Füge eine Handlung in deiner Sprache hinzuA jade statue, "The Missing Lady", is stolen and its owner killed. Lamont Cranston, alias the Shadow, sets out to catch the killer but is blamed for the murders himself as each time he inves... Alles lesenA jade statue, "The Missing Lady", is stolen and its owner killed. Lamont Cranston, alias the Shadow, sets out to catch the killer but is blamed for the murders himself as each time he investigates some facet of the case another suspect is killed.A jade statue, "The Missing Lady", is stolen and its owner killed. Lamont Cranston, alias the Shadow, sets out to catch the killer but is blamed for the murders himself as each time he investigates some facet of the case another suspect is killed.
- Regie
- Drehbuch
- Hauptbesetzung
Barbara Read
- Margo Lane
- (as Barbara Reed)
Jo-Carroll Dennison
- Gilda Marsh
- (as Jo Carroll Dennison)
George J. Lewis
- Jan Field
- (as George Lewis)
Garry Owen
- Johnson
- (Gelöschte Szenen)
Empfohlene Bewertungen
The Missing Lady (1946)
** (out of 4)
The third and final film in Monogram's The Shadow series has Lamont Cranston (Kane Richmond) being hired to try and track down the title item, not an actual person but instead a stolen jade statuette. If you read the review in Leonard Maltin's Classic Movie Guide you'll see that this here actually got a fairly glowing review but I personally didn't think the film was all that good. Yes, it's about on pace with many of the mystery/crime pictures from its era but that doesn't mean it's a good movie. I think, once again, the biggest problem is that it was clear this film (and the series) was produced to cash in on the countless other studios who all owned their own crime fighters. The screenplay here is one that I'll at least give a little credit to because it does show that they were at least trying to do something that wasn't 100% routine like the previous film in the series. This one here at least tried to add a little more mystery and I do think they the producers went for more a film noir type of film rather than just your cut and dry mystery solver. I thought the screenplay did allow for a couple interesting characters and there was also some nice twists along the way. Another good thing the film has going for it is the supporting cast of players who actually make for some lively and fun character. Even Richmond has more life and energy than in the previous movie, although I'd still say he made for one of the least interesting heroes of his type. With a little style added in, there's no question that this is a step up from BEHIND THE MASK but it's still short of the best from the genre.
** (out of 4)
The third and final film in Monogram's The Shadow series has Lamont Cranston (Kane Richmond) being hired to try and track down the title item, not an actual person but instead a stolen jade statuette. If you read the review in Leonard Maltin's Classic Movie Guide you'll see that this here actually got a fairly glowing review but I personally didn't think the film was all that good. Yes, it's about on pace with many of the mystery/crime pictures from its era but that doesn't mean it's a good movie. I think, once again, the biggest problem is that it was clear this film (and the series) was produced to cash in on the countless other studios who all owned their own crime fighters. The screenplay here is one that I'll at least give a little credit to because it does show that they were at least trying to do something that wasn't 100% routine like the previous film in the series. This one here at least tried to add a little more mystery and I do think they the producers went for more a film noir type of film rather than just your cut and dry mystery solver. I thought the screenplay did allow for a couple interesting characters and there was also some nice twists along the way. Another good thing the film has going for it is the supporting cast of players who actually make for some lively and fun character. Even Richmond has more life and energy than in the previous movie, although I'd still say he made for one of the least interesting heroes of his type. With a little style added in, there's no question that this is a step up from BEHIND THE MASK but it's still short of the best from the genre.
I have "The Shadow" radio series starring Orson Welles, so I was interested to see Lamont Cranston on film. This was my first one, and I have to say, I enjoyed it. I really liked Kane Richmond, who resembles the actor Donnelly Rhodes - very handsome with a nice quality. George Chandler plays his major domo Shrevvie, and Barbara Read is Margo - a much different characterization from the radio show. Read was married to William Talman of "Perry Mason" and committed suicide when she was 45.
This plot concerns murder and mayhem over the disappearance of a jade statue.
Unfortunately we didn't get to see much of "The Shadow." He appears very briefly only a few times.
