Füge eine Handlung in deiner Sprache hinzuBandleader involved in political campaign.Bandleader involved in political campaign.Bandleader involved in political campaign.
Harry James and His Orchestra
- Music Makers
- (as Harry James' Music Makers)
Ben Erway
- Headwaiter
- (Gelöschte Szenen)
Frank Ferguson
- Statistician
- (Gelöschte Szenen)
Charles Tannen
- Secretary
- (Gelöschte Szenen)
John Ardell
- Voter
- (Nicht genannt)
Herman Boden
- Dancer
- (Nicht genannt)
George Bruggeman
- Trainer
- (Nicht genannt)
Harry Carter
- Jimmy - Attendant at Race Track
- (Nicht genannt)
Harry Cheshire
- Phil Gargan - State Engineer
- (Nicht genannt)
Kay Connors
- Miss Magee - Gillingwater's Secretary
- (Nicht genannt)
Roy Damron
- Dancer
- (Nicht genannt)
Empfohlene Bewertungen
This is a lightweight but enjoyable remake of "Thanks a Million" (1935). While it's far from a must-see, it has modest aspirations and makes for a decent time-passer. The star of this one is Perry Como--and his singing is typically smooth and enjoyable even though none of the songs are particularly memorable. He is supported by Vivian Blaine, Harry James, Phil Silvers and Carmen Miranda. As far as Silvers and Miranda go, they are pretty low-key in this film and lack the loud and brash qualities that made "Something for the Boys" a rather poor musical. In fact, this prior film ALSO starred Vivian Blaine and Perry Como--making "If I'm Lucky" sort of a reunion picture. Of the two films, "If I'm Lucky" is the vastly superior film.
The five stars all are out of work and need a musical gig. By luck, they are discovered by a political machine--who puts the band to work during their gubernatorial campaign providing a warm-up act before their candidate gives a speech. However, during one of their stops, the candidate (Edgar Buchanan) gets stinking drunk and Como instead entertains the audience and makes a small speech. It ends up going over so well that the political machine offers to run Como for governor instead of Buchanan! Como knows he cannot win but realizes it would be great publicity for him and his friends and their band. The problem is that he DOES have a chance and his squeaky clean political machine is not so squeaky clean after all! And, these new 'friends' threaten to ruin his friends' careers if he doesn't play along. What is this honest guy going to do?
Overall, this is a very pleasant little film. I already commented about the music by Como, but this film features a few insane musical numbers (such as Miranda's "Botocudo") as well. While these folks are SUPPOSED to be performing a few songs during an election run or in night clubs, the production numbers become ridiculously big as the film progresses. This isn't a complaint--just an observation about the sort of song and dance numbers that were popular during this era. Not a must-see but a decent little time-passer.
The five stars all are out of work and need a musical gig. By luck, they are discovered by a political machine--who puts the band to work during their gubernatorial campaign providing a warm-up act before their candidate gives a speech. However, during one of their stops, the candidate (Edgar Buchanan) gets stinking drunk and Como instead entertains the audience and makes a small speech. It ends up going over so well that the political machine offers to run Como for governor instead of Buchanan! Como knows he cannot win but realizes it would be great publicity for him and his friends and their band. The problem is that he DOES have a chance and his squeaky clean political machine is not so squeaky clean after all! And, these new 'friends' threaten to ruin his friends' careers if he doesn't play along. What is this honest guy going to do?
Overall, this is a very pleasant little film. I already commented about the music by Como, but this film features a few insane musical numbers (such as Miranda's "Botocudo") as well. While these folks are SUPPOSED to be performing a few songs during an election run or in night clubs, the production numbers become ridiculously big as the film progresses. This isn't a complaint--just an observation about the sort of song and dance numbers that were popular during this era. Not a must-see but a decent little time-passer.
Silly but pleasant little Fox B trifle. A Carmen Miranda musical in B&W is an oddity but in B&W or color she is always Technicolor and is as full as sass as ever and her headgear is as truly astounding. Perry Como sings well and is certainly attractive but he is missing that big screen charisma needed for major stardom. It is easy to see why he was a big hit on TV, he possessed a very warm and friendly presence that makes you feel right at home. Vivian Blaine is lovely and Edgar Buchanan is always a welcome addition to any movie but Phil Silvers is an acquired taste, there's no in between either you like him or not. For me he's hard to take but if you're a fan than he can be amusing. One big plus this has is that Harry James and his band provide the music and that's always a good thing.
