IMDb-BEWERTUNG
6,1/10
1070
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuReleased from a POW camp at the end of WW2, a French soldier tricks the wife of a fellow POW into believing her husband was killed by the Germans and seduces the grieving woman, but the 'dea... Alles lesenReleased from a POW camp at the end of WW2, a French soldier tricks the wife of a fellow POW into believing her husband was killed by the Germans and seduces the grieving woman, but the 'dead' husband eventually returns home.Released from a POW camp at the end of WW2, a French soldier tricks the wife of a fellow POW into believing her husband was killed by the Germans and seduces the grieving woman, but the 'dead' husband eventually returns home.
- Auszeichnungen
- 3 wins total
Florence Bates
- Mrs.Lannie
- (Gelöschte Szenen)
Clinton Sundberg
- Salesman
- (Gelöschte Szenen)
Harry Woods
- Joseph
- (Gelöschte Szenen)
Stanley Andrews
- Emile (fishing boat captain)
- (Nicht genannt)
Sam Ash
- Master of Ceremonies
- (Nicht genannt)
Frederic Brunn
- German voice
- (Nicht genannt)
Tony Carson
- Youth
- (Nicht genannt)
Sidney D'Albrook
- Assistant
- (Nicht genannt)
Fernanda Eliscu
- Old Woman
- (Nicht genannt)
John Maxwell Hayes
- Church Official
- (Nicht genannt)
Empfohlene Bewertungen
In post-war France, Marise Aubert (Greer Garson) discusses her struggles with her doctor. She recounts how she found Jean Renaud (Richard Hart) playing her husband Paul Aubert (Robert Mitchum)'s song in her home. He seems to know a lot about Paul. He claims to be a friend from the POW camp and witnessed Paul's death while they were escaping.
This movie depends a lot on whether one buys the romance. I don't like Jean's stereotypical French look with his skinny moustache. The movie uses a lot of montage and yada-yada to advance the romance. I'm willing to accept it, but I'm not feeling it. She believes him too easily. If I was her, I would never accept it so willingly. The fact that she did is disappointing. Most of Robert Mitchum's screen time is concentrated on the last half hour and that is also disappointing. It's a complicated feeling. I would like a specific ending although the movie delivers something else. I do like the foggy climax. It's complicated.
This movie depends a lot on whether one buys the romance. I don't like Jean's stereotypical French look with his skinny moustache. The movie uses a lot of montage and yada-yada to advance the romance. I'm willing to accept it, but I'm not feeling it. She believes him too easily. If I was her, I would never accept it so willingly. The fact that she did is disappointing. Most of Robert Mitchum's screen time is concentrated on the last half hour and that is also disappointing. It's a complicated feeling. I would like a specific ending although the movie delivers something else. I do like the foggy climax. It's complicated.
Its structure is intense. The way it's edited kept me always on the tip of my toes. I was biting my nails through half of it, and feeling a nervous guilt in the pit of my stomach through the other half. This movie has it all, from one of the best escape scenes ever, to a whole spectrum of emotional truths. I found myself switching my opinions many times about the characters and what actions they should take. All the way through the ending, I was proud for the people who lent their efforts to make this movie. The acting and cinematography are unbeatable. I repeat, unbeatable! It might not be air-tight in plot details, but it gets a certain sense of cinematic perfection across that can also be found in other 1947 movies like "Out of the Past" and "Black Narcissus". I love those movies just as much as this one, if not more, so it's a little baffling how hard people are ragging on it.
It seems like the making of the movie was beset by hardship, and left a bad taste in the mouth of a lot of the cast and crew, but I see no reason that it should leave a bad taste in our mouths. It's just too gorgeous a movie to forget about. And any hardship and injury that came of it only makes the cinematic achievement that much more astounding. But ultimately, this movie's greatest achievement is that it surprisingly exudes a maturity that is more common in movies made closer to the present, for example, Mike Leigh's morality-play movies "Vera Drake" (2004) and "Another Year" (2010). It's time "Desire Me" had a re-evaluation, if you ask me.
