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Schuhputzer

Originaltitel: Sciuscià
  • 1946
  • 16
  • 1 Std. 31 Min.
IMDb-BEWERTUNG
8,0/10
8594
IHRE BEWERTUNG
Schuhputzer (1946)
Trailer for Shoeshine
trailer wiedergeben1:28
1 Video
81 Fotos
Drama

Zwei Schuhputzerjungen arbeiten kurz nach dem Zweiten Weltkrieg hart daran, das Geld für ein eigenes Pferd zu sparen. Ihre Verstrickungen in illegale Machenschaften stellen ihre Freundschaft... Alles lesenZwei Schuhputzerjungen arbeiten kurz nach dem Zweiten Weltkrieg hart daran, das Geld für ein eigenes Pferd zu sparen. Ihre Verstrickungen in illegale Machenschaften stellen ihre Freundschaft auf die Probe.Zwei Schuhputzerjungen arbeiten kurz nach dem Zweiten Weltkrieg hart daran, das Geld für ein eigenes Pferd zu sparen. Ihre Verstrickungen in illegale Machenschaften stellen ihre Freundschaft auf die Probe.

  • Regie
    • Vittorio De Sica
  • Drehbuch
    • Sergio Amidei
    • Adolfo Franci
    • Cesare Giulio Viola
  • Hauptbesetzung
    • Rinaldo Smordoni
    • Franco Interlenghi
    • Annielo Mele
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    8,0/10
    8594
    IHRE BEWERTUNG
    • Regie
      • Vittorio De Sica
    • Drehbuch
      • Sergio Amidei
      • Adolfo Franci
      • Cesare Giulio Viola
    • Hauptbesetzung
      • Rinaldo Smordoni
      • Franco Interlenghi
      • Annielo Mele
    • 30Benutzerrezensionen
    • 31Kritische Rezensionen
    • 82Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Für 1 Oscar nominiert
      • 3 Gewinne & 2 Nominierungen insgesamt

    Videos1

    Shoeshine
    Trailer 1:28
    Shoeshine

    Fotos81

    Poster ansehen
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    + 75
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    Topbesetzung21

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    Rinaldo Smordoni
    • Giuseppe Filippucci
    Franco Interlenghi
    Franco Interlenghi
    • Pasquale Maggi
    Annielo Mele
    • Raffaele
    • (as Aniello Mele)
    Bruno Ortensi
    • Arcangeli
    • (as Bruno Ortenzi)
    Emilio Cigoli
    • Staffera
    Pacifico Astrologo
    • Vittorio
    • (Nicht genannt)
    Maria Campi
    • Palmist
    • (Nicht genannt)
    Antonio Carlino
    • L'Abruzzese
    • (Nicht genannt)
    Angelo D'Amico
    • Siciliano
    • (Nicht genannt)
    Francesco De Nicola
    • Ciriola
    • (Nicht genannt)
    Enrico De Silva
    • Giorgio
    • (Nicht genannt)
    Claudio Ermelli
    Claudio Ermelli
    • Nurse
    • (Nicht genannt)
    Leo Garavaglia
    • Inspector
    • (Nicht genannt)
    Antonio Lo Nigro
    • Righetto
    • (Nicht genannt)
    Antonio Nicotra
    • Social worker
    • (Nicht genannt)
    Anna Pedoni
    • Nannarella
    • (Nicht genannt)
    Gino Saltamerenda
    Gino Saltamerenda
    • Il panza
    • (Nicht genannt)
    Irene Smordoni
    • Giuseppe's mother
    • (Nicht genannt)
    • Regie
      • Vittorio De Sica
    • Drehbuch
      • Sergio Amidei
      • Adolfo Franci
      • Cesare Giulio Viola
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen30

    8,08.5K
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    Empfohlene Bewertungen

    9nitehawk-8

    Heartwrenching commentary on impoverished children's lives, on friendship, corruption and betrayal

    Since I enrolled in International Cinema at my university, I've had the opportunity to see classic foreign films in the theatre, and it's really opened me up to the genre. I'd have to say that this movie (Shoeshine, in English) struck me as one of the most powerful I've seen yet, a sad, bleak commentary on children's lives in postwar Italy. Shoeshine dealswith a pair of children living on the street, best friends who shine shoes for a living and whose greatest dream is to buy a horse, something they could actually take care of and call their own. Pasquale, the older boy, and Giuseppe, the younger, are drawn into a situation they don't quite understand the weight of. Not knowing that the Italian society is chaotic after the war (when children under ten years old are put into prison for crimes like vagrancy), Pasquale and Giuseppe are coerced into doing a favor for Giuseppe's brother, Attilio Filipucci -- they are to bring and sell smuggled American blankets to a lady fortune-teller for the Filipucci family's profit.

    Without warning, police appear at the fortune-teller's house, and question her. The boys are paid not to say anything, and are paid just enough to pool their money and buy the horse. Unfortunately, the fortune-teller has the boys taken from the street and into police custody, where, though claiming not to know anything, are fingerprinted and thrown into a juvenile prison. The prison and events that occur in it force the best friends apart, and the previously light-hearted story turns ugly. The boys' environment corrupts them, and innocence is quickly lost.

    Directed by the famous Vittorio De Sica, and with Cesare Zavattini doing his trademark poetic screenplay, Shoeshine definitely deserves its place as one of the first foreign films to with the Oscar of the same name. The Neo-realist De Sica does include some comic relief in the movie, and it's not all serious and depressing... The line from Giuseppe to Pasquale as they're walking up a flight of stairs, "Elevators sure are great," and Pasquale's answer of "Yes, I slept in one for quite a while," is one example.