This is an entertaining remake of "Thanks A Million".I do not know much about American politics in the thirties but i would guess that the original was probably a swift punch to the midriff of the American body politic whereas this is more a nudge in the ribs.If you stand this on its own you would say that this is a reasonably entertaining Fox musical from the 1940s with all the usual ingredients,the best of which is Carmen Miranda who really steals the show.As for Perry Como well we all know he can sing but unfortunately he cant act and that is one of the main problems of this film,particularly if you compare him to Dick Powell in the original.Also i have to say that not one of the songs stays in the mind for one second after the music has faded away.I would be bound to say that if you had to see one version it would have to be the original.Any film with Fred Allen,Patsy Kelly and Raymond Walburn has to be unmissable
'If I'm Lucky' is the name of a mediocre song as well as the 1946 picture it appears in. 'IIL' is one of Fox's lesser musicals saved by the talents of Carmen Miranda and the song and dance pros, Phil Silvers. Vivian Blaine, Harry James and a very young Perry Como. Collectively, they help right this almost sinking ship. 'IIL' is a love story with a political campaign backdrop. The musicians are hired for $1,000 ($17,500 in today's market) to travel with the campaign for the express purpose of wooing voters. Romance of course blossoms as the political candidate, played by the irreplaceable Edgar Buchanan, has to be bailed out of problem after problem. Will the musical group succeed in its mission despite issues with that keep erupting? You'll have to find out for yourself. It will only cost you 80 minutes which go quickly.
Vivian Blaine, looking lovely at age 25, has the lead role in this musical, which also stars Perry Como, and both of them perform their musical numbers pleasantly and competently.
Phil Silvers is, of course, Phil Silvers, playing exactly the same character he played in many other films.
It should have been a crime not to film Carmen Miranda in Technicolor. Her production number cries out for color.
Harry James has a speaking part, portraying the band leader (what a stretch). He also performs vocally in some of the songs.
Edgar Buchanan (better known to us as Uncle Joe in the TV series "Petticoat Junction") is the quintessential politician blowhard.
The musical score is done by veteran songsmiths Josef Myrow (You Make Me Feel So Young) and Edgar "Eddie" De Lange (Darn That Dream, Moon Glow). While none of the tunes seems to have survived to present day, nor made the status of "standard", the songs are pleasant and typical fare for that time.
Forget that this film is a remake of another. So what else wasn't new in Hollywood. It's a bit of fluff in the same vein as all of the other 20th Century Fox musicals of the 1940s. So if you like those musicals, you'll enjoy this one too. The only big flaw is lack of Technicolor.
Phil Silvers is, of course, Phil Silvers, playing exactly the same character he played in many other films.
It should have been a crime not to film Carmen Miranda in Technicolor. Her production number cries out for color.
Harry James has a speaking part, portraying the band leader (what a stretch). He also performs vocally in some of the songs.
Edgar Buchanan (better known to us as Uncle Joe in the TV series "Petticoat Junction") is the quintessential politician blowhard.
The musical score is done by veteran songsmiths Josef Myrow (You Make Me Feel So Young) and Edgar "Eddie" De Lange (Darn That Dream, Moon Glow). While none of the tunes seems to have survived to present day, nor made the status of "standard", the songs are pleasant and typical fare for that time.
Forget that this film is a remake of another. So what else wasn't new in Hollywood. It's a bit of fluff in the same vein as all of the other 20th Century Fox musicals of the 1940s. So if you like those musicals, you'll enjoy this one too. The only big flaw is lack of Technicolor.
Wusstest du schon
- WissenswertesOriginally called "You're For Me".
- Zitate
Michelle O'Toole: Baby, don't forget my harp, Wally.
Wallingham M. 'Wally' Jones: [as picks up her huge harp] Oh, yes. Why didn't you play a piccolo?
- VerbindungenReferenced in Das Wunder von Manhattan (1947)
- SoundtracksFollow the Band
(uncredited)
Music by Josef Myrow
Lyrics by Edgar De Lange
Performed by Phil Silvers, Carmen Miranda, Vivian Blaine and Harry James
Also performed by Phil Silvers, Carmen Miranda, Vivian Blaine,
Perry Como and Harry James
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- Un joven de suerte
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- Laufzeit
- 1 Std. 18 Min.(78 min)
- Farbe
- Seitenverhältnis
- 1.37 : 1
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