It seems like the making of the movie was beset by hardship, and left a bad taste in the mouth of a lot of the cast and crew, but I see no reason that it should leave a bad taste in our mouths. It's just too gorgeous a movie to forget about. And any hardship and injury that came of it only makes the cinematic achievement that much more astounding. But ultimately, this movie's greatest achievement is that it surprisingly exudes a maturity that is more common in movies made closer to the present, for example, Mike Leigh's morality-play movies "Vera Drake" (2004) and "Another Year" (2010). It's time "Desire Me" had a re-evaluation, if you ask me.
I will give three reasons to watch this movie. First reason-an interesting story about a man returning from the war and trying to take over his dead friend's wife and life! Second reason-excellent acting by the entire cast of Greer Garson, Richard Hart, Robert Mitchum, George Zucco, Morris Ankrum, and Cecil Humphreys! Third reason- Richard Hart! He died young, and he did not make too many movies. This movie might be one of your best chances to see his acting, as I do not think he had such a big role in another movie, and he was excellent in this movie. In fact, on the basis of this movie, I am surprised he did not become an even bigger name in motion pictures!
Director George Cukor was so unhappy with his production of "Desire Me," that he insisted that his name be taken off the opening credits. It was the first film M-G-M had ever released without one. No happy memories about the filming for Greer Garson either. During the filming of one scene, which was by the ocean, a wave came up unexpectedly and swept the star out to sea. She nearly drowned!
"Desire Me" is a mess of a film. No director wanted to take credit for it. And the stars have absolutely no chemistry.
But this is supposed to be a love story about undeniable passions between a widow who steadfastly grieves her husband and a man who claims to have known him when he was alive. Unfortunately, the script makes him feel more like a bully than a lover. Greer Garson plays the object of his attentions. She is no prize herself. Her motivations are muddy, her outlook morose, and she seems to (willingly) be a victim of the gossipmongers of the town--including the local cleric--who presume to judge her.
Watching "Desire Me" is drudgery. None of the characters are very likable. And the payoff for watching the film is a final sequence that lacks the intended suspense, then concludes with an emotionally inappropriate ending, leaving the viewer with a feeling of betrayal.
None of the major players or the directors felt pride after making this film. And it shows.
But this is supposed to be a love story about undeniable passions between a widow who steadfastly grieves her husband and a man who claims to have known him when he was alive. Unfortunately, the script makes him feel more like a bully than a lover. Greer Garson plays the object of his attentions. She is no prize herself. Her motivations are muddy, her outlook morose, and she seems to (willingly) be a victim of the gossipmongers of the town--including the local cleric--who presume to judge her.
Watching "Desire Me" is drudgery. None of the characters are very likable. And the payoff for watching the film is a final sequence that lacks the intended suspense, then concludes with an emotionally inappropriate ending, leaving the viewer with a feeling of betrayal.
None of the major players or the directors felt pride after making this film. And it shows.
Wusstest du schon
- WissenswertesIt took Greer Garson dozens of takes to enunciate the word "No" to the director's satisfaction. Co-star Robert Mitchum claimed later that this incident was when he first stopped taking Hollywood seriously.
- PatzerDuring Paul Aubert's narration near the beginning, he states he was born in Brittany, as was his father and his father's father before him. Yet, he speaks with an American accent, as do all the characters in the "French" village.
- Zitate
Master of Ceremonies: Fortune smiles on redheads!
- VerbindungenFeatured in Private Screenings: Robert Mitchum and Jane Russell (1996)
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- A Woman of My Own
- Drehorte
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 4.149.000 $ (geschätzt)
- Laufzeit
- 1 Std. 31 Min.(91 min)
- Farbe
- Seitenverhältnis
- 1.37 : 1
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