IMDb-BEWERTUNG
7,2/10
5290
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuThe true story of a prosecutor's fight to prove the innocence of a man accused of a notorious murder.The true story of a prosecutor's fight to prove the innocence of a man accused of a notorious murder.The true story of a prosecutor's fight to prove the innocence of a man accused of a notorious murder.
- Für 1 Oscar nominiert
- 6 Gewinne & 3 Nominierungen insgesamt
E.J. Ballantine
- McDonald - 'Morning Record' Editor
- (Nicht genannt)
Rollin Bauer
- Detective
- (Nicht genannt)
Royal Beal
- Johnson - Police Ballistics Expert
- (Nicht genannt)
Wyrley Birch
- Father George A. Lambert
- (Nicht genannt)
Robin Bryant
- Woman
- (Nicht genannt)
Helen Carew
- Annie
- (Nicht genannt)
John Carmody
- Thomas Callahan - Witness
- (Nicht genannt)
William Challee
- Whitney - Harvey's Assistant
- (Nicht genannt)
Clay Clement
- Judge Tate
- (Nicht genannt)
Empfohlene Bewertungen
This film is one of Elia Kazan's early efforts as a director. He presented this story in the semi documentary style pioneered by producer Louis DeRochemont in his "March of Time" short subjects and brought to full length status in Henry Hathaway's "The House on 92nd Street".
In filming this true story, Kazan took his cast and crew to a small Connecticut town similar to the one that the story occurred in. This concept was very effective.
Dana Andrews plays Henry L. Harvey, a Connecticut States Attorney who is prosecuting a particularly sensitive case in which a local revered priest was murdered and a homeless drifter was arrested for the crime after an exhaustive search in which the local police was criticized by both the media and local politicians. When Harvey begins to have some doubts, his case "Boomerangs".
The story is riveting from start to finish and the style Kazan uses adds even more credibility to it. (Kazan used on location filming a few years later in making "Panic in the Streets" and it was just as effective even though the story was fictional).
The acting is first rate. Supporting Andrews is Arthur Kennedy as the suspect, Lee J Cobb as the chief of police, Sam Levine as a reporter who knows all, and Robert Keith as a political leader (his son Brian, who later became a bigger star than his father, has a bit).
"Boomerang!" is a film made during the time when Hollywood was growing up. It's a provocative story about our judicial system that even when viewed today makes you think. And it's done to perfection
In filming this true story, Kazan took his cast and crew to a small Connecticut town similar to the one that the story occurred in. This concept was very effective.
Dana Andrews plays Henry L. Harvey, a Connecticut States Attorney who is prosecuting a particularly sensitive case in which a local revered priest was murdered and a homeless drifter was arrested for the crime after an exhaustive search in which the local police was criticized by both the media and local politicians. When Harvey begins to have some doubts, his case "Boomerangs".
The story is riveting from start to finish and the style Kazan uses adds even more credibility to it. (Kazan used on location filming a few years later in making "Panic in the Streets" and it was just as effective even though the story was fictional).
The acting is first rate. Supporting Andrews is Arthur Kennedy as the suspect, Lee J Cobb as the chief of police, Sam Levine as a reporter who knows all, and Robert Keith as a political leader (his son Brian, who later became a bigger star than his father, has a bit).
