Voice of the Whistler

RICHARD DIX was nearing the end of his career in "The Whistler" series and this one was made just four years before his untimely death from heart attack. He plays a rich industrialist who takes the advice of his doctors and seeks relaxation away from the pressures of work which are killing him.

LYNN MERRICK is a blonde nurse who takes an interest in the strangely quiet man. She's in love with a young doctor but gives in to the idea of marrying Dix (at his suggestion) so that when he dies within a few months, she would be a rich woman inheriting all of his wealth. She presents the plan to her fiancé (JAMES CARDWELL) but he rejects it flatly and she goes ahead with her plan to marry Dix for his money.

What happens after that is what makes the film interesting, since the plot is anything but predictable. Suffice it to say that Cardwell returns to the lighthouse where Merrick is living her married life to Dix, and the plot thickens as a murder plan develops that goes awry.

Interesting "Whistler" story with the loneliness theme nicely played out amid the lone atmosphere of a Maine lighthouse.

Summing up: Intriguing and better than average entry in this series.

This 1940's gem seems to be a screwy morality play and an ill-conceived cautionary tale combined, put together by some very clumsy writers and a director who evidently took verrrrry long lunches. The characters' motives and behavior are so contrary to basic human nature, so lacking reason, so contrived, so bizarre -- and let's not forget the shoddy police work and questionable medical procedures, not to mention people who trust strangers implicitly -- that the best thing to do is watch it and laugh at it.But it's oddly enjoyable throughout -- for how utterly camp it is.

If "huh?" isn't the word you say most in reaction to this miserable but entertaining little piece of cinema, I'd be very surprised.

One of the best of the offbeat series. About 15 or 20 minutes into the screenplay and we still can't be sure what direction the story will take or how it will turn out. We're being set up for something, but without the usual conventions, it's hard to know what. In fact, this is one of the most unusual plot turn-arounds of that period. No doubt, a little programmer like this could get away with a lot more than a higher profile project. That's why there's more movie gold to be found under the 40's radar screen than on it.

Richard Dix is perfectly cast as the burned-out magnate looking for a new lease on life after years of cut-throat competition at the top. In fact he looks like he's at tether's end until he meets the sweet blonde nurse. ( Prophetically, the alcoholic Dix would die a few short years later). However, the chummy stroll with cabbie Rhys Williams along poverty row is rather overdone, while the roomful of cheerful clinic patients smacks of pure Hollywood pretense. On the other hand, the converted lighthouse amounts to an inspired bit of "mise-en-scene", with a moonlit seascape that stretches into a glimpse of eternity and a perfect backdrop for the events that follow.

I don't know if the writers intended the screenplay as a cynical commentary on friendship among the poor and those who serve them, but it certainly looks that way. The irony isn't played up, but it's still there. Also, note how the closing shot amounts to a spooky warning that in such matters, no one gets off scot free. Then too, if there's a moral to the story, I suggest something like never messing with a guy who has battled his way to the top of the business dog pile. Anyhow, it's an intriguing little 60 minutes, more than worthy of that shadowy figure of fate and master of graveyard commentary, the Whistler.

Wealthy industrialist John Sinclair (Richard Dix) has devoted so much of his life to making money that he has no friends. To make matters worse for the saddest millionaire, his health is now failing. While on a doctor-prescribed vacation, he meets sexy nurse Joan (Lynn Merrick). He steals her away from her fiancé Fred to go live with him in a lighthouse, promising he will leave his fortune to her when he dies. After awhile Fred shows up and the plot, as they say, thickens.

The fourth in Columbia's Whistler series starring Richard Dix. Not the best but pretty good, especially given the short runtime. Dix is solid as usual. Fine support from Rhys Williams, James Cardwell, and beautiful Lynn Merrick, who looks great in a bathing suit. There's an early scene with a group of men sitting in a darkened room watching newsreel footage about the life of Dix's character that is close enough to Citizen Kane that one might call it a rip-off. Perhaps William Castle meant it as an homage. By the way, how precious is that little girl in the doctor's office? "I can't help it if I'm popular" -- so cute.

Whistler no.4 was imho perhaps the weakest of the 8 in the series, the main trouble being the plot change from seedy tarmac to invigorating lighthouse. This still means it's an atmospheric, interesting and inventive mystery thriller, keeping you on your toes with all the twists to the very end.

Rich, friendless and ill industrialist Richard Dix has a heart attack and gets ordered to go on vacation, forget about work and de-stress. He bumps into an English ex-boxer cocky Ernie Sparrow who befriends him and shows him round his poor but friendly neighbourhood. But sadly it doesn't last long as a new story direction is suddenly taken. You go from feeling sympathetic for everyone to feeling it only for Sparrow, such is the effect of the "business arrangement" that was made. Favourite bits: Some of the homely scenes looking out of the lighthouse windows stick in the mind; Lynn Merrick never looked lovelier this side of Boston Blackie, or out of a saddle either.

If you like the genre like me it's a nice little film, an hour well spent.