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Unruhiges Blut

Originaltitel: Blanche Fury
  • 1948
  • 16
  • 1 Std. 38 Min.
IMDb-BEWERTUNG
6,7/10
1203
IHRE BEWERTUNG
Stewart Granger and Valerie Hobson in Unruhiges Blut (1948)
Blanche Fury: She's Very Weak
clip wiedergeben1:51
Blanche Fury: She's Very Weak ansehen
1 Video
11 Fotos
Costume DramaPeriod DramaTragic RomanceTrue CrimeCrimeDramaMysteryRomance

Füge eine Handlung in deiner Sprache hinzuThe childless widow of Allan Fury bequeaths the Fury estate to her Fuller relatives, but Allan's illegitimate son who masquerades as a servant hopes to grab the estate for himself.The childless widow of Allan Fury bequeaths the Fury estate to her Fuller relatives, but Allan's illegitimate son who masquerades as a servant hopes to grab the estate for himself.The childless widow of Allan Fury bequeaths the Fury estate to her Fuller relatives, but Allan's illegitimate son who masquerades as a servant hopes to grab the estate for himself.

  • Regie
    • Marc Allégret
  • Drehbuch
    • Audrey Erskine-Lindop
    • Cecil McGivern
    • Hugh Mills
  • Hauptbesetzung
    • Stewart Granger
    • Valerie Hobson
    • Walter Fitzgerald
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,7/10
    1203
    IHRE BEWERTUNG
    • Regie
      • Marc Allégret
    • Drehbuch
      • Audrey Erskine-Lindop
      • Cecil McGivern
      • Hugh Mills
    • Hauptbesetzung
      • Stewart Granger
      • Valerie Hobson
      • Walter Fitzgerald
    • 42Benutzerrezensionen
    • 12Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 3 wins total

    Videos1

    Blanche Fury: She's Very Weak
    Clip 1:51
    Blanche Fury: She's Very Weak

    Fotos11

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    Topbesetzung44

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    Stewart Granger
    Stewart Granger
    • Philip Thorn
    Valerie Hobson
    Valerie Hobson
    • Blanche Fury
    Walter Fitzgerald
    Walter Fitzgerald
    • Simon Fury
    Michael Gough
    Michael Gough
    • Lawrence Fury
    Maurice Denham
    Maurice Denham
    • Major Fraser
    Sybille Binder
    Sybille Binder
    • Louisa
    • (as Sybilla Binder)
    Allan Jeayes
    Allan Jeayes
    • Mr. Weatherby
    • (as Alan Jeayes)
    Edward Lexy
    Edward Lexy
    • Col. Jenkins
    Suzanne Gibbs
    • Lavinia Fury
    Ernest Jay
    • Samuel Calamy
    Townsend Whitling
    • Banks
    J.H. Roberts
    J.H. Roberts
    • Doctor
    • (as J. H. Roberts)
    Arthur Wontner
    Arthur Wontner
    • Lord Rudford
    Amy Veness
    Amy Veness
    • Mrs. Winterbourne
    Cherry London
    • Molly
    George Woodbridge
    George Woodbridge
    • Aimes
    Lionel Grose
    • Jordon
    Bryan Herbert
    • Elliot
    • (as Brian Herbert)
    • Regie
      • Marc Allégret
    • Drehbuch
      • Audrey Erskine-Lindop
      • Cecil McGivern
      • Hugh Mills
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen42

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    9hitchcockthelegend

    You are somehow different today.

    Blanche Fullerton accepts an invitation to go and work for her wealthy Uncle out on the Clare estate. Tho the estate is the ancestral home to the Fury family, the Fullerton's take the name of Fury to be their own and run the estate as the rightful heirs. Philip Thorn believes he is the rightful heir to the estate but just can't find the proof needed to claim what he feels is rightfully his. Once Blanche enters the estate the men of the home have their heads turned, and from that point on Clare estate, and the whole Fury dynasty, is in danger of going down a very dark path that can may only lead to pain and misery. Is the ape curse of the Fury's about to strike again?

    There is a good chance that I'll be reviewing this picture with a hint of bias, for Blanche Fury has everything that I personally look for in a Gothic classic picture. Two lead stars firing on all cylinders, both Stewart Granger and Valerie Hobson positively ooze grace and quality amongst the glorious colour and corking costumes. The mansion of the piece is just perfect (Wootton Lodge, Staffordshire, England), a poetic stone built structure by day that is surrounded by rolling countryside, but by night it's a hauntingly monolithic place of dreams and simmering passions. The dialect perfectly befits the late 40s British setting, where the story itself is crammed with passions and dastardly motives, adulterous leanings and murderous intent. But above all else it's the ending that seals the deal, as our protagonists respective futures unravel in yet another trip down some dark twisty road.