Entertaining.
This plot concerns murder and mayhem over the disappearance of a jade statue.
Unfortunately we didn't get to see much of "The Shadow." He appears very briefly only a few times.
Entertaining.
The Shadow/Lamont Cranston, also known as Kane Richmond is in search of a missing lady. After doing one bit of investigation as the Shadow --a voice and a silhouette on the wall -- it turns into a noir pitched midway between MURDER MY SWEET and THE GANGSTER -- it looks like the same backlot Gordon Wiles shot that cheap classic on.
The problems with this movie are numerous, and they include a script that has been cut so severely that little makes sense, characters who are present simply because they're also in the radio show so they have to show up, and one of those endings where you gather the suspects in a room and lo and behold! There's your man! It's awful.
On the other hand, there's some nice camerawork, particularly in the sequence set on the Bowery, with the El going by. But it isn't worth it.
The problems with this movie are numerous, and they include a script that has been cut so severely that little makes sense, characters who are present simply because they're also in the radio show so they have to show up, and one of those endings where you gather the suspects in a room and lo and behold! There's your man! It's awful.
On the other hand, there's some nice camerawork, particularly in the sequence set on the Bowery, with the El going by. But it isn't worth it.
From the scant few films made about this fantastic character, this is probably the best one. Dealing with a 'Missing Lady' it starts out with The Shadow already involved in the case and goes from there. Although making little use of The Shadow's history from either radio or the pulps this film is a nice little mystery that has a definite dark edge to it. Compare the two scenes where Lamont Cranston gets interrogated, first by the police and then by the crooks. The first is set in a pitch black room with a single overhead light above Cranston, and the police are only seen when they lunge into the light to bark a question, then as quickly fade into the darkness. When the crooks kidnap and question Cranston, the room is well lit and the crooks speak in low tones, but the ominous threat of doom permeates the scene, one which Cranston barely survives. It's a shame there isn't a boxed set of the three Kane Richmond Shadow films released. I found the first film ver entertaining, the second second film disappointing, but "The Missing Lady" is a fine way to end an all-too brief series.
When art collector James Douglas is found dead, the police notice his statue "The Jade Lady" has disappeared. It appears the missing piece of art is coveted by a lot of people that, at first, seem to interest a lot of people. After all, this statue is worth a quarter million, and it's easy to see the interest everyone shows. Lamont Cranston, better known as The Shadow, is investigating Douglas' murder and he becomes involved in trying to solve the mystery.
The last sequence of the film gathers all the people that want to have "the lady", as it is known. They are a motley crew, indeed. But never fear, The Shadow knows who the culprit is and almost has to pay with his own life, except that he is faster than the would be assassin.
"The Missing Lady" was one of those B pictures that are a lot of fun to watch. It doesn't pretend to be anything else than entertainment. Directed by Phil Carlson, the film is dominated by Kane Richmond who was the hero in the series. Fans of this genre will have a good time with this movie. Almira Sessions and Nora Cecil play a pair of spinsters that are a hoot to watch.
The last sequence of the film gathers all the people that want to have "the lady", as it is known. They are a motley crew, indeed. But never fear, The Shadow knows who the culprit is and almost has to pay with his own life, except that he is faster than the would be assassin.
"The Missing Lady" was one of those B pictures that are a lot of fun to watch. It doesn't pretend to be anything else than entertainment. Directed by Phil Carlson, the film is dominated by Kane Richmond who was the hero in the series. Fans of this genre will have a good time with this movie. Almira Sessions and Nora Cecil play a pair of spinsters that are a hoot to watch.
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- WissenswertesThe earliest documented telecasts of this film took place in Los Angeles Saturday 19 November 1949 on KNBH (Channel 4) and in New York City Thursday 16 February 1950 on the DuMont Television Network's WABD (Channel 5).
- VerbindungenFollows The Shadow Returns (1946)
Top-Auswahl
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Details
- Laufzeit
- 1 Std.(60 min)
- Farbe
- Seitenverhältnis
- 1.37 : 1
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