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The Last Crooked Mile

  • 1946
  • Approved
  • 1 Std. 7 Min.
IMDb-BEWERTUNG
6,1/10
378
IHRE BEWERTUNG
Don 'Red' Barry, Adele Mara, and Ann Savage in The Last Crooked Mile (1946)
Film NoirDramaKriminalitätThriller

Füge eine Handlung in deiner Sprache hinzuAfter a bank robbery, the loot disappears and is sought after by an insurance investigator, the police and the surviving robbers.After a bank robbery, the loot disappears and is sought after by an insurance investigator, the police and the surviving robbers.After a bank robbery, the loot disappears and is sought after by an insurance investigator, the police and the surviving robbers.

  • Regie
    • Philip Ford
  • Drehbuch
    • Jerry Sackheim
    • Jerome Gruskin
    • Robert L. Richards
  • Hauptbesetzung
    • Don 'Red' Barry
    • Ann Savage
    • Adele Mara
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,1/10
    378
    IHRE BEWERTUNG
    • Regie
      • Philip Ford
    • Drehbuch
      • Jerry Sackheim
      • Jerome Gruskin
      • Robert L. Richards
    • Hauptbesetzung
      • Don 'Red' Barry
      • Ann Savage
      • Adele Mara
    • 17Benutzerrezensionen
    • 3Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
  • Fotos1

    Poster ansehen

    Topbesetzung42

    Ändern
    Don 'Red' Barry
    Don 'Red' Barry
    • Tom Dwyer
    • (as Donald Barry)
    Ann Savage
    Ann Savage
    • Sheila Kennedy
    Adele Mara
    Adele Mara
    • Bonnie
    Tom Powers
    Tom Powers
    • Floyd Sorelson
    Sheldon Leonard
    Sheldon Leonard
    • Ed 'Wires' MacGuire
    Nestor Paiva
    Nestor Paiva
    • Ferrara
    Harry Shannon
    Harry Shannon
    • Police Lt. Blake
    Ben Welden
    Ben Welden
    • Haynes
    John Miljan
    John Miljan
    • Police Lt. Mayrin
    Charles D. Brown
    • Dietrich - Bank President
    John Dehner
    John Dehner
    • Jarvis - Gang Leader
    Anthony Caruso
    Anthony Caruso
    • Charlie - Gang Member
    The Seven Pods of Pepper
    • Singing Group
    John Alban
    John Alban
    • Hotel Clerk
    • (Nicht genannt)
    Jimmy Aubrey
    Jimmy Aubrey
    • Nightclub Drunk
    • (Nicht genannt)
    Roy Barcroft
    Roy Barcroft
    • Man on Street
    • (Nicht genannt)
    Mary Bayless
    • Carnival Patron
    • (Nicht genannt)
    Edward Biby
    Edward Biby
    • Carnival Patron
    • (Nicht genannt)
    • Regie
      • Philip Ford
    • Drehbuch
      • Jerry Sackheim
      • Jerome Gruskin
      • Robert L. Richards
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen17

    6,1378
    1
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    Empfohlene Bewertungen

    6bmacv

    Ann Savage redeems overcrowded crime programmer

    During a police chase, three bank robbers perish when their getaway car plunges over a cliff. The 300-large they grabbed, however, can't be found. The bank's underwriters hire cocky private eye Donald Barry to find it, promising a 10-percent reward if he's successful. The trail leads him to an oceanside amusement park, where the `death car' has been purchased as an exhibit in the side show; a couple of thugs show interest in it, too, as well they might, since the missing cash has been soldered into the running board.

    His quest also leads Barry to a nearby nightclub where shantoozie Ann Savage warbles in sequins. (It's a good career choice for Savage, whose bold features suggest two other famed singers of the time: LaVerne Andrews, of the sister act, and Astrid Varnay, the Wagnerian soprano). He enlists her help, despite the fact that corpses drop into seats on the roller-coaster (which, oddly, turns into a tunnel of love) and big black sedans keep trying to run them down. The body count continues to rise....

