Füge eine Handlung in deiner Sprache hinzuRomantic comedy about a high school girl who falls in love with a playboy artist. The girl's older sister, who's a judge, does not approve of the relationship.Romantic comedy about a high school girl who falls in love with a playboy artist. The girl's older sister, who's a judge, does not approve of the relationship.Romantic comedy about a high school girl who falls in love with a playboy artist. The girl's older sister, who's a judge, does not approve of the relationship.
- 1 Oscar gewonnen
- 4 wins total
- Maitre d'Hotel
- (as Gregory Gay)
Empfohlene Bewertungen
The stars, of course, are the main reasons for watching "The Boxer and the Bobby Soxer". The film's premise is about the infatuation of a impressionable teen ager with a much older man. The object of that affection is a playboy who appears to be unsuitable for the girl. The contrast between the older man and the young girl creates a lot of funny situations.
To make matters worse, the sister of the young girl is a judge, who sees right through the roguish Richard Nugent and wants him to leave the girl alone, but figures that surely her sister will soon get bored with the man.
Myrna Loy does wonders with her role as Margaret Turner. Cary Grant brings his natural elegance to the role of Richard Nugent; just watch him in the picnic competition. Shirley Temple is a sweet Susan, the girl infatuated with Richard. In minor roles, Rudy Vallee and Ray Collins are perfectly cast.
In a couple of scenes in the film we see Richard Nugent in shining armor, as both sisters take turns in imagining him her hero. Only the right one will be rewarded.
Once the pace picks up, this comedy sparkles as brightly as any other Cary Grant madcap, which is to say, about as good as comedy gets. The nightclub scene is an absolute triumph of timing, staging, and scripting. The laughs build as the party table becomes more and more chaotic, interrupted by one petty annoyance after another, finally reducing the worldly Grant to speechless exasperation. This is the type of soaring comedic architecture that requires real artistry, but has been sadly replaced in contemporary film by a dumbed- down world of bathroom jokes, insult gags, and other cheap forms of humor that appeal mainly to juveniles.
The movie itself, directed by an unheralded Irving Reis, is literally brimful of bounce and charm, leaving no one in doubt that the big war is over and America is ready for the future even if its libido is showing. With: a slyly endearing Ray Collins, a bemusedly prim Myrna Loy, a pompously befuddled Rudy Vallee, and a well-deserved Oscar for writer Sidney Sheldon, along with a final scene that could not be more apt. Despite the shift in public mores, audiences now as then should find this a highly entertaining ninety minutes of expert movie- making.
There are many sub-plots including a few romantic interests but I especially enjoyed the scene in the restaurant when Cary Grant and Myrna Loy were planning on enjoying each others company while dancing and dining the night away. But wait, they are soon joined by more and more people at their table for two who all have their own agenda, and there are a few restaurant staff who can be heard periodically chiming in the background with yet another "Happy Birthday To You" for some of the other restaurant patrons. I belly laughed as the calamity grew and grew and I was unsure what the evening climax was going to hold?
This is an innocent, fun happy, hoot of a film that I will be sure to watch a few more times.
I give it an admirable 7 out of 10 rating.
The story makes it clear early on that it should not be taken too seriously, yet it is told well enough that it is easy to set aside any plausibility issues. The early misadventures set up the amusing arrangement that the judge (Loy) agrees to, in the hopes of keeping the others out of trouble, and this in turn sets up a new series of outlandish events. Harry Davenport and Ray Collins head up a pretty good supporting cast, and the situation builds pretty well, leading up to a complicated, entertaining set of tangle-ups.
While there is nothing remarkable about it, "The Bachelor and the Bobby-Soxer" is the kind of pleasant silliness that takes the right touch to make it work. It makes for an enjoyable way to spend an hour and a half.
Wusstest du schon
- WissenswertesWhen filming began, Shirley Temple was 18 years old and had been married for 10 months. Cary Grant was 42 years old.
- PatzerIn the end, when Nugent and Margaret are doing the "man with power" routine; there is a rear screen projection showing various passengers in the background walking toward the plane. However when they end the routine and it does a quick cut to a live shot; the passengers in the background have changed. Additionally, a plane crew appears underneath the plane that wasn't there before.
- Zitate
Richard Nugent: Hey, you remind me of a man.
Susan Turner: What man?
Richard Nugent: The man with the power.
Susan Turner: What power?
Richard Nugent: The power of whodoo.
Susan Turner: Whodoo?
Richard Nugent: You do.
Susan Turner: Do what?
Richard Nugent: You remind me of a man...
- Alternative VersionenAlso available in a computer colorized version.
- VerbindungenFeatured in The Screen Writer (1950)
- SoundtracksThe Bachelor and the Bobby-Soxer
(uncredited)
Music by Joseph Meyer and Don Meyer
Lyrics by Howard Phillips
Top-Auswahl
- How long is The Bachelor and the Bobby-Soxer?Powered by Alexa
Details
- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- The Bachelor and the Bobby-Soxer
- Drehorte
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit1 Stunde 35 Minuten
- Farbe
- Seitenverhältnis
- 1.37 : 1