    Based on the novel written by Joseph Shearing (who was actually Marjorie Bowen), the inspiration for the story is a real life case from 1848, this itself carries with it no small amount of potency, adding still further a fleck of nastiness to the unfolding drama. Blanche Fury is very much one for those who like Gothic melodramas or uneasy mansion set thrillers, the likes of Dragonwyck, House Of Usher, perhaps even Alfred Hitchcock's wonderful Rebecca. It's tightly directed by Marc Allégret and acted accordingly, whilst also technically the picture scores high as the score (Clifton Parker) and the photography (Guy Green/Geoffrey Unsworth) gives the picture an all round quality production. Blanche Fury, as a story itself? Well it's a little gem from the golden sub-genre of Gothic melodramas. At the time of writing Blanche Fury is still searching for a wider, more appreciative, audience, so if you get the chance to see it then don't pass up the chance because it's a must for fans of the films mentioned above. 8.5/10
    7bkoganbing

    The wrong side of the blanket

    Like his contemporary James Mason who came up roughly the same time as he did, Stewart Granger seemed to be born to play in these romance novel roles. In Blanche Fury he's got a nasty grudge against the Fury family who have kept him working as a groom on their estate. He's one of them, but born on the wrong side of the blanket as they said in those days.

    There's a dual focus in this film and it's on Valerie Hobson playing the title role as well. She's also knocked about a bit kind of like George Eastman in An American Tragedy, she's one of them, but only distantly. Still she's on the right side of the blanket and she determines to marry Michael Gough the heir to the estate for a life of ease and comfort.

    Granger like the real life James Scott the Duke of Monmouth searched for a connection to his father King Charles II to prove he was heir to the throne. Didn't happen for him and didn't happen for Granger But what does happen is that he gets Hobson's mojo going far more than the insipid and privileged Gough does.

    These are the ingredients of Blanche Fury and if you like these movies and read these novels you can pretty much guess what happens. Hobson and Granger are a stirring romantic pair, but Granger in his desire to improve his station goes quite a bit off kilter. Hobson has a choice to make and she makes it.

    As for who gets the Fury estate. For that you have to see Blanche Fury.
    otter

    Effective suspense in period trappings

    The 18th century costumes, manor-house setting, and forbidden romance make this look like a bodice-ripper to the idle channel-flipper, but it's not. It's a twisted and effective suspense movie in a period setting, more like "Dangerous Liaisons" than Harlequin books. It's about a beautiful and willful young woman (Valerie Hobson) who doesn't like her rich clod of a husband, instead she has the hots for poor-but-gorgeous estate manager Stewart Granger. At first it's all forbidden kisses and steamy dialogue... until they kill her husband. Then, things start to get real, and get creepy. It's easy to get excited over forbidden fruit that looks like Stewart Granger, but a whole lot harder to deal with a murderer who wants to marry you for reasons that have nothing to do with romance. Especially when it's impossible to refuse him because you're an accessory to murder, even after he...(sorry, no spoilers). It's rather like Hitchcock's "Shadow of a Doubt" or "Dangerous Liaisons", in which a well-to-do, polite exterior conceals a man and woman whose love has turned deadly. When I first saw this movie I was astonished at how good it was, and wondered why I'd never heard of it. It isn't a classic like "Kind Hearts and Coronets", but it sure grabbed me when I flipped across it. Between the solid performances by Hobson and Granger, the lush Technicolor photography, the steamy romance, and the creepy ending, this is one to look for. (I don't believe it's out on video, but is occasionally shown on AMC
    verna55

    Eerie Gothic melodrama with several bizarre and unsettling twists.

    This dark, engrossing drama centers on a beautiful English girl(Valerie Hobson) who goes to live at her uncle's Gothic estate where she engages in an illicit affair with the head-strong steward(Stewart Granger). This is one of the Rank Studio's most impressive Gothic melodramas. It's rich in creepy, menacing atmosphere, and features solid direction by Marc Allegret and terrific performances by the multi-talented British cast. Most of these classic '40's British dramas were rightfully filmed in black and white. BLANCHE FURY was filmed in color, but color actually suits this film well and makes the wonderful Gothic architecture all the more enjoyable.
    dbdumonteil

    The silence and the fury.

