Füge eine Handlung in deiner Sprache hinzuThe daughter of a strange famiy has returned after a long time to the family estate. She has two investigators checking out the eerie goings-on on the estate's spooky mansion.The daughter of a strange famiy has returned after a long time to the family estate. She has two investigators checking out the eerie goings-on on the estate's spooky mansion.The daughter of a strange famiy has returned after a long time to the family estate. She has two investigators checking out the eerie goings-on on the estate's spooky mansion.
Fotos
Mark Roberts
- Reed Cawthorne
- (as Robert Scott)
Edward Biby
- Party Guest
- (Nicht genannt)
Boyd Davis
- Capt. Selby Martin
- (Nicht genannt)
Russell Hicks
- Col. Wetherford
- (Nicht genannt)
J. Louis Johnson
- Joshua
- (Nicht genannt)
Robert Kellard
- James Wetherford
- (Nicht genannt)
Empfohlene Bewertungen
"The Unknown" (1946) is a surprisingly entertaining and atmospheric mystery inspired by the "I LOVE A MYSTERY" radio program. It is actually one of three Republic B-movies based on the program, all featured straight arrow detective Jack Packard and his corn-pone partner Doc Long (Barton Yarborough).
In "The Unknown" Jack and Doc are hired to escort young Nina Arnold (Jeff Donnell) to her ancestral mansion in Kentucky for the reading of her grandmother's will. The twist is that Nina was placed in foster care as an infant and will be meeting her mother Rachel (Karen Morley) for the first time. The mansion is spooky with her grandfather's body buried behind the fireplace and a mausoleum full of seemingly restless ancestors located outside the house.
I was very surprised at how well written and nicely paced this film was. It's a good yarn with a lot of misdirection and some unexpected plot elements.
Although Bannon and Yarborough are the series regulars, top billing for "The Unknown" went to Morley. Deservedly so as it is clearly her film, she plays an addled woman who never recovered from the loss of her baby daughter. She keeps a baby crib in her bedroom and hears a baby crying throughout the film. The was probably Morley's best performance, shortly after she fell victim to the HUAC hearings and worked very little in the industry from that point.
The other two "I LOVE A MYSTERY" thrillers are also quite entertaining but neither has anything to match Morley's performance.
Then again, what do I know? I'm only a child.
In "The Unknown" Jack and Doc are hired to escort young Nina Arnold (Jeff Donnell) to her ancestral mansion in Kentucky for the reading of her grandmother's will. The twist is that Nina was placed in foster care as an infant and will be meeting her mother Rachel (Karen Morley) for the first time. The mansion is spooky with her grandfather's body buried behind the fireplace and a mausoleum full of seemingly restless ancestors located outside the house.
I was very surprised at how well written and nicely paced this film was. It's a good yarn with a lot of misdirection and some unexpected plot elements.
Although Bannon and Yarborough are the series regulars, top billing for "The Unknown" went to Morley. Deservedly so as it is clearly her film, she plays an addled woman who never recovered from the loss of her baby daughter. She keeps a baby crib in her bedroom and hears a baby crying throughout the film. The was probably Morley's best performance, shortly after she fell victim to the HUAC hearings and worked very little in the industry from that point.
The other two "I LOVE A MYSTERY" thrillers are also quite entertaining but neither has anything to match Morley's performance.
Then again, what do I know? I'm only a child.
The dominant matron of a wealthy southern family prevents her daughter Rachel (Karen Morley) from running off with the man (Robert Wilcox) she has secretly married. There's an argument; there's a struggle for a revolver; the girl's father is accidentally killed; the groom flees and the girl is stuck—to spend the next many years alone in the decaying mansion with her mother, her two bitter brothers, and a butler whose devotion to the mother runs dark and deep. So begins The Unknown—in a lengthy introductory scene narrated years later in ghostly tones by the finally deceased mother.
