[go: up one dir, main page]

    Kalender veröffentlichenDie Top 250 FilmeDie beliebtesten FilmeFilme nach Genre durchsuchenBeste KinokasseSpielzeiten und TicketsNachrichten aus dem FilmFilm im Rampenlicht Indiens
    Was läuft im Fernsehen und was kann ich streamen?Die Top 250 TV-SerienBeliebteste TV-SerienSerien nach Genre durchsuchenNachrichten im Fernsehen
    Was gibt es zu sehenAktuelle TrailerIMDb OriginalsIMDb-AuswahlIMDb SpotlightLeitfaden für FamilienunterhaltungIMDb-Podcasts
    EmmysSuperheroes GuideSan Diego Comic-ConSummer Watch GuideBest Of 2025 So FarDisability Pride MonthSTARmeter AwardsAwards CentralFestival CentralAlle Ereignisse
    Heute geborenDie beliebtesten PromisPromi-News
    HilfecenterBereich für BeitragendeUmfragen
Für Branchenprofis
  • Sprache
  • Vollständig unterstützt
  • English (United States)
    Teilweise unterstützt
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Watchlist
Anmelden
  • Vollständig unterstützt
  • English (United States)
    Teilweise unterstützt
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
App verwenden
  • Besetzung und Crew-Mitglieder
  • Benutzerrezensionen
  • Wissenswertes
  • FAQ
IMDbPro

Die Andere

Originaltitel: La otra
  • 1946
  • 16
  • 1 Std. 38 Min.
IMDb-BEWERTUNG
7,4/10
686
IHRE BEWERTUNG
Die Andere (1946)
CrimeDramaMysteryThriller

Füge eine Handlung in deiner Sprache hinzuDolores Del Rio plays a dual role as identical twins - one good and one bad.Dolores Del Rio plays a dual role as identical twins - one good and one bad.Dolores Del Rio plays a dual role as identical twins - one good and one bad.

  • Regie
    • Roberto Gavaldón
  • Drehbuch
    • Roberto Gavaldón
    • Rian James
    • José Revueltas
  • Hauptbesetzung
    • Dolores Del Río
    • Agustín Irusta
    • Víctor Junco
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,4/10
    686
    IHRE BEWERTUNG
    • Regie
      • Roberto Gavaldón
    • Drehbuch
      • Roberto Gavaldón
      • Rian James
      • José Revueltas
    • Hauptbesetzung
      • Dolores Del Río
      • Agustín Irusta
      • Víctor Junco
    • 9Benutzerrezensionen
    • 8Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 1 Gewinn & 6 Nominierungen insgesamt

    Fotos17

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    + 11
    Poster ansehen

    Topbesetzung39

    Ändern
    Dolores Del Río
    Dolores Del Río
    • Magdalena Montes de Oca
    • (as Dolores del Rio)
    • …
    Agustín Irusta
    Agustín Irusta
    • Roberto González
    Víctor Junco
    Víctor Junco
    • Fernando
    José Baviera
    José Baviera
    • Licenciado de la Fuente
    Conchita Carracedo
    Conchita Carracedo
    • Carmela
    Carlos Villarías
    Carlos Villarías
    • Lic. Félix Mendoza
    Rafael Icardo
    Rafael Icardo
    • Agente ministerio público
    Manuel Dondé
    Manuel Dondé
    • Agente Aguilar
    José Arratia
    • Médico forense
    • (Nicht genannt)
    Daniel Arroyo
    • Hombre en funeral
    • (Nicht genannt)
    Ricardo Avendaño
    • Cocinero
    • (Nicht genannt)
    Luis Badillo
    • Agente policía
    • (Nicht genannt)
    Carmen Cabrera
    • Invitada a fiesta
    • (Nicht genannt)
    Elisa Christy
    Elisa Christy
    • Empleada tienda
    • (Nicht genannt)
    Carmen Cipriani
    • Invitada fiesta
    • (Nicht genannt)
    Julio Daneri
    • Señor Domínguez
    • (Nicht genannt)
    Genaro de Alba
    • Hombre en funeral
    • (Nicht genannt)
    Felipe de Flores
    • Empleado tienda
    • (Nicht genannt)
    • Regie
      • Roberto Gavaldón
    • Drehbuch
      • Roberto Gavaldón
      • Rian James
      • José Revueltas
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen9

    7,4686
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Empfohlene Bewertungen

    6richardchatten

    Dead Ringer

    Dolores del Rio back in Mexico following her wartime sojourn in Hollywood made her own equivalent of Bette Davis' 'A Stolen Life' the same year, from a story by Rian James actually remade with Davis nearly twenty years later as 'Dead Ringer' (1964) under the direction of Paul Henried (with Karl Malden as the heroine's true love).

    Del Rio looks more ravishing than Davis ever could, and Gunther Gerszo's dramatic sets are garnished with appropriate photography by Alex Phillips and a 'psychological' theremin score by Raul Lavista.