    Is Marc Allegret a director?Or does he simply(but smartly) use others' talents?His most memorable pre-war movies are not really his.For instance ,"Fanny" owes everything to its actor,Raimu,and its writer,Marcel Pagnol:it is actually a Pagnol movie.Ditto "Entrée des Artistes" which is remarkable by Henri Jeanson's lines ("I wear my Légion d'honneur to impress the fool" ) and Louis Jouvet's acting genius.

    A short English period occurred just after the war -when he other French directors such as Renoir and Duvivier worked abroad during the war.Which leads us to "Blanche Fury".This movie is par excellence an effort in which Allégret uses the others' skills.Objections remain:an arguable editing ,too much ellipse (the relationship Lawrence/Blanche is botched,and the pace is often too fast and hasty :again the Blanche /Thorn love affair is believable only because of the actors' splendid performances).

    And the screenplay,however ,is wonderful:snatches of lady Chatterley,Jane Eyre ,the turn of the screw,My cousin Rachel,Wuthering Heights and more come to mind.Even Vincente Minelli's "home from the hill"(1960)!This is a romantic story par excellence. Heredity and fatality play a prominent part is this story of silence and fury:Thorn (a great Stewart Granger) is a bastard,but Blanche( a majestic Valerie Hobson) is akin to him,because,at the beginning of the movie,she's a governess,and only marriage can provide her with a place in the sun;but her husband is probably impotent :here the writers use a metaphor.his father wants him to show his authority over their valuable property,that is to say to be a man.At the beginning of the movie,Blanche is a go-getter,but as soon as she meets Thorn,her fate is sealed,she reacts to events ,she no longer initiates them.Ultimately,she will try to stop the impending disaster ,but what she does finally backfires on herself and turns it into a final Thorn victory.Thorn is much more complex than he appears at first sight:actually he should own the property and he sees the Fury family as impostors;his attitude with animals makes us side with him for a while.Then,when he's about to win,he treats the servants as his predecessors used to do,and we discover his love for Blanche takes a back seat to his love for the domain.Then the lovers' fate is sealed.

    Color treatments are visually astounding :when we go from Blanche's deathbed to a flashback at the beginning,then the final pictures,hellish glimmering red glow ;Blanche's arrival in the castle,in a snowed up,misty landscape;the barns fire ,which seems to set ablaze the darkest night.

    Afterwards,Allégret's career straightly goes downhill."L'amant de Lady Chatterley" which I haven't seen but which he may have intended as "Blanche Fury II" ,poor Brigitte Bardot's vehicles ("en effeuillant la marguerite') or abysmal works(a segment of the horrible made up of sketches movie "les Parisiennes") .His brother Yves was much better ("Manèges" "Dédée d'Anvers" "une si jolie petite plage" "les Orgueilleux").

    "Blanche Fury" deserves to be seen anyway.

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    • Wissenswertes
      Though not cited in the opening credits, the film is based on a 1939 novel of the same name by Joseph Shearing (1885-1952), a pseudonym for Marjorie Bowen. A prolific writer with a taste for the Gothic, Bowen also wrote "Moss Rose" which came to the screen in 1947 (Moss Rose (1947) with Victor Mature and Peggy Cummins.
    • Patzer
      The story is set from January 1853 to August 1860, yet Lavinia is the same age throughout the film.
    • Zitate

      Blanche Fury: Do you seriously believe all that superstitious nonsense about Fury's ape?

      Philip Thorn: You're afraid. Are you?

      Blanche Fury: Not at all. I'm not easily frightened.

      Philip Thorn: That I can believe.

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    Details

    Ändern
    • Erscheinungsdatum
      • 1949 (Westdeutschland)
    • Herkunftsland
      • Vereinigtes Königreich
    • Offizielle Standorte
      • Streaming on "Artflix - Filmklassiker" YouTube Channel
      • Streaming on "Artflix - Movie Classics" YouTube Channel
    • Sprache
      • Englisch
    • Auch bekannt als
      • Blanche Fury
    • Drehorte
      • Dunstable Downs, Bedfordshire, England, Vereinigtes Königreich
    • Produktionsfirmen
      • Cineguild
      • Independent Producers
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    Box Office

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    • Budget
      • 1.500.000 $ (geschätzt)
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      1 Stunde 38 Minuten
    • Seitenverhältnis
      • 1.37 : 1

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