    The movie comes from the El Cheapo unit at Republic Pictures, and was directed by Philip Ford. Like Ford's The Mysterious Mr. Valentine (and most other crime programmers of the 1940s), it tries to cram an overcomplicated plot into not much more than an hour, patching up the holes with explanatory dialogue whizzing by. But, also like Mr. Valentine, it has an evocative look – especially of the amusement park at night – and it has Ann Savage. All in all, that's not a bad deal.
    madsagittarian

    Notable B noir

    Ann Savage will forever be known as the vulturous woman in Ulmer's masterpiece DETOUR. Alas, many other films in her career have not had comparable longevity. This little programmer is one of the many forgotten little baubles that used to dot TV land back in the days before all those rotten Infomercials took over late night viewing. Despite the superb cast of B movie stalwarts, this generic little programmer is nonetheless noteworthy for trying to cram a lot of plot in the confines of an hour, so much so that it appears incoherent. It tries to do everything and ends up not doing much of anything. It's diverting enough because of the haywire plot; you never know where this is going. But see it for Ann Savage.
    6sibleybridges

    Light hearted B noir.

    After a bank robbery, $300k goes missing when the robbers are caught. A wise cracking PI inserts himself in the hunt for the money and, along the way, he finds dames, carnies, and conspiracies.

    This was oddly a more light hearted noir since the PI and all other men in this movie are constantly spitting flirty one liners at every woman within reach. It hit all the tropes, but wasn't much more than a light entertainment of a B noir. My favorite scene was the projection screen roller coaster that looked pretty good for a very low budget special effect 🎢.

    Watched on YouTube.
    6boblipton

    Where Can I Buy A Tie Like That?

    A gang steals $300,000 from a bank, but all die in the robbery and pursuit. The money has disappeared. The insurance company offers a 10% reward for the total, and in waltzes cocky PI Don Barry in a grey outfit and hand-painted tie, leaving girl friend Adele Mara dancing by herself while he pursues night club singer Ann Savage and the money.

    Republic was interested in expanding Barry beyond his fans from the Red Ryder movies, and he slips easily into this movie, which has some nice film noir touches -- notice the shadows thrown off by a set of Venetian blinds early on. Despite these visuals, and a sequence set in a fun fair at night, it's not in the least noirish. Barry is too cavalier, and there's a hint of 1930s screwball in Miss Mara's role. All in all, an entertaining little film, with a couple of nice twists, and Sheldon Leonard as a hood called 'Wires' McGuire.
    6LeonLouisRicci

    Lightweight Crime...Ann Savage & Slick "Republic" Look Highlight

    This Bit of Fluff from "Republic Studios" has a Sharp Noirish Appeal at Times but the Darkness is Overshadowed by a Lighter-Than-Air Tone.

    Peppered with Comedy-Relief in the Form of a Running-Joke the Annoying Don Barry "Standing-Up: the Pretty Adele Mara.

    The Grim and Scary Ann Savage who Left an Indelible Mark on Film-Noir in "Detour" (1945), Plays a "Songbird" and Another Love Interest for the Cocky, Belligerent Barry.

    Although She Doesn't Quite Pull it Off as a Nightclub Singer because of Her Hard Look and Demeanor, Savage Does Make an Impression.

    The Overall Tone is too Wishy-Washy for a True Noir.

    But its a Good Time-Passer and Republic Studios was Humming Along as One of the Best "B-Studios" in Hollywood.

    Those Looking for Film-Noir Need Go Elsewhere, but Still it's...

    Worth a Watch.

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    Handlung

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    • Patzer
      When detective Dwyer finishes up using his acetylene torch to loosen the metal running board of the getaway car, he immediately grabs the running board with his hands--a very foolish move as the still hot surface would certainly inflict severe burns.
    • Zitate

      Bonnie: Hello, Mr. Ferrara. Having a nightcap?

      Ferrara: Oh, hello.

      Bonnie: Betcha don't remember me. I'm a friend of a friend of yours, Tom Dwyer.

      Ferrara: I know, I've been waitin' here for him for half an hour. He told me to meet him.

      Bonnie: If he ever kept a date it would be a mirage.

      Ferrara: [hmph] You mean a miracle.

      Bonnie: Nope. A miracle is something you believe but never see. A mirage is something you see but brother, don't ever believe it.

    • Soundtracks
      The One I Love Belongs to Somebody Else
      Words by Gus Kahn and music by Isham Jones

      (c) 1924

      Sung twice in restaurant by Ann Savage

    Top-Auswahl

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    Details

    Ändern
    • Erscheinungsdatum
      • 9. August 1946 (Vereinigte Staaten)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • The Crooked Mile
    • Drehorte
      • Republic Studios, Hollywood, Los Angeles, Kalifornien, USA(Studio)
    • Produktionsfirma
      • Republic Pictures
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Technische Daten

    Ändern
    • Laufzeit
      • 1 Std. 7 Min.(67 min)
    • Farbe
      • Black and White
    • Seitenverhältnis
      • 1.37 : 1

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