Füge eine Handlung in deiner Sprache hinzuSickly girl finds an outlet in music.Sickly girl finds an outlet in music.Sickly girl finds an outlet in music.
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Carol Brannon
- Fredonia Jannings
- (as Carol Brannan)
Erville Alderson
- Dingle Clerk
- (Nicht genannt)
Charles Bradstreet
- Stubby Stubblefield
- (Nicht genannt)
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All of the reviews seem to be about Elizabeth Taylor, but very little mention about George Murphy and Mary Astor. Murphy almost sleepwalks his way through the film. Sixteen years as a clerk in a hardware store without a raise? Really? Where's the gumption, the backbone in the character. Is Napoleon so small a town that he can't find a better job somewhere else? A better actor would have shown some bitterness as being denied the opportunity to become a doctor. Mary Astor was going to be a concert pianist. Surely these failures of ambition can't simply be blamed on the sickly child that was born to them.
Elizabeth Taylor seemed to go almost overnight in films from child to voluptuous young woman. But in this nice low-budget (for MGM) movie, made when she was 15 at most, there is something of the sweetly awkward colt about her, in the title role. There are scenes in which she sort of oscillates between childhood and adulthood--the visual equivalent of an adolescent's voice cracking--and it was in this movie that she got her first screen kiss (from an engaging James Lydon).
It's a bittersweet movie, about the deferrals and compromises that one has to make in life--the parents who don't continue their higher education, the soldier who resumes his, the refugee professor. As Cynthia's mother, Mary Astor brings her usual warmth and common sense, and there are vague echoes of her questing, yearning character in "Dodsworth." Cynthia's illness is used as something of a metaphor for domestic discontent, and in view of Taylor's chronic health problems is a little unsettling in retrospect.
It's a bittersweet movie, about the deferrals and compromises that one has to make in life--the parents who don't continue their higher education, the soldier who resumes his, the refugee professor. As Cynthia's mother, Mary Astor brings her usual warmth and common sense, and there are vague echoes of her questing, yearning character in "Dodsworth." Cynthia's illness is used as something of a metaphor for domestic discontent, and in view of Taylor's chronic health problems is a little unsettling in retrospect.
"Cynthia" is a must enjoyable and unusual film...and it gives you a chance to see Elizabeth Taylor receive her first onscreen kiss!
When the story begins, Larry and Louise (George Murphy and Mary Astor) fall in love and marry...and have so many wonderful dreams for their future. Sadly, however, they soon have a child...and the child is sickly. As Cynthia (Taylor) grows, her over-protective homelife begins to take its toll. Her uncle is a doctor and he insists on Cynthia living a very sheltered life...and Larry insists that they do whatever his brother-in-law says....even though he and his family are jerks. As for Louise, she is beginning to realize the damage being done to her daughter...as she's in high school and shouldn't miss the things normal kids do. Additionally, she is tired of seeing her husband behaving so spinelessly with his boss and brother-in-law...which creates a schism in the marriage. What's to come of all this? See the film.
"Cynthia" is a great example of the sort of sweet family picture MGM could make during its heyday. Excellent acting, music, direction and a sweet story elevate this 'average' film for the studio into something special.
By the way, IMDB noted it and I was surprised too to see Spring Byington playing a rather hateful person....quite unusual.
When the story begins, Larry and Louise (George Murphy and Mary Astor) fall in love and marry...and have so many wonderful dreams for their future. Sadly, however, they soon have a child...and the child is sickly. As Cynthia (Taylor) grows, her over-protective homelife begins to take its toll. Her uncle is a doctor and he insists on Cynthia living a very sheltered life...and Larry insists that they do whatever his brother-in-law says....even though he and his family are jerks. As for Louise, she is beginning to realize the damage being done to her daughter...as she's in high school and shouldn't miss the things normal kids do. Additionally, she is tired of seeing her husband behaving so spinelessly with his boss and brother-in-law...which creates a schism in the marriage. What's to come of all this? See the film.
"Cynthia" is a great example of the sort of sweet family picture MGM could make during its heyday. Excellent acting, music, direction and a sweet story elevate this 'average' film for the studio into something special.
By the way, IMDB noted it and I was surprised too to see Spring Byington playing a rather hateful person....quite unusual.
I came into this film on TCM at 6:15 AM one morning, about 1/4 into it so I missed the opening and establishing of the players backgrounds and motivations, and I did not 'get them' until the denouement. The motivations of the mother and father as well as the uncle as the doctor and his family, are the engine that drive the plot. However, the directors job, once he has a decent story, is to elicit emotion of varying kinds from the audience. If you want to look at and watch Liz Taylor in all her youthful glory and magnetism, this is one of the best. Ironically if forebodes her complete life as a great actress who has health problems all her life. This film took me up and down several times much to my amazement and has a great Hollywood, happy wrap up. (nothing wrong with feeling good especially at 6 A M). Yes, of course there are some problems but I watch films for the way they make me feel in the end, not specifically to be a critic, especially films of this genre and contrived time period. I loved it because it made me feel alive and real!!We all have felt these same emotions in our youth and this well done film allows us feel these once more.
