Behind the Mask

This film is about Lamont Cranston trying to track down a criminal who is masquerading as the "Shadow" and murdering members of the underworld. (And, giving the Shadow a "bad name").

This film has a LOT of potential (and it's VERY clever how the murderer pulls it off), BUT the jealous antics of Margo Lane & friend get to be sooo annoying that it all but ruins the film. (I'm glad to say that Lamont actually SPANKS her at the end of the film!). It's a shame that he didn't do that at the BEGINNING of this film!

Norm

Behind the Mask (1946)

** (out of 4)

Phil Karlson directed this second entry in "The Shadow" series. In this film, a sleazy news reporter is murdered and everyone thinks The Shadow was behind it. The alter ego Lamont Cranston (Kane Richmond) must prove that The Saint wasn't the murderer and find the real one. Every studio during this era had a mystery fighter on their hands and The Shadow belonged to Monogram, which should tell you just about everything you need to know. There's no question that the material here is more second rate than anything else and in the end this just isn't a very memorable movie. I think a lot of the problem goes to the screenplay, which is just rather routine as there's nothing in it that really separates this from the countless other films like it. It certainly doesn't help matters that Cranston is such a boring character that the viewer can never really connect with or really care about what happens to. Another problem is that there's way too much comic stuff. Yes, a mixture of comedy and mystery can be good but not when the jokes fall so flat. The supporting characters are just annoying and especially the assistant's girl who is written as that dumb blonde that gets on everyone's nerves. Richmond really isn't all that energetic or charismatic in the role of The Saint. I'm not sure if he just wasn't interested in the part or perhaps the screenplay just didn't excite him enough to give it more of a push. The supporting players are mostly forgettable, although no one is so bad to where they ruin the film. BEHIND THE MASK will remain watchable for fans of the genre but I think they'll realize that there's not much going on here.

The Shadow is one of the great pre-comic book heroes of the 1930s, so you'd think that this film would be a lot more fun than it is. The problem is that the film-makers didn't seem much interested in making a Shadow film ... what we have here is a not very good detective movie with lots of ill-considered "humorous" scenes.

Not even a curiosity, this is not for Shadow fans. Take a look at the 1940 chapter serial with Victor Jory. Much closer to the original Shadow concept. Though there's still loads of potential for someone to make the definitive screen adaptation of The Shadow ... 'cos Russell Mulcahy's 1994 effort wasn't it either ...

Kane Richmond returns for his second stint as Lamont Cranston/The Shadow in this fourth movie in The Shadow series.up to this point,this this is my least favourite.for me,it was boring and tedious.i didn't find the story all that interesting,or engaging.and the movie annoyed me at times,especially with how loud it was at times.by that i mean lot of shrill screeching,a lot of it by the character of Margo Lane(Barbara Read).Shrevvy(George Chandler)is fairly helpful to Cranston,having more to do this time,and is less of a dim bulb than in the previous movie.that's a positive,at least.overall though,this was a disappointing entry.my vote for Behind the Mask is a 4/10

This second of Monogram's three Shadow movies again features Kane Richmond as Lamont Cranston/The Shadow, and Barbara Read as his girlfriend/assistant Margo Lane. It starts with a well-done, gritty set-up; a blackmailing reporter makes his way through rain-streaked streets at night, to various dingy illegal 'bookies' and nightclubs, meeting with 'clients' and taking payments. One client decides enough is enough and has the blackmailer taken care of in a manner that implicates the Shadow. Cranston sets out to catch the murderer and to clear his alter-ego's name.

Sadly, after such a promising opening this reverts to the 'Thin Man' style banter that dragged the first one down, and by the half-way point plummets into 'comedy' that really isn't funny now. The tension built so well at the beginning just evaporates. On top of that, the Shadow hardly appears, with most of his work done as Lamont Cranston (who, as before, is played like any other amateur detective or adventurer of the era, with no mystical abilities). By the end the killer is caught and the Shadow is exonerated, but it's hard to care. There's a good, noir story in here, but it's squandered. A definite drop. 4/10.