    To say any more would give away the story, and you simply must experience this classic for yourselves. My rating: 9/10.
    7Sergeant_Tibbs

    Brilliantly plotted but rough execution.

    After Umberto D. and The Bicycle Thieves, I was loving Vittorio De Sica. His neo-realism films are heartbreaking and ring true to the human spirit. He almost has a free pass to make my top directors list, I just got to fill his next 3 spots. In retrospect, Shoeshine has brilliant plotting and characterisation. It takes emotionally motivated turns and has well constructed cruel ironies. Unfortunately, it struggles with its execution. It's not as tightly edited or shot as his two later films, often making scenes confusing and key plot points are missed. The score and performances, of which I recognise are from amateurs, can be too melodramatic. Its atmosphere ends up feeling inauthentic. Umberto and Bicycle were great for their subdued portrayals of inner pain, I wish Shoeshine was the same. I would love to rank this film among those two as its screenplay is really great but both the crew in front and behind camera let it down. Still has a punch though and gets more engaging as it goes along. Great decision to have most of the film take place in that great set of a juvenile prison.

    7/10
    9pathaniav

    Another treat from De Sica

    I have watched the unforgettable and justifiably renowned Bicycle Thief, and the impressive Umberto D. I had long been wanting to watch Shoeshine and finally saw it last evening, enjoying it as movies are meant to be enjoyed - on a big home screen with my new projector. The movie starts on a perky note - two boys, close friends, exuberant at having bought a horse they both love. One is almost lulled into thinking that this will be a buoyant movie about friendship and a horse. It turns out to be several shades darker. It is De Sica's genius that he can pull you in so quickly and make you feel such strong empathy for the two boys as they are brutalized by life within a short span of a few days; their friendship souring and spiraling down towards an ominous end. Be warned, this is a depressing movie. But it is a gem nonetheless, and I know that several scenes will remained etched in my mind forever. In particular, De Sica captures in a starkly beautiful manner the quicksilver bonding and the territorial rivalries of the boys trapped in a bleak Dickens' style detention center. A must watch for any fan of that strain of Italian cinema from the 1940s and 50s.
    8create_evegb

    It's surprising that many haven't watched this movie yet.

    Honestly speaking I watch movies based on their ratings and IMDb is one site that I rely on (despite the fact that many good movies are underrated; anyway I suppose it is because movies are subjective) and if I find any movie rated 8 and above I would just die to watch them. One of that kind is Vittorio De Sica's The shoeshine and not just because it was rated 8 and above, but also for the movie being a European product.

    Unlike American movies most of the European movies have close ends rather open ends which make them phenomenal. Now let me tell you why 'The shoeshine' is phenomenal. After having seen the movies Umberto D, Bicycle thief and The Shoeshine(the third movie of De Sica which I watched) it became evident to me that the narrative is spun around the characters (emphasising on the dimensions of the character)where there is a transformation of the character from being vibrant to becoming docile or vice-versa and the like. This can be encountered in all the three movies which I have stated above. Say it be the Father and the son in The Bicycle thief or the old man and the dog in Umberto D or the two boys in The shoeshine.

    For movie buffs this movie is one gem to archive.
    9yusufpiskin

    Excelente dirección

    Heartfelt stuff from De Sica once again this time capturing the lives of two young shoeshine boys working the streets of wartime Rome scrimping and scraping for family and the dream of owning a horse, soon trouble comes there way after being caught selling black market goods and the pair end up in a juvenile detention center, from here the friendship becomes broken as the two become separated and told different things from there cellmates, its all handled perfectly from the loyalty to the bitter feeling of betrayal and the whole sadness of the situation that these lost boys experience which is brilliantly played all the way through right to its gut-punch ending, performance-wise the kids are great and all do a fantastic job considering they are all first-time actors it also claims of being one of the earliest in the Italian neorealist movement, once again this is pure magic from De Sica and the film is rightly considered to be his first masterpiece.

    Handlung

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    • Wissenswertes
      The title is a Napulitan corruption of the English word "shoe-shiner."
    • Zitate

      Giuseppe Filippucci: Whoever invented the elevator is a genius.

      Pasquale Maggi: Tell me about it. I slept in one for three months.

    • Alternative Versionen
      Some USA video editions are edited to suppress the full nudity in the shower scene and to minimize the subsequent fist fight between two boys.
    • Verbindungen
      Featured in Fejezetek a film történetéböl: A neorealizmus (1990)

    Top-Auswahl

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    FAQ19

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    Details

    Ändern
    • Erscheinungsdatum
      • 25. Januar 1952 (Westdeutschland)
    • Herkunftsland
      • Italien
    • Sprachen
      • Italienisch
      • Englisch
    • Auch bekannt als
      • Shoeshine
    • Drehorte
      • Palazzo di Giustizia, Rom, Latium, Italien
    • Produktionsfirma
      • Societa Cooperativa Alfa Cinematografica
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

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    • Budget
      • 1.000.000 $ (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 34.677 $
    • Eröffnungswochenende in den USA und in Kanada
      • 5.977 $
      • 16. Juni 2024
    • Weltweiter Bruttoertrag
      • 34.677 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      • 1 Std. 31 Min.(91 min)
    • Farbe
      • Color
      • Black and White
    • Seitenverhältnis
      • 1.37 : 1

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