin Holstrom (Loretta Young) is confused about what is happening before her eyes remarks that the crowd will approve thunderously of anything said aloud. He proceeds to stand up and yell "Fish for Sale" and the entire auditorium roars with unequivocal approval.

And what acting down to the minutest part. Loretta Young deservedly won best actress. Charles Bickford was nominated and should have won best supporting actor. He stands tall above them all and competition is heavy in this flick. You have to be on your toes to out act the likes of Ethel Barrymore and Joseph Cotten, two of the finest acting talents ever, but Loretta Young and Charles Bickford succeed in doing just that.

This is one of those pictures that Hollywood used to make that is fun from start to finish with surprising twists and turns from time to time. Though all comes out well in the finish, getting there is worth the journey. Plus this happy ending fits and is not just tacked on for custom and tradition. This little film actually speaks more appropriately for what is good in America than movies with more ballyhoo such as "Mr. Smith Goes to Washington."