Füge eine Handlung in deiner Sprache hinzuWhen spy chief Bob Sharkey finds out one of his agents-in-training is actually a Nazi double agent, his strategic decision not to arrest him results in tragedy.When spy chief Bob Sharkey finds out one of his agents-in-training is actually a Nazi double agent, his strategic decision not to arrest him results in tragedy.When spy chief Bob Sharkey finds out one of his agents-in-training is actually a Nazi double agent, his strategic decision not to arrest him results in tragedy.
- Regie
- Drehbuch
- Hauptbesetzung
- Psychiatrist
- (Gelöschte Szenen)
- Burglary Instructor
- (Gelöschte Szenen)
- Resistance Fighter
- (Nicht genannt)
- Instructor
- (Nicht genannt)
- Joseph
- (Nicht genannt)
- German Officer
- (Nicht genannt)
- German Officer
- (Nicht genannt)
- Second Jump Master
- (Nicht genannt)
- Instructor
- (Nicht genannt)
- RAF Officer
- (Nicht genannt)
- German Officer
- (Nicht genannt)
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Bob Sharkey (James Cagney) trains young men and women to be American secret agents. These "077 candidates" go through tough physical and mental tests. Candidates who succeed are then sent on military intelligence assignments overseas. But one of those being trained by Sharkey is a German mole, working for Hitler.
In the film's first half, Sharkey finds the mole. The second half plot follows Sharkey's efforts both to deactivate the mole, and to find a man named Duclois, the builder of a German rocket depot, a facility constructed to launch bombs against England, and located in Nazi-occupied France. The mole, headquartered in an imposing building at 13 Rue Madeleine in the French port city of Le Havre, cleverly makes Sharkey's double mission difficult. And the film ends with a riveting climax that is surprisingly realistic for a 1940's film.
Cagney gives a really good performance. The film's screenplay allows for sufficient character development, unusual for WWII films. And with tight editing, the plot zips along at a fast pace, covering a lot of story material, so that viewers need to pay attention or risk missing important plot details.
Except for that awful prologue, everything about "13 Rue Madeleine" is high quality: the costumes, the dialogue, the B&W cinematography, and especially the acting and the editing. Director Henry Hathaway even uses authentic locales, further elevating the film's overall quality.
As a WWII espionage thriller, I cannot think of a better film than "13 Rue Madeleine".
Biggest pluses--excellent writing, pacing and acting (in that order).
Despite some nice performances, notably from Cagney and Conte, the film under Henry Hathaway's direction was quite slow; he was lumbered with a script where it was difficult to develop any feelings for most of the characters, as they were underdeveloped. There were some good scenes, particularly the ones with Jaffe's character and the French resistance. Darryl F. Zanuck brought the pretty, petite Annabella over from France to star her in films, unaware that she would fall in love with his top male star, Tyrone Power. When he tried to discourage the relationship by sending her back to France to do some films, she refused to leave her man, thus finishing her as far as Zanuck was concerned. It's a shame because although you can't tell in this movie, Annabella was an excellent actress, as she would prove on the stage. It's fun to see Karl Malden and E.G. Marshall in small parts.
The end of the film is powerful, but I prefer "OSS," also a small, semidocumentary film - catch that one if you have a chance.
The cast is full of fine players: Richard Conte, Sam Jaffe, E.G. Marshall, Red Buttons, Karl Malden, Roland Winters and the lovely Annabella.
A great black and white flick evocative of the 40s. Catch it on AMC.
Wusstest du schon
- WissenswertesJames Cagney at one time was the highest ranking Caucasian black belt in judo, and displayed a little of his expertise in the early part of this movie. He demonstrated to the agents-in-training how to properly roll heels over head on a mat. He said to slap the ground to lessen the impact. This is probably the first lesson learned in judo training. Cagney had already shown his skill in another movie, "Blood on the Sun" (1945), in which he battled the villain in hand-to-hand combat in a wharf side warehouse. In the scene he does not use a stunt double.
- PatzerWhen the resistance listen to their personal message on the news, the radio news reader from London is clearly American. Such messages were broadcast by the BBC.
- Zitate
Charles Gibson: I don't want to send you.
Robert Emmett 'Bob' Sharkey: I've been working hard. I need the change.
Charles Gibson: You won't come back.
Robert Emmett 'Bob' Sharkey: [Gibson drops his eyes] I've just discovered something about you.
Charles Gibson: What?
Robert Emmett 'Bob' Sharkey: You're a worrier.
- Crazy CreditsPrologue, shown printed in a book: No single story could ever pay full tribute to the accomplishments of the U.S. Army Intelligence in World War II. Working secretly behind enemy lines, in close cooperation with our Allies, its brilliant work was an acknowledged factor in the final victory. The page turns to reveal: In order to obtain the maximum of realism and authenticity, all the exterior and interior settings in this Motion Picture were photographed in the field - - and, whenever possible, at the actual locations.
- VerbindungenEdited into All This and World War II (1976)
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- Trece rue Madeleine
- Drehorte
- Produktionsfirma
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- Laufzeit
- 1 Std. 35 Min.(95 min)
- Farbe
- Seitenverhältnis
- 1.37 : 1