The Brute Man

First, before I begin, I would like to point out that this film may very well be the first Hollywood prequel, with THE BRUTE MAN being a prequel to HOUSE OF HORRORS(1945). Most so called "expert" film critics claim 1949's ANOTHER PART OF THE FOREST (a prequel to THE LITTLE FOXES) as the first Hollywood prequel. They are wrong I tell you! As I have pointed out else where, film firsts should be noted and applauded, even if the film(s) is/are otherwise unremarkable. Now that I've gotten that out of the way...

THE BRUTE MAN is not a very good film. The film has good a opening scene with Hal (Hatton) being chased by police. These opening scenes have an effective "film noir" feel to them. However the film quickly goes down hill after this and plods around from incident to incident. The film is not helped at all by the fact that Hatton was not an actor at all. He was more of human prop. He has just to much dialog, which he often seems to stumble over (I don't know if his condition made speaking difficult.) He would have been far more effective if the script didn't require him to deliver a lot of lines, or none at all as in his horror star debut PEARL OF OF DEATH, where he was mute and was used effectively. When ever Hatton utters a line, he becomes comical, not frightening. Over all THE BRUTE MAN is basically just another sub par horror thriller.

What makes THE BRUTE MAN so worthy of scorn is the tasteless way the film mirrors Hattons real life story. In the film Hal is a handsome college athlete who becomes disfigured when exposed to gas. In real life Hatton was a handsome high school athlete who was exposed to a deadly gas while fighting in World War 1. He suffered for years in great pain from the attack and was in and out of hospitals. Hatton claimed his exposure to the gas brought about his disfiguring condition. To exploit his tragic real life story in a cheap horror film was in pretty bad taste. Now, I understand Hatton was paid well for his role, but I wonder if he ever felt uncomfortable having his tragic real life story being exploited in a cheesy horror picture like this.

Hatton died before this film was released. So did Hollywoods interest in making horror films. So did the "old" Universal, being bought out and merging with International pictures. It's almost certain if Hatton lived, he would have had his contract dumped by the studio's new owners and gone back to being what he had been before his short, dubious fame as a horror film star; a full time sports writer and occasional bit player.

One note: This film was produced by the old Universal, but by the time this film was ready for release, Universal was now Universal-International. The new studio was now a "prestige" studio, and horror films were not prestigious. So the studio had minor studio Producers Releasing Corporation (PRC) release the film. Some reviewers in 1946 were fooled into thinking that film was produced by PRC and noted that the film had better production values than previous PRC films, not knowing the film was actually a Universal production.

For such a low budget movie and from PRC as well, The Brute Man is quite good.

As a result of an experiment going wrong at university, Hal Moffat becomes disfigured and some years later, starts killing people. His victims include a grocer's delivery boy and a jeweller. He makes friends with a blind woman but nearly kills her after shopping him to the police and is arrested in her home after she set him up.

The Brute Man is shot well in black and white and is certainly one of the better efforts from PRC.

I've never heard of any of the cast in this, with Rondo Hatton in the title role.

This is worth checking out. A good way to spend an hour one afternoon or evening.

Rating: 3 stars out of 5.

This is the final film for Rondo Hatton, who suffered from acromegaly, and was employed in Hollywood increasingly as his disease progressed, just as Hedy Lamarr was used as her beauty increased. The plot is simple: a bright handsome young man is turned into a monster by an accident causing malfunction of his pituitary gland. His disease exacerbates his natural inclination to impulse and temper. As in the Frankenstein myth, his ugliness causes rejection by almost every one he meets. At any clear sign of revulsion, he kills. As in the Frankenstein movie, he receives unconditional acceptance only from a blind musician. At this hint of what life could have been, he softens. But the Hollywood ending cannot be. Rondo, who started in movies in 1930, was routinely used as a homely/ugly bit. The revival of horror films brought him a natural chance for stardom. Movies released in '44, '45, and '46 (the year of his death), had him appearing as The Creeper, in lead or featured parts. In the The Brute Man, he plays that part as it parallels his own life, and he is remarkably good, fully showing the good and the bad of the character. It is the faint spark of human needs that touches us, and it makes it possible to see the real ugliness of the beautiful actors cast to support him. But it is not a welcome message. The production is of course on the cheap, but with a lot of attention to detail, especially the waterfront hovel, his hideout, and the downscale apartment of the blind girl, his only other haven. Brando, in The Men, at the beginning of his career, and Rondo, in The Brute, at the end of his career, show us that being different is not for sissies, only with Brando you get the Hollywood ending.

Rondo Hatton is my hero. Who cares if he wasn't a classically trained actor?! As The Creeper he tugs the heart-strings like a pro! He's got heart! He's got soul! He's got courage! He's also damned likable! Rondo is also one hell of a hero. Rondo took the crummy hand that fate dealt him and played it magnificently. He became one of the most endearing and cool anti-heroes of all B-moviedom! To experience Rondo Hatton as The Creeper is to experience pure magic! I watched horror movies as kid and always loved "the monster". A good "monster" gets my vote every damn time. The Creeper fits that bill perfectly and better than most. The Creeper is one of my all time favorite fright flick anti-heroes. GOD BLESS YOU RONDO HATTON!

After reading many of the other reviews for this film , I just thought I would try to say a couple of positive things about it. For one if you,re a Universal Horror film completist like myself , it's a "must have" I realize the production values are somewhat low for Universal standards , thats why they released it as a "PRC" film , but hey! they were glad to get it. Secondly , It's actually a "prequal" to the film House Of Horrors , which is really a lot better film overall , and moves at the brisker pace you'd expect a Universal Horror flick to travel at. Third , It's got Rondo. Truly an unusual character to build a film around. He is now now a minor cult icon , and the inspiration of the Rondo Awards , that honor many different aspects of Horror & Sci-fi , by allowing us to vote online..All & All , I gave this one a 5 out of 10 mainly based on my great love of the classic Universal Horror films. Take a second look some evening , watch it with House Of Horrors. It's not all that bad.