Jumping to the present day, we see Jim Bannon and Barton Yarborough arriving on the scene with another young woman—Jeff Donnell as Nita, the now grown daughter of the cruelly separated couple of the opening scene. Bannon and Yarborough are, of course, Jack Packard and Doc Long, back for a third and final appearance as the detectives from I Love a Mystery.
The mystery this time around involves strange baby cries from behind the walls, the unbalanced Rachel (played by a sufficiently disturbed Morley), a family crypt and house full of busy secret passages, and our detectives' efforts to present Nita as a legitimate heir to the place—efforts that are quickly expanded to include keeping her safe and sane.
The suspense develops nicely; the atmosphere crawls with sinister shadows and inscrutable, furtive glances and creepy noises; suspicion is cast cleverly over an assortment of possible villains.
Short and sweet, The Unknown is hardly nightmare-inducing, but it's certainly a fast-moving and entertaining little picture. –Call me a sucker, but I'll admit to goose bumps running up my spine in at least one scene.
Jumping to the present day, we see Jim Bannon and Barton Yarborough arriving on the scene with another young woman—Jeff Donnell as Nita, the now grown daughter of the cruelly separated couple of the opening scene. Bannon and Yarborough are, of course, Jack Packard and Doc Long, back for a third and final appearance as the detectives from I Love a Mystery.
The mystery this time around involves strange baby cries from behind the walls, the unbalanced Rachel (played by a sufficiently disturbed Morley), a family crypt and house full of busy secret passages, and our detectives' efforts to present Nita as a legitimate heir to the place—efforts that are quickly expanded to include keeping her safe and sane.
The suspense develops nicely; the atmosphere crawls with sinister shadows and inscrutable, furtive glances and creepy noises; suspicion is cast cleverly over an assortment of possible villains.
Short and sweet, The Unknown is hardly nightmare-inducing, but it's certainly a fast-moving and entertaining little picture. –Call me a sucker, but I'll admit to goose bumps running up my spine in at least one scene.
The third and final entry in the I Love a Mystery series with Jack Packard (Jim Bannon) and Doc Long (Barton Yarborough). The story this time centers on a mystery at a spooky Southern mansion. Melodramatic acting from some but nobody stinks up the joint. Karen Morley stands out. Bannon is his typically bland but inoffensive self. Perhaps it's the Southern setting but Yarborough is even more Huckleberry Hound than usual ("Hey son, look a-yonder!"). Good time-killer. Better than the second film in the series, but not as good as the first. Overall, this series provided three B mystery films that were pretty good. Not without flaws, particularly with the lackluster detectives themselves. But the stories were interesting and enjoyable with lots of moody atmosphere.
The Unknown is directed by Henry Levin and adapted to screenplay by Charles O'Neal and Dwight Babcock from the radio play written by Malcolm Boylan and Julian Harmon. It stars Karen Morley, Jim Bannon and Jeff Donnell. Music is by Alexander Steinert and cinematography by Henry Freulich.
A wonderfully good old fashioned spooky house mystery finds a group of relatives arrive at a big mansion estate for the reading of a will. Pretty soon strange occurrences and accidents are the order of the night.
Clocking in at just seventy minutes in run time, Levin's picture doesn't have time to bore or bother with pointless filler. Standard creepy house rules apply here, shadows dominate the visuals (Freulich's photography excellent), which accentuate uneasy atmosphere as characters trawl through secret passageways, barely lit corridors, the ominous staircase and even a mausoleum that sits next to the house.
The sound mix is important because you have to have creaks and groans, and the unnerving cry of a child in the night, all is spot on there. While the characters are a ripe blend of eccentrics, suspicious suspects,intrepid investigators and a dainty dame. The mystery element holds strong throughout, and while the resolution is hardly a bolt from the blue, it pays off well enough to round out a good time spent with the viewing. 6.5/10
A wonderfully good old fashioned spooky house mystery finds a group of relatives arrive at a big mansion estate for the reading of a will. Pretty soon strange occurrences and accidents are the order of the night.