    The final scene is a classic, although it does take a long time getting there.
    7davidtraversa-1

    Cinema Noir (and kitsch) at its best.

    I just finished watching this movie on You Tube. As a warning, I think it fair to prevent the reader that my comment has been done leaving aside all logical thinking. I'm using only my gut feelings to say what I'm saying about this movie, otherwise it'll be impossible to accept the incredible script, awkward situations, cardboard like acting and impossible sets, all of it totally contrived, but maybe because of that it's such a watchable movie, because it's so bad that it's good, VERY good.

    Do I make any sense??

    Since the other reviewers did an excellent job with their critics, I don't want to repeat impressions quite similar to my own.

    I just want to say that I'm still overwhelmed by the experience...

    What a movie, what a jewel of kitsch!!! I always adored, as a child, Dolores del Río (since then, I've come a long way...), although I never saw her at the peak of her supernatural beauty, when in the twenties and thirties of the 20th century she lived and worked in Hollywood and was considered one of the most beautiful and glamorous women of that time, in Hollywood or in any other place on earth (this movie --1946- makes her about 40 or older, but still ravishing).

    I agree with one of the reviewers about the scene where the detective and one of the twin sisters go to the bar where he used to go before "the incident" and he remembers his bride in front of this woman... I never whimpered so hard watching a scene as I did watching this one and long ago watching Philadelphia (1993).

    Finally, there are TWO LINES the detective says at the end of the movie that definitely will blow your mind sky high (the script is so good --in this particularly kitschy way-- that it'll be impossible to top it even nowadays).

    And the very last scene is unforgettable, since the doomed future of this tragic character weighs on the spectator with the force of a ten ton truck hitting you on the head.

    Seriously, I don't have words to express what this movie stirred in me, as bad as it is.

    Mexican movies of that time are incredible masterpieces (in that twisted way).

    The black and white photography, the impeccable Spanish pronunciation of these actors, the MOOD..., If I got that carried away watching this movie in my small computer screen, I cannot imagine what reaction I could've had at a movie theater, with the big screen and big sound. I suppose I would've been carried away between two alarmed nurses to the next hospital ward in utter anguished ecstasy.

    As I said at the beginning, relax, don't use the reasoning side of your brain and you'll have a hell of a fascinating time watching this movie.

    Just incredible.
    8ulicknormanowen

    Dead ringers.

    Based on a Rian James ' thriller , it was remade with Bette Davis in America as "dead ringer" ,but the first version is much better .They are even shades of "vertigo" in the relationship between Maria turned Magadalena and her ex-suitor ; the last scene is so intense that it's quite possible that the distraught man has finally discovered the horrible truth .And neither "vertigo" nor the French novel on which the screenplay was written "d'entre les morts" existed in 1946.

    Death and madness are the keynotes as it would be in "El niño y la niebla "(1953) and "Mascario" (1960)-which began with the feast of dead in Mexico . Like Olivia De Havilland in "the dark mirror" released the very same year , Dolores Del Rio plays two parts ,but unlike the Siodmak psychological suspense , there is no "good one" and "bad one" ;after all when you put Maria and Magdalena together ,you get the name of a biblical woman who was in turn a sinner and a saint .

    Physically and morally ,both sisters are worlds apart : Maria looks like a spinster , Magdalena a sexy socialite whose most fervent wish is to get rid of her mourning clothes .Maria is exploited,economically and sexually , by a society that leaves only one hope : to win on the lottery (signs often appear on her way) .

    Roberto Gavaldon's directing is ,as usual ,brilliant : the opening scene ,a funeral , the murder (the shot is lost in the din of the firecrackers ,while a clown's head is dangling , a threatening omen (in El niño y la niebla (1953) , in the masked ball ,a terrifying dancer represents madness); when she comes back to her victim's house , the mourners are praying for her brother-in-law 's soul ,and the viewer before he hears the incantations thinks Maria is losing her mind.And afterward she becomes almost crazy in the empty house where shadows and lights create a presence (a sublime shot of a mirror reflects three images of the woman ).

    And finally ,when she is aware of her brother-in-law's will ,she will understand she threw away her most precious things ;the buck who woos her (her sister's lover) is a hateful fortune-hunter who blackmails her.