If the one-sentence synopsis, "A sickly teenager wishes more than anything to be allowed to perform in the school play," doesn't grab you, don't pay it any attention. Watch Cynthia anyway. It's a delightful gem from Elizabeth Taylor's younger days, even earlier than Little Women! And speaking of Little Women, Mary Astor plays Liz's mother in this film as well. George Murphy plays her father, and S.Z. Sakall rounds out the cast as the school's lovable theater director.
At the start of the film, Mary and George are shown young and in love, and their adorable romance quickly blossoms into marriage. They have grand plans to live in Vienna and study music and medicine, but when Mary gets pregnant, their plans go on hold temporarily. Fifteen years later, they're stuck in the same small town, renting a house they can't afford, struggling to pay their daughter's outrageous doctor's bills on a one-income salary from George's work in a hardware store. The parents' part of the film is actually quite sad, as you feel their disappointment as well as their guilt whenever they resent their lost dreams. Both George and Mary give wonderful performances.
Because George and Mary are so three-dimensional, it's difficult to call Liz the gem of the film, but she really is. She's so delightful, innocent, charming, passionate, and frail, culminating in such a captivating performance it's absolutely impossible not to love her. And since it's so impossible not to love her, you understand why George bows and scrapes to his boss as well as his brother-in-law, the greedy Gene Lockhart who treats Liz during her countless illnesses. You understand every part of Mary's behavior, as she embodies every mother's journey in raising a teenaged daughter. In one scene, Liz comes home from her first date. Mary wants to revel in her daughter's happiness, but she also tries to instill responsibility, like taking better care of her dress or soaking in a hot bath so she won't catch cold.
Every part of this movie is a joy to watch, from the cute to the tragic. You'll reach for your handkerchief from time to time, and if you watch this with your kids or parents, you'll cry even more. Everyone gives strong performances, and I'm sure you'll find your favorite moments as I have. At the heart of it all is Elizabeth Taylor, so beautiful and yet so innocent and fresh, even though it's impossible she ever felt what her character went through in real life. How could the gorgeous Elizabeth Taylor know what it felt like to be ignored by all the boys in school, and then the thrilling joy at being allowed to go to her first dance? It's called acting, and she does it beautifully.
At the start of the film, Mary and George are shown young and in love, and their adorable romance quickly blossoms into marriage. They have grand plans to live in Vienna and study music and medicine, but when Mary gets pregnant, their plans go on hold temporarily. Fifteen years later, they're stuck in the same small town, renting a house they can't afford, struggling to pay their daughter's outrageous doctor's bills on a one-income salary from George's work in a hardware store. The parents' part of the film is actually quite sad, as you feel their disappointment as well as their guilt whenever they resent their lost dreams. Both George and Mary give wonderful performances.
Because George and Mary are so three-dimensional, it's difficult to call Liz the gem of the film, but she really is. She's so delightful, innocent, charming, passionate, and frail, culminating in such a captivating performance it's absolutely impossible not to love her. And since it's so impossible not to love her, you understand why George bows and scrapes to his boss as well as his brother-in-law, the greedy Gene Lockhart who treats Liz during her countless illnesses. You understand every part of Mary's behavior, as she embodies every mother's journey in raising a teenaged daughter. In one scene, Liz comes home from her first date. Mary wants to revel in her daughter's happiness, but she also tries to instill responsibility, like taking better care of her dress or soaking in a hot bath so she won't catch cold.
Every part of this movie is a joy to watch, from the cute to the tragic. You'll reach for your handkerchief from time to time, and if you watch this with your kids or parents, you'll cry even more. Everyone gives strong performances, and I'm sure you'll find your favorite moments as I have. At the heart of it all is Elizabeth Taylor, so beautiful and yet so innocent and fresh, even though it's impossible she ever felt what her character went through in real life. How could the gorgeous Elizabeth Taylor know what it felt like to be ignored by all the boys in school, and then the thrilling joy at being allowed to go to her first dance? It's called acting, and she does it beautifully.
Wusstest du schon
- WissenswertesA rare nasty role for Spring Byington (Carrie Jannings).
- PatzerThe call letters of the radio station that broadcasts the operetta from the fictional small town in Illinois were, in 1947, really the call letters of a radio station in New York City. It's highly unlikely that an Eastern metropolis would broadcast a high school musical from a Midwestern town.
- VerbindungenFeatured in Das gibt's nie wieder (1974)
- SoundtracksMelody Of Spring
(1947) (uncredited)
Music by Hans Engelmann
Lyrics by Ralph Freed
Performed by Elizabeth Taylor
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Cynthia: The Rich, Full Life
- Drehorte
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 1.318.000 $ (geschätzt)
- Laufzeit1 Stunde 38 Minuten
- Farbe
- Seitenverhältnis
- 1.37 : 1
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