Clocking in at just seventy minutes in run time, Levin's picture doesn't have time to bore or bother with pointless filler. Standard creepy house rules apply here, shadows dominate the visuals (Freulich's photography excellent), which accentuate uneasy atmosphere as characters trawl through secret passageways, barely lit corridors, the ominous staircase and even a mausoleum that sits next to the house.
The sound mix is important because you have to have creaks and groans, and the unnerving cry of a child in the night, all is spot on there. While the characters are a ripe blend of eccentrics, suspicious suspects,intrepid investigators and a dainty dame. The mystery element holds strong throughout, and while the resolution is hardly a bolt from the blue, it pays off well enough to round out a good time spent with the viewing. 6.5/10
Unknown, The (1946)
** (out of 4)
The third and final film in Columbia's short-lived "I Love a Mystery" series. This time out Jack (Jim Bannon) and Doc (Barton Yarborough) travel to the South with a woman who claims to be the granddaughter of a woman who recently died. The will is about to be read and those who were expecting more money aren't too thrilled with the new family member and soon they're trying to uncover a secret from the past. Having now seen all three entries in this series I can easily say this is a major step up from the second film (THE DEVIL'S MASK) but not quite as good as the first (I LOVE A MYSTERY). I think this films biggest flaw is that there's simply way too much story and too many mysteries trying to be solved. The film starts off with a good ten-minute prologue that sets up various things that are going to happen throughout the film. I thought the opening was handled very well but the rest of the film didn't really build on it. Once in the present day it takes way too long for all the characters to be introduced and in the end the mystery just has too much fluff and not enough interesting things. Both Bannon and Yarborough slide into their roles quite nicely, although I'm sure there are going to be some that won't enjoy their brand of "comedy" so to speak. The real star is is Karen Morley who even manages to get the top billing. I thought she delivered a fine performance and really made her character quite interesting. The film's Southern settings are actually pretty good and we're really given a dark and Gothic look in this old mansion. There are many horror trappings mixed in with the comedy and drama but in the end THE UNKNOWN simply doesn't have strong enough of a screenplay to make everything work.
** (out of 4)
The third and final film in Columbia's short-lived "I Love a Mystery" series. This time out Jack (Jim Bannon) and Doc (Barton Yarborough) travel to the South with a woman who claims to be the granddaughter of a woman who recently died. The will is about to be read and those who were expecting more money aren't too thrilled with the new family member and soon they're trying to uncover a secret from the past. Having now seen all three entries in this series I can easily say this is a major step up from the second film (THE DEVIL'S MASK) but not quite as good as the first (I LOVE A MYSTERY). I think this films biggest flaw is that there's simply way too much story and too many mysteries trying to be solved. The film starts off with a good ten-minute prologue that sets up various things that are going to happen throughout the film. I thought the opening was handled very well but the rest of the film didn't really build on it. Once in the present day it takes way too long for all the characters to be introduced and in the end the mystery just has too much fluff and not enough interesting things. Both Bannon and Yarborough slide into their roles quite nicely, although I'm sure there are going to be some that won't enjoy their brand of "comedy" so to speak. The real star is is Karen Morley who even manages to get the top billing. I thought she delivered a fine performance and really made her character quite interesting. The film's Southern settings are actually pretty good and we're really given a dark and Gothic look in this old mansion. There are many horror trappings mixed in with the comedy and drama but in the end THE UNKNOWN simply doesn't have strong enough of a screenplay to make everything work.
Wusstest du schon
- WissenswertesThird and final entry in the 'I Love a Mystery' series released by Columbia Pictures, based on the popular radio program of the same name that aired on the NBC radio network from 1939 to 1944.
- VerbindungenFeatured in Aweful Movies with Deadly Earnest: The Unknown (1969)
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Details
- Laufzeit
- 1 Std. 10 Min.(70 min)
- Farbe
- Seitenverhältnis
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