People Are Funny

If you like old time radio as I do than People Are Funny, a fictionalized account of how the program came to be than you'll enjoy the film. Maybe you won't have too critical an eye for flaws.

It's quite an eclectic group of stars that Pine-Thomas put together for this film from the Paramount B picture unit. The threadbare plot has Rudy Vallee the sponsor looking for a new radio show and having both rival agents Phillip Reed and Ozzie Nelson locating it in some cow county in Nevada. There's also Helen Walker who plays on both Ozzie and Phil for all its worth.

The program was created by Jack Haley who's playing the hick of hicks from said cow county. He gets taken on a magic carpet ride by Helen Walker in Hollywood. Much along the same lines that Jean Arthur took Gary Cooper in Mr. Deeds Goes To Town. Haley is far more a rube though.

We also had a vocal group, the Vagabonds doing all kinds of numbers. One was most distastefully done in blackface, probably the reason that the movie People Are Funny is not seen too often except on YouTube where I caught it. The version I caught regretfully cut out Frances Langford's number.

No one also had the presence of mind to have a duet number with Rudy Vallee and Ozzie Nelson, both popular radio crooners of the Thirties. No one thought of posterity in Hollywood, especially not when you were making B films.

The film is a mildly amusing one and is a historical curiosity.

This is the perfect movie to watch on a rainy day. Unless you work in the broadcasting biz, it'll have nothing to do with anything. So it's a great getaway.

The story centers around a group of characters who work in radio. There are two rival producers, a female writer who is coveted by both (for both her talent and her bod), and then there's Pinky the clueless chump who's just along for the ride--yet he's the glue that holds it all together.

There are some pretty interesting themes going on, a lot of backstabbing & questionable loyalties that'll keep you guessing who's the good guy & who's the bad guy. It's basically every man for himself, every woman for herself, and then there's Pinky who is totally neutral due to his naïveté. He plays the host of a variety show that exposes the ridiculousness of people. See the clever metaphor? The musical numbers are thoroughly enjoyable. There's a Spanish number, a mellow Bing Crosby-type song, some great Dixieland piano, and then there's a minstrel routine which is pretty funny because it features a bluegrass band done up in blackface & singing an Italian lovesong (I have no idea if that should be offensive to African-Americans, Italians, Kentuckians or all of the above, but it's pretty crazy).

As you're watching this, you realize you're taking a behind-the-scenes historical peek at a form of entertainment (live radio) that is now completely extinct. That alone should be worth the price of admission. The music, gags, story and lame jokes are icing on the cake.

Sit back and enjoy this one. A story of two producers that have been feuding for years. Both end up with half the rights to a radio program "People Are Funny." Along the way to getting the program on the radio you get to hear some very good musical numbers by a variety of performers. The longer you watch the more you realize that you really like what you are seeing and hearing.

This film is supposedly about the radio show "People Are Funny". It's sort of the REAL "People Are Funny" radio show (with Art Linkletter) and sort of not...as the program was originally hosted (in this film) by Jack Haley (of "The Wizard of Oz" fame). Later, you actually see Linkletter hosting the show that Haley's character supposedly created.

The show is a local hit and some folks decide to steal the idea and sell it. Whatever. What follows are tons of musical numbers...one after another. Most aren't very good and one might cause a few coronaries. Why? Because the quartet are all in black-face! Uggh! Overall, this seems like a talent show featueing second and third-rate acts. Not particularly good.

By the way, if you do watch this, note all the acts on the radio who dressed up or performed stunts. How could the folks at home see ANY of this??

Two radio producers compete to go national with the popular rural radio show People Are Funny. In the process personal loyalties clash between musical numbers and comedy spots.

Unfortunately the 40's flick is neither very funny nor even tuneful. Mostly the 93-minutes lumbers along in plot-heavy fashion for a musical-comedy. But please, the so-called Vagabonds and their knock-about numbers are more obnoxious than either funny or musical. So why are they given so much screen time-- it's almost like padding the runtime. Fortunately the Spanish production number stands out as quality. But the version I saw appears in noirish half-light that I could barely see. So what was going on there. Worse, where oh where is Frances Langford, a big reason I tuned in. Her expert level of 40's song-birding is badly, badly needed. Then too, why is her lovely presence featured on the poster when she's absent from the movie-- seems like false advertising.

Speaking of noir, catch the star-crossed Helen Walker as Corey the double-dealing go-between. Her promising career as a sinister vixen was tragically cut short by an auto accident from which her career never really recovered, (IMDB). Here, her presence is almost too strong to furnish much needed lighter mood. At the same time, Vallee and Nelson walk through their roles like they're on one cylinder. No wonder Vallee is almost unrecognizable behind big eye glasses.

Anyway, I take no comfort in flogging the movie. I guess I was expecting more since I followed the radio and TV show over many years of rich entertainment. My parents even took me as a kid to the studio for a live broadcast, so I guess the film was an especial letdown for me. I just hope that younger folks won't confuse this lame film version with the real thing.