The Inner Circle

Before he can finish placing his help-wanted ad over the phone, the perfect candidate shows up at the office of Johnny Strange and fills the position of secretary without even giving Johnny a chance to say yes. She immediately takes the call from a new client, a mysterious woman with a Spanish accent. When Johnny meets her, the client is dressed all in black and wearing a heavy veil that conceals her face. She takes him to a house with a corpse lying in it, and asks him to take care of it. Before Johnny can call the police she knocks him unconscious with a bookend. He wakes up to see Det. Lt. Webb, who tells him the dead man is a notorious gossip columnist with a popular radio program. A nightclub manager, a singer, a housekeeper, a hard-of-hearing groundskeeper and two beautiful blondes are among the whos who may have done it.

"The Inner Circle" moves fast and gives away its surprises in the right places, helping us to ignore the strained humor and a silly twist on the usual gathering-the-suspects-into-a-room ending. Adele Mara and Warren Douglas are okay as the leads, but they're outshone by the supporting cast, especially William Frawley as the tough but even-tempered lieutenant and Will Wright as the old sneak who is probably pretending to be more deaf than he is.

This is a romantic, comic mystery. Warner Brothers turned out a lot of these in the thirties and early forties. Jane Wyman was often the girl.

Here, we have several girls. We have the secretary who appears out of nowhere. She works for a private investigator, Johnny Strange. (Was there another noun that could be added to Johnny to make a name for a movie character in that decade?) Then there's the mysterious veiled woman who calls for his services. Then there's Virginia Christine (Mrs. Olson of the coffee commercials a few decades later.) She sings in a club. Then there's ... OK: No more about the plot.

That excellent and durable actor Ricardo Cortez somehow found himself at Republic. He turns in a variation on his usual cynical, suave performance. It's not his worst, either. But he is fourth-billed, below William Frawley, who plays a cop. And Adele Mara gets top billing.

It's fun to watch. It could very easily have been better but it isn't terrible.

Johnny Strange of Action Incorporated is interrupted by a beautiful woman while placing an ad for a secretary. She hangs up on the newspaper and takes the job. When a mysterious call comes in not long after Johnny finds himself knocked out and framed for the murder of a sleazy radio show announcer (ala Walter Winchell). Johnny must now try to solve the case before he ends up behind bars for the murder.

This is a fast moving mystery thriller with a smart ass attitude and a never ending stream of one liners. Running around 55 minutes this movie starts from the first frame and zips right on by to the last. To be certain the film shows signs of a reduced budget, there are only so many sets, but the film over comes the limitations by being very witty. The cast which includes William Frawley as a cop, Ricardo Cortez as suspect William Douglas as Johnny and first (?) billed Adele Mara as the secretary is first rate. The rest of the cast is filled out with many familiar faces and they all come together to make what could have and should have been a less than sterling little mystery into something that is actually quite enjoyable.

Definitely worth a bowl of popcorn and a soda (especially on a multi feature evening on a rainy night)

...On Michael Keaton in the 80's noir spoof Johnny Dangerously???? The inner circle even had a bit of tongue-in-cheek itself, though in much more of a 1940's innocence.

William Frawley's in top form and

Adele Mara really shines in a part that seems tailor made for her

The cinematography is surprisingly top-notch, though you wouldn't notice if you turned it off after the first 15 minutes. It gets a bit more impressive as it goes along.

Though not finest quality direction, it does move well with some snappy dialogue and interesting staging.

Don't expect academy award performances, but it's still worth a watch, just for a few chuckles and to see it's influence on much later noir spoofs.

Warren Douglas, with his B-movie leading-man good looks, appeared in a string of low budget murder yarns. Although regular commercial TV was still a few years away, this film seems to have a 'look' similar to television's detective shows of the 1950's. In fact, a number of this film's supporting cast members would be commonly seen in supporting roles on television, less than ten years hence.

In this particular outing Warren Douglas plays a private eye named 'Johnny Strange' (no kidding), who runs a detective agency called (get ready--) "Action Incorporated".

The story line is somewhat commonplace, starting with the murder of a well known radio personality, and involving a strange "Spanish woman" (that's how the other characters refer to her), some skulking house servants, a missing diamond, a duplicate beautiful blonde, and--of course-- a blustery, mis-guided police detective (William Frawley, who could play these roles in his sleep).

This poverty row feature might turn up on TV, but more likely than not, you'll have to rent or buy a copy of this film from a dealer of video obscurities. Although typical of it's genre, it's an enjoyable watch, nonetheless.

Recommended.