Without Reservations

Claudette Colbert plays a best-selling novelist on her way to Hollywood, where her book is being made into a movie. On the train she meets two Marines (John Wayne, Don DeFore). She immediately sees Wayne as the ideal man to play the lead character from her novel. Unfortunately for her, Wayne's read the novel and hates it, so she keeps her identity a secret as she travels with the two men to California.

Colbert is right at home playing a role similar to ones she had played a few times before. So it's no surprise she is good here. Nor is it a surprise that Don DeFore is good as Wayne's sidekick. But what may come as a surprise for many watching this is just how good John Wayne is at a light comedy role. Anne Triola is also lots of fun as Consuela Callaghan, described as a "beetle" by Wayne & DeFore. For what they mean by that you'll have to watch and see. Beautiful Dona Drake has a small part but she's always stunning to look at. Several celebrity cameos, including Cary Grant. The only time John Wayne and Cary Grant appeared in the same film, albeit not in the same scene. Very charming and funny romantic comedy, the second half of which is in the It Happened One Night vein.

Many in the Hollywood elite belittled John Wayne. To get back at him for his Americanist views, liberals panned his movies and acting ability. If you have seen "The Quiet Man" or "The Searchers" or "The Man Who Shot Liberty Valance" or "The Sands of Iwo Jima" amongst many others, you already know that John Wayne could indeed act.

Watch "Without Reservations." My family loves John Wayne but who would have thought he could do comedy? And then do it well?

"Without Reservations" is a funny, amusing, delightful movie which is one of my wife's favorite (a New York City liberal by the way). Get a big bowl of popcorn. Sit back with your family and enjoy a lighthearted adventure. Cobert and Don Dafore are perfectly cast.

Claudette Colbert chases a soldier "Without Reservations" in this 1946 film which also stars John Wayne, Don DeFore, and Ann Triola, with cameos by Louella Parsons, Cary Grant, Jack Benny, and Delores Moran as themselves.

Colbert plays a best-selling author, Christopher Madden, who has written a book about the world post-war - it looks to be a combination of "Gone with the Wind" and "Atlas Shrugged." En route by train to Hollywood to do the screenplay, she is extremely distressed to learn that Cary Grant will not be available to do the movie version.

She is writing a telegram to the producer when she comes face to face with her fictional hero in the flesh. He's a soldier named Rusty (Wayne) going to San Diego with his pal, Dink (DeFore). She doesn't tell them her identity, giving her name as Kit Klatch.

Kit decides she has to have Rusty star in the film so instead of boarding the train that will take her to L.A., she gets on the train going to San Diego. This leads to all sorts of adventures for the threesome, and it's obvious that Kit and Rusty, despite very opposing political views, have fallen in love.

Colbert is delightful as usual, and DeFore, kind of a Jack Carson type, is always pleasant to watch. The surprise for some will be John Wayne who's not riding a horse or wearing a cowboy hat. Frankly, this writer has always preferred him that way. I'm not a particular fan of westerns, and the plainclothes Wayne seems handsomer and less stiff somehow.

Here, he's playing the role of someone whose beliefs are close to his own in real life, i.e., somewhere to the right of Genghis Khan, while the Colbert character is a socialist. Tall and handsome, he does the romantic scenes well; one wishes he'd stayed out of the saddle more often.

This is a light, fun comedy that takes place in a world that, like Kit, doesn't quite know which direction to take post-World War II. Seventy-four years later, we still haven't figured it out, and "Without Reservations" remains an entertaining film.

"Without Reservations" is a cute but canned knock-off of "It Happened One Night" (also with Colbert) -- a road picture pitting the sexes against each other and then against the elements of a screwball universe. Though very flimsy in plot structure, Colbert and Wayne end up as interesting foils. Colbert puts out with her usual impeccable timing, urbane wit and unique, feminine charm. It strikes one that Wayne is not left behind in her proverbial comedic dust, a testament to the plain fact that he was actually a fine actor masquerading as a big lug, and moreover capable of playing comedy.

For any fellow "reactionaries" there is some good dialogue delivered by Wayne against Progressivism and in favor of freedom, which, except for its brevity, might as well have been lifted directly from a James Edward Grant script. Unfortunately these ideas (symbolized by the Wayne character) are categorized as the non-thinking position, but nonetheless they are involved in the overall plot resolution.

In all, the film means well but doesn't deliver, and the actors take in the slack where possible.

Here's an interesting piece of movie trivia for you. What special significance has Claudette Colbert as a leading lady for John Wayne? Answer; she's the last player male or female to be billed above John Wayne in any film. Other than in cameo or guest appearances, the Duke took top billing in every single film he made after Without Reservations.

But I suppose it is just that Claudette take top billing here because in many ways this bears a lot similarity to her Oscar winning role in It Happened One Night. Only oddly enough she's really in the Clark Gable part.

If you remember Gable was the newspaperman down on his luck who spots runaway heiress Colbert in Florida and sticks to her to get the big exclusive story when she's found. Here it's Colbert doing the sticking to Wayne.

Colbert plays Christopher Madden an author who has written a big post World War II best seller. It's getting as much attention as Gone With the Wind back in the day. She's taking a transcontinental train trip to Hollywood where Cary Grant and Lana Turner are scheduled to star in a film adaption of her book. Grant pulls out at the last minute and while boarding the train trip Colbert catches sight of John Wayne in Marine uniform and thinks he should be the unknown who plays the hero of her book.

Wayne may look the part, but he's got views distinctly different from what Colbert wrote in her novel. Circumstances however force the both of them with Wayne's pal Don DeFore to leave the train in Chicago and they have to make their way west just as Gable and Colbert had to make their way north in It Happened One Night.

Oh, and Wayne and DeFore do not know their companion is a celebrity author in the same Colbert did not know Gable was a newspaperman and on to her identity.

Without Reservations is a nice comedy, the last one that Wayne would do in modern times. Comedies that he later did like North to Alaska, Donovan's Reef and McLintock had considerably less sophistication than this one did.

Still like McLintock, Wayne gets to expound on some of his personal philosophy of rugged individualism as being what made America great. In response to the liberal hero of Colbert's book, Wayne has a very eloquent scene in talking about our pioneer heritage about people with all that was against them in a savage wilderness, just being grateful for the opportunity to make it on their own. Without Reservations may in fact be the first film where some of his own personal philosophy gets written into it.

Stealing every scene she's in is Anne Triola who is one of the people the trio meets on the train and later Wayne and DeFore find being a waitress in San Diego. She had such a limited film career, this should have been a breakthrough role for her.

Louella Parsons, Cary Grant, Jack Benny, and Dolores Moran have some brief walk-ons playing themselves. Without Reservations marks the only film any of them ever did with John Wayne. I only wish Cary's bit had been in a scene with Wayne.

These kinds of comedy are what made Claudette Colbert's career. But it was nice to see John Wayne doing one as well. Though some fans of the Duke might regret he does not throw a punch or fire a weapon in this at all.