    Suspense is sustained till the last minute ,as I write above , and " la otra" compares favorably with the best American films noirs.
    7pldeaguinaga

    Óne of the best Mexican movies ever

    Although I liked very much the detailed review of "Melvelvit" I would like to add that this interesting film, one of the best in the Mexican movies history, is due to the collaboration of American writer Rian James and one of the most important Mexican writers of the era, José Revueltas, and the Mexican film director Roberto Gavaldón. Actually, "La Otra" is one of the best Del Río and Gavaldón films, as well the set designer Gunther Gerszo (sometimes written Gerzso or Gerzo)and photographer Alex Phillips, all important figures in the artistic Mexican world. The "gothic nightmare... somber night-world ambiance" is due to Mexican Gerszo, who studied and worked at the Cleveland Play House in the USA, and combined his movie jobs with painting, becoming one of the most important Mexican abstract painters. In movies, he worked with John Ford ("Sombrerito", in Hollywood), John Houston ("Under the Volcano"), Luis Buñuel ("Susana", "Una mujer sin amor" and "El Bruto" with Kathy Jurado) as well with the most important Mexican directors. He did the sets for Mexican cult films "El Vampiro" (The Vampire) and its sequel, El Ataud del Vampiro" (The Vampire Coffin) about which he claimed, never even watched once they were finished (and they're great as camp Mexican movies examples!)
    8fcwemyss

    A study in guilt, innocence and ambiguity

    This movie is rarely seen in the United States. This is a shame. This film is filled with suspense, atmosphere and poetry, from its visuals to its score.

    There is a hint of German Expressionism here, as in all Noir movies of the forties and fifties. (This was made in 1946 by a studio in Mexico City.) Del Rio is statuesque and, at the same time, vulnerable. Her work in the silent era informs this performance. I have a feeling Billy Wilder had a glance at this. It preceded SUNSET BOULEVARD by a few years, and Del Rio could very easily have played Norma Desmond.

    The other actors here are solid, and they each have doppelgängers. (Del Rio plays twins.) There is a good guy who courts the protagonist and there's a bad guy doing the same.

    There is a mood of regret bordering on a fear of damnation and Del Rio conveys this mood with her face. Mexico City looks holy, haunted and hard, what with the monumental stonework in every shot.

    1946 may have been the best time to film this, and Mexico the best place. Nothing is overt, but it is a daring, dramatic look at a life lived under the surface.

    Mehr wie diese

    Die kniende Göttin
    7,0
    Die kniende Göttin
    Verbrecherische Hände
    7,4
    Verbrecherische Hände
    Die Nacht bricht herein
    7,0
    Die Nacht bricht herein
    Herbsttage
    7,6
    Herbsttage
    Für zwei Sechser Hoffnung
    7,0
    Für zwei Sechser Hoffnung
    Mädchen für die Soldaten
    7,4
    Mädchen für die Soldaten
    Der schwarze Kreis
    7,3
    Der schwarze Kreis
    Geschichten von armen Liebenden
    7,2
    Geschichten von armen Liebenden
    Der phantastische Fall des Dr. Holst
    6,9
    Der phantastische Fall des Dr. Holst
    Um Filme falado - Reise nach Bombay
    6,5
    Um Filme falado - Reise nach Bombay
    El niño y la niebla
    7,4
    El niño y la niebla
    Die Mörder sind unter uns
    7,4
    Die Mörder sind unter uns

    Handlung

    Ändern

    Wusstest du schon

    Ändern
    • Wissenswertes
      The script for "La Otra" was owned by Warner Bros. and is the same script as the 1964 version, Der schwarze Kreis (1963), starring Bette Davis. Warners chose to pass on making it as a film in the 1940s because it bore too close of a resemblance to the film Davis had just made, Die große Lüge (1946).
    • Verbindungen
      Featured in Dolores del Río - Princesa de México (1999)

    Top-Auswahl

    Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
    Anmelden

    FAQ14

    • How long is The Other One?Powered by Alexa

    Details

    Ändern
    • Erscheinungsdatum
      • 29. Mai 1953 (Westdeutschland)
    • Herkunftsland
      • Mexiko
    • Sprache
      • Spanisch
    • Auch bekannt als
      • Druga
    • Drehorte
      • Mexiko
    • Produktionsfirma
      • Producciones Mercurio
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 38 Minuten
    • Farbe
      • Black and White
    • Seitenverhältnis
      • 1.33 : 1

    Zu dieser Seite beitragen

    Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen
    Die Andere (1946)
    Oberste Lücke
    By what name was Die Andere (1946) officially released in Canada in English?
    Antwort
    • Weitere Lücken anzeigen
    • Erfahre mehr über das Beitragen
    Seite bearbeiten

    Mehr entdecken

    Zuletzt angesehen

    Bitte aktiviere Browser-Cookies, um diese Funktion nutzen zu können. Weitere Informationen
    Hol dir die IMDb-App
    Melde dich an für Zugriff auf mehr InhalteMelde dich an für Zugriff auf mehr Inhalte
    Folge IMDb in den sozialen Netzwerken
    Hol dir die IMDb-App
    Für Android und iOS
    Hol dir die IMDb-App
    • Hilfe
    • Inhaltsverzeichnis
    • IMDbPro
    • Box Office Mojo
    • IMDb-Daten lizenzieren
    • Pressezimmer
    • Werbung
    • Jobs
    • Allgemeine Geschäftsbedingungen
    • Datenschutzrichtlinie
    • Your Ads Privacy Choices
    IMDb, ein Amazon-Unternehmen

    © 1990-2025 by IMDb.com, Inc.