"Boomerang!" is a film made during the time when Hollywood was growing up. It's a provocative story about our judicial system that even when viewed today makes you think. And it's done to perfection
This is a pretty good, taut, realistic, gritty film-noirish film from the camera lens of Elia Kazan. Kazan gives us the story of a Connetticut district attorney bumping the legal establishment in Hartford by NOT railroading a suspect who he knows to be innocent despite exhausting pressures to prosecute from local elected officials, businessmen, police, etc... The film, as previously noted, has a semi-documentary feel to it - all due to Kazan's expertise behind the camera. Whilst the story certainly is engaging, the acting is all high-level here with Dana Andrews doing a fine job as Henry L. Harvey the attorney faced with an ethical dilemma. Andrews acting range is not too wide but he delivers here and is more than ably assisted by men(and women) like Ed Begley as a businessman gone bad, Jane Wyatt as his lovely wife(Andrews's wife that is),Arthur Kennedy as the suspect with seemingly little to say, and a couple of Kazan would-be regulars - Lee J. Cobb doing a phenomenal job as a decent yet hard-headed police chief and Karl Malden as a police detective. Kazan shows us the story from many angles and has the benefit of having a real story as the basis of his film. We see the angles of different political opponents, a jealous/crazy girlfriend, local people who saw the crime of a priest being shot, and the journalists who try to scare up any angle they can. Some scenes are quite jarring like the confession scene. Arthur Miller, the great American playwright is seen briefly in a scene of suspects being lined-up. He was Kazan's close friend.
The names are changed and updated, the story takes place post World War II instead of World War I. But Boomerang is the story of how the man who eventually became United States Attorney General, Homer Cummings, used his prosecutorial office to prove the INNOCENCE of an arrested murder suspect. How often do you see that happen?
In fact Boomerang is a primer for those people who wonder how the Supreme Court under Earl Warren could render such decisions as Escobedo and Miranda which set a few ground rules about interrogating a suspect. Today poor Arthur Kennedy who plays the veteran accused of murdering a priest in cold blood might have lawyered up and never given the confession in the first place.
Under a different name Cummings is played by Dana Andrews with Jane Wyatt as his wife. Lee J. Cobb and Karl Malden play the investigating police detectives who do a thorough job and apparently have gotten their man. What the crime consisted of was person unknown in the evening hours on one of the town's main streets firing a pistol into the back of the head of a popular clergyman in the town. Several witnesses do see it, but none are close enough to really be sure.
One witness nearly sinks Kennedy, but when Andrews questions Kennedy before the trial and he tells her that waitress Cara Williams is mad because he dumped her, that sets Andrews thinking about his case. His examination of her on the stand is devastating.
The film was directed by Elia Kazan who got the New York Film Critic's Award for this and his work on Gentleman's Agreement. This was a banner year obviously for Mr. Kazan. Boomerang got one Oscar nomination for Best Screenplay for Richard Murphy.
After over 60 years Boomerang holds up very well and should be required viewing for those attorneys who wish to become prosecutors. It ain't all about another notch in the belt.
In fact Boomerang is a primer for those people who wonder how the Supreme Court under Earl Warren could render such decisions as Escobedo and Miranda which set a few ground rules about interrogating a suspect. Today poor Arthur Kennedy who plays the veteran accused of murdering a priest in cold blood might have lawyered up and never given the confession in the first place.
Under a different name Cummings is played by Dana Andrews with Jane Wyatt as his wife. Lee J. Cobb and Karl Malden play the investigating police detectives who do a thorough job and apparently have gotten their man. What the crime consisted of was person unknown in the evening hours on one of the town's main streets firing a pistol into the back of the head of a popular clergyman in the town. Several witnesses do see it, but none are close enough to really be sure.
One witness nearly sinks Kennedy, but when Andrews questions Kennedy before the trial and he tells her that waitress Cara Williams is mad because he dumped her, that sets Andrews thinking about his case. His examination of her on the stand is devastating.
The film was directed by Elia Kazan who got the New York Film Critic's Award for this and his work on Gentleman's Agreement. This was a banner year obviously for Mr. Kazan. Boomerang got one Oscar nomination for Best Screenplay for Richard Murphy.
After over 60 years Boomerang holds up very well and should be required viewing for those attorneys who wish to become prosecutors. It ain't all about another notch in the belt.
'Boomerang!' is one of those thrillers based on real events, presenting a corrupt view of small town America, where politicians seek votes over justice, and might doesn't always equal right.
