Füge eine Handlung in deiner Sprache hinzuA love triangle of two sisters, both passionately desiring the same man.A love triangle of two sisters, both passionately desiring the same man.A love triangle of two sisters, both passionately desiring the same man.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 wins total
Lauri Korpela
- Brauner
- (Nicht genannt)
Laina Laine
- Housekeeper
- (Nicht genannt)
Nora Mäkinen
- Prostitute
- (Nicht genannt)
Lida Salin
- Bar hostess
- (Nicht genannt)
Emma Väänänen
- Mother in consulting room
- (Nicht genannt)
Elli Ylimaa
- Aunt
- (Nicht genannt)
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Certainly not the best Tulio Film, here he teams up again with writer Nisse Hirn and actress Regina Linnanheimo. The set-up is fairly conventional melodrama. Two sisters both fall for a handsome doctor and when the doctor marries the older sister, the younger one, heart-broken, leaves the country. After some dramatic twists, the younger sister returns home and the main characters find themselves in an agonizing love triangle.
The dialog, even by Tulio/Hirn standards, is laughably stiff and pompous for the first 20-30 minutes. After that it settles into something a bit less over-the-top, but don't get it confused, this is melodrama through and through. And as the drama tightens, Linnanheimo's acting chops are truly put to the test; and viewers do well to remind themselves that this is melodrama, not real life.
Tulio's visual touch is here, with the accustomed close-ups and inventive editing. What makes this truly interesting, however, is the moral ambiguity. For 1946, there are a number of questionable elements here that would have had Hollywood censors reaching for their heart medicine in utter shock.
The dialog, even by Tulio/Hirn standards, is laughably stiff and pompous for the first 20-30 minutes. After that it settles into something a bit less over-the-top, but don't get it confused, this is melodrama through and through. And as the drama tightens, Linnanheimo's acting chops are truly put to the test; and viewers do well to remind themselves that this is melodrama, not real life.
Tulio's visual touch is here, with the accustomed close-ups and inventive editing. What makes this truly interesting, however, is the moral ambiguity. For 1946, there are a number of questionable elements here that would have had Hollywood censors reaching for their heart medicine in utter shock.
Wusstest du schon
- WissenswertesDue to illness affecting his eyesight, cinematographer Pentti Lintonen had to take a break from his career after the production. He returned to his profession in 1949.
- VerbindungenEdited into Fedja (2012)
- SoundtracksA-molli-valssi
Composed by Frédéric Chopin
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Details
- Laufzeit
- 1 Std. 31 Min.(91 min)
- Farbe
- Seitenverhältnis
- 1.37 : 1
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