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What a Blonde

  • 1945
  • Approved
  • 1 Std. 11 Min.
IMDb-BEWERTUNG
6,5/10
111
IHRE BEWERTUNG
Leon Errol, Richard Lane, and Elaine Riley in What a Blonde (1945)
KomödieRomanze

Füge eine Handlung in deiner Sprache hinzuLingerie tycoon F. Farrington Fowler is in a spot as he has ran out of gas-ration coupons. He enlists his butler, Pomeroy, to drum up riders so that he can get extra coupons from the ration ... Alles lesenLingerie tycoon F. Farrington Fowler is in a spot as he has ran out of gas-ration coupons. He enlists his butler, Pomeroy, to drum up riders so that he can get extra coupons from the ration board. Pomeroy gets a bunch of showgirls and parks them in Fowler's mansion, this being ea... Alles lesenLingerie tycoon F. Farrington Fowler is in a spot as he has ran out of gas-ration coupons. He enlists his butler, Pomeroy, to drum up riders so that he can get extra coupons from the ration board. Pomeroy gets a bunch of showgirls and parks them in Fowler's mansion, this being easy since Mrs. Fowler is away visiting her mother. Leon adds to the number by bringing home... Alles lesen

  • Regie
    • Leslie Goodwins
  • Drehbuch
    • Charles E. Roberts
    • Oscar Brodney
  • Hauptbesetzung
    • Leon Errol
    • Richard Lane
    • Michael St. Angel
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,5/10
    111
    IHRE BEWERTUNG
    • Regie
      • Leslie Goodwins
    • Drehbuch
      • Charles E. Roberts
      • Oscar Brodney
    • Hauptbesetzung
      • Leon Errol
      • Richard Lane
      • Michael St. Angel
    • 8Benutzerrezensionen
    • 2Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
  • Fotos8

    Poster ansehen
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    Topbesetzung23

    Ändern
    Leon Errol
    Leon Errol
    • F. Farrington Fowler
    Richard Lane
    Richard Lane
    • Pomeroy
    Michael St. Angel
    Michael St. Angel
    • Andrew Kent
    Elaine Riley
    Elaine Riley
    • Cynthia Richards
    Veda Ann Borg
    Veda Ann Borg
    • Pat Campbell
    Lydia Bilbrook
    Lydia Bilbrook
    • Mrs. Fowler
    Clarence Kolb
    Clarence Kolb
    • Charles DaFoe
    Ann Shoemaker
    Ann Shoemaker
    • Mrs. DaFoe
    Chef Milani
    • Tony Gugliemi
    Robert Clarke
    Robert Clarke
    • Man
    • (Gelöschte Szenen)
    Virginia Belmont
    Virginia Belmont
    • Showgirl
    • (Nicht genannt)
    Patti Brill
    Patti Brill
    • Showgirl
    • (Nicht genannt)
    Lloyd Corrigan
    Lloyd Corrigan
    • Employment Agency Clerk
    • (Nicht genannt)
    Dick Gordon
    Dick Gordon
    • Train Passenger
    • (Nicht genannt)
    Sam Harris
    Sam Harris
    • Train Passenger
    • (Nicht genannt)
    Russell Hopton
    Russell Hopton
    • Bothered Train Passenger
    • (Nicht genannt)
    Rosemary La Planche
    Rosemary La Planche
    • Showgirl
    • (Nicht genannt)
    Nancy Marlow
    Nancy Marlow
    • Showgirl
    • (Nicht genannt)
    • Regie
      • Leslie Goodwins
    • Drehbuch
      • Charles E. Roberts
      • Oscar Brodney
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen8

    6,5111
    1
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    Empfohlene Bewertungen

    8Real_Movie_Man

    What a Comedy!