With a cast including Dana Andrews, Lee J Cobb, and Arthur Kennedy, the story unfolds when the local priest is shot dead in the street and a wandering hobo is arrested and then grilled for hours until he confesses. Politically he is groomed for conviction, but the DA (Andrews) wants to know more. Meanwhile, political officials seek to let the alleged killer off on account of his being someone who'd served his country.
Corruption is rife both in the courtroom and without, and the viewer is drawn into this complex web not really knowing what the truth is. An interesting twist at the end almost ties things up but leaves some questions still unanswered.
Good performances, tense construction of character and storyline and some fine black and white photography mark this out as a minor classic of its type.
With a cast including Dana Andrews, Lee J Cobb, and Arthur Kennedy, the story unfolds when the local priest is shot dead in the street and a wandering hobo is arrested and then grilled for hours until he confesses. Politically he is groomed for conviction, but the DA (Andrews) wants to know more. Meanwhile, political officials seek to let the alleged killer off on account of his being someone who'd served his country.
Corruption is rife both in the courtroom and without, and the viewer is drawn into this complex web not really knowing what the truth is. An interesting twist at the end almost ties things up but leaves some questions still unanswered.
Good performances, tense construction of character and storyline and some fine black and white photography mark this out as a minor classic of its type.
In Connecticut, a well-known priest is murdered by a man on the street and flees. The politicians and the police are pressed by the society to find the killer, but the Chief of Police Harold F. "Robbie" Robinson (Lee J. Cobb) has no clue despite the witnesses. When the former soldier John Waldron (Arthur Kennedy) that has fought in the World War II is captured in another town, the witnesses identify him as the killer and he is forced by Robbie and his men to sign the confession of murder. The he claims innocence, but everybody believes he is the killer. However the righteous State's Attorney Henry L. Harvey (Dana Andrews) finds inconsistent evidences and decides to investigate against the opposition of the politics and the society.
"Boomerang !" is a film based on a true story about the morality and honesty of a State Attorny that risks his career to prove that a man is innocent and scape goat of a political situation. The plot is engaging and holds the attention of the viewer. It is beautiful to see the story of men like the lead character that faces the Powers That Be to keep his ethic and principles. My vote is seven.
Title (Brazil): "O Justiceiro" ("The Righteous Man")
"Boomerang !" is a film based on a true story about the morality and honesty of a State Attorny that risks his career to prove that a man is innocent and scape goat of a political situation. The plot is engaging and holds the attention of the viewer. It is beautiful to see the story of men like the lead character that faces the Powers That Be to keep his ethic and principles. My vote is seven.
Title (Brazil): "O Justiceiro" ("The Righteous Man")
Wusstest du schon
- WissenswertesPlaywright Arthur Miller is the tall suspect in the line-up. He was close to director Elia Kazan, who would two years later direct Miller's "Death of a Salesman" on Broadway. For the play, Kazan plucked this film's Lee J. Cobb to play Willy Loman, and for his son Biff, Arthur Kennedy.
- PatzerAfter the prosecutor declared his belief in the defendant's innocence the Judge requested his presence in chambers, This would not be allowed without the defendant's attorney also being present in an in camera proceeding. The Latin phrase 'In camera' is a legal term that means 'in private.'
- Zitate
[Camera close-up on an open book]: The primary duty of a lawyer exercising the office of public prosecutor is not to convict, but to see that justice is done. -The Lawyers' Code of Ethics.
- Crazy CreditsOpening credits are listed in the form of pages of a book.
- VerbindungenFeatured in Doogie Howser: Presumed Guilty (1991)
- SoundtracksAmerica, the Beautiful
(uncredited)
Music by Samuel A. Ward
Played during the opening sequence and at the end
Top-Auswahl
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Details
Box Office
- Budget
- 1.140.000 $ (geschätzt)
- Laufzeit1 Stunde 28 Minuten
- Farbe
- Seitenverhältnis
- 1.37 : 1
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