Füge eine Handlung in deiner Sprache hinzuAfter a bank robbery, the loot disappears and is sought after by an insurance investigator, the police and the surviving robbers.After a bank robbery, the loot disappears and is sought after by an insurance investigator, the police and the surviving robbers.After a bank robbery, the loot disappears and is sought after by an insurance investigator, the police and the surviving robbers.
- Regie
- Drehbuch
- Hauptbesetzung
- Tom Dwyer
- (as Donald Barry)
- Hotel Clerk
- (Nicht genannt)
- Nightclub Drunk
- (Nicht genannt)
- Man on Street
- (Nicht genannt)
- Carnival Patron
- (Nicht genannt)
- Carnival Patron
- (Nicht genannt)
Empfohlene Bewertungen
His quest also leads Barry to a nearby nightclub where shantoozie Ann Savage warbles in sequins. (It's a good career choice for Savage, whose bold features suggest two other famed singers of the time: LaVerne Andrews, of the sister act, and Astrid Varnay, the Wagnerian soprano). He enlists her help, despite the fact that corpses drop into seats on the roller-coaster (which, oddly, turns into a tunnel of love) and big black sedans keep trying to run them down. The body count continues to rise....
The movie comes from the El Cheapo unit at Republic Pictures, and was directed by Philip Ford. Like Ford's The Mysterious Mr. Valentine (and most other crime programmers of the 1940s), it tries to cram an overcomplicated plot into not much more than an hour, patching up the holes with explanatory dialogue whizzing by. But, also like Mr. Valentine, it has an evocative look especially of the amusement park at night and it has Ann Savage. All in all, that's not a bad deal.
This was oddly a more light hearted noir since the PI and all other men in this movie are constantly spitting flirty one liners at every woman within reach. It hit all the tropes, but wasn't much more than a light entertainment of a B noir. My favorite scene was the projection screen roller coaster that looked pretty good for a very low budget special effect 🎢.
Watched on YouTube.
Republic was interested in expanding Barry beyond his fans from the Red Ryder movies, and he slips easily into this movie, which has some nice film noir touches -- notice the shadows thrown off by a set of Venetian blinds early on. Despite these visuals, and a sequence set in a fun fair at night, it's not in the least noirish. Barry is too cavalier, and there's a hint of 1930s screwball in Miss Mara's role. All in all, an entertaining little film, with a couple of nice twists, and Sheldon Leonard as a hood called 'Wires' McGuire.
Peppered with Comedy-Relief in the Form of a Running-Joke the Annoying Don Barry "Standing-Up: the Pretty Adele Mara.
The Grim and Scary Ann Savage who Left an Indelible Mark on Film-Noir in "Detour" (1945), Plays a "Songbird" and Another Love Interest for the Cocky, Belligerent Barry.
Although She Doesn't Quite Pull it Off as a Nightclub Singer because of Her Hard Look and Demeanor, Savage Does Make an Impression.
The Overall Tone is too Wishy-Washy for a True Noir.
But its a Good Time-Passer and Republic Studios was Humming Along as One of the Best "B-Studios" in Hollywood.
Those Looking for Film-Noir Need Go Elsewhere, but Still it's...
Worth a Watch.
Wusstest du schon
- PatzerWhen detective Dwyer finishes up using his acetylene torch to loosen the metal running board of the getaway car, he immediately grabs the running board with his hands--a very foolish move as the still hot surface would certainly inflict severe burns.
- Zitate
Bonnie: Hello, Mr. Ferrara. Having a nightcap?
Ferrara: Oh, hello.
Bonnie: Betcha don't remember me. I'm a friend of a friend of yours, Tom Dwyer.
Ferrara: I know, I've been waitin' here for him for half an hour. He told me to meet him.
Bonnie: If he ever kept a date it would be a mirage.
Ferrara: [hmph] You mean a miracle.
Bonnie: Nope. A miracle is something you believe but never see. A mirage is something you see but brother, don't ever believe it.
- SoundtracksThe One I Love Belongs to Somebody Else
Words by Gus Kahn and music by Isham Jones
(c) 1924
Sung twice in restaurant by Ann Savage
Top-Auswahl
Details
- Laufzeit
- 1 Std. 7 Min.(67 min)
- Farbe
- Seitenverhältnis
- 1.37 : 1