    Leon Errol is quick witted and entertaining as ever in this fast paced comedy. A steady diet of laughs keep up with the twists and turns of the comical story line. Ration period problems as well to do's struggle with sustaining everyday life as they know it while having to rely on "commoners" to help make everything right as disruptions stack up. A very good comedy and well worth the hour and eleven minutes!
    6boblipton

    I Still Haven't Figured Out Which Blonde

    There's no point in discussing the details of this farce, but for various reasons involving wartime rationing and shortages, Hosiery manufacturer Leon Errol winds up with his mansion occupied not only by the usual people, but a bevy of chorines, pompous, judgmental Clarence Kolb and his wife, inventor Richard Lane and Elaine Riley, who's simultaneously Errol's secretary and Lane's fiancée. Also, Kolb thinks Errol is married to Veda Ann Borg, the head of the chorus girls, and that Errol's wife is his house keeper.

    Don't worry too much about it, because like all of Errol's starring features in this period - except for the Mexican Spitfires - it looks much like two or three of his shorts stitched together, and the pleasure is watching Errol going through his various shticks in rapid succession, which he does, except for his rubber-legs routine. It's co-written by Errol's frequent writer, Charles Robert's, and director Leslie Goodwins and editor Edward Williams keep things bumping along for a brisk 71 minutes.
    7batuk

    Funny romp.

    This war-ration themed drama is one of the funniest movies I've seen in a while. Starring the comical Leon Farrel the movie takes us through quite a few mix-up antics. Overall a great movie to see when you need a little fun :)
    2richardchatten

    The Usual Nonsense

    After a sequence set on a smoke-filled train presumably to add running time, we get the usual mistaken identity and scurrying about Leon Erroll's palatial home until it eventually reaches feature length and ends.

    At least it's got Veda Ann Borg in it.
    6planktonrules

    Much like a longer version of one of Errol's shorts.

    From the 1930s-50s, Leon Errol made a long series of short comedies for RKO. The themes in most of them are identical....with Errol either playing a philandering husband OR playing a husband whose wife THINKS he's a philanderer when he actually isn't. "What a Blonde" is like one of these later plots...with Leon's wife thinking he's cheating on her when he isn't.

    "What a Blonde" is a film strongly influenced by being made during WWII. During the war, rationing was imposed on the public in order to direct most of the production towards the soldiers fighting abroad. Items such as rubber, cars, food and gasoline were severely rationed and folks simply were not allowed to drive for fun nor buy whatever they wanted in stores.

    The story finds Leon a rich guy who despite hid money, he can't have what he wants. His servants are surly (because there was a severe shortage of domestic staff during the war) and he barely can get enough gas to allow him to be driven to work by his chauffer. So, he comes up with a scheme. If he gets other people to carpool with him, he would be given additional ration coupons for gasoline. Although the plan seems reasonable, it soon spirals in insane ways that are completely unpredictable. See the film...you'll see what you mean.

    So why did I give this movie a 6? Well, it was enjoyable and funny...though after a while it also was a bit tedious. Why? Well the momentum of the story really seemed to slow because it wasn't a short and was so long. Now this isn't to say it's bad...but it might have been better had it been shorter.

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    • Wissenswertes
      According to a contemporary article in The Hollywood Reporter, RKO purchased the film rights to the story by Oscar Brodney specifically as a vehicle for Leon Errol.
    • Patzer
      Mrs. Fowler tells Maxine the Maid to put her luggage in her sister's car. Maxine walks out of the dining room and heads toward the front door. Less than a minute later Mr. Fowler goes in the opposite direction into the kitchen, where Maxine is seated at the table eating breakfast with the cook and the butcher.

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    Details

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    • Erscheinungsdatum
      • 3. Februar 1945 (Vereinigte Staaten)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • Come Share My Love
    • Drehorte
      • RKO Studios - 780 N. Gower Street, Hollywood, Los Angeles, Kalifornien, USA(Studio)
    • Produktionsfirma
      • RKO Radio Pictures
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    Technische Daten

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    • Laufzeit
      1 Stunde 11 Minuten
    • Farbe
      • Black and White
    • Seitenverhältnis
      • 